Fantasy Trees from Artstation |
It's that time again as we explore the plethora of insights, tips and entertainment that is the Supernatural Underground Backlist. This one features a post from Helen Lowe, written back in November 2017! Join us as we dive into a veritable sub-genre of arboreal fantasy, but remember, enter only if you dare...
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The Magic & Wonder of Trees in Fantasy
"Enter these enchanted woods, you who dare..."
- George Meredith, 1828-1909
Today I'm taking a look at the part trees play in Fantasy literature and whether authors in the genre have taken the Victorian poet's advice to heart. :)
Overall, it appears we have.
Ents, of course, are probably the most famous “trees”, or in their case, treelike beings, in Fantasy literature. They feature in the second and third books of The Lord of the Rings trilogy and played a major part in The Two Towers film, with the attack on, and destruction of Isengard:
“Pippin looked behind. The number of Ents had grown — or what was happening? Where the dim bare slopes that they had crossed should lie, he thought he saw groves of trees. But they were moving! Could it be that the trees of Fangorn were awake, and the forest was rising, marching over the hills to war? He rubbed his eyes wondering if sleep and shadow had deceived him; but the great grey shapes moved steadily onward.”
Sentient trees also feature in CS Lewis’s Narnia series and I’ve always loved the scene in Prince Caspian where Aslan reawakens the trees that have slept as a result of the Telmarine invasion:
“What Lucy and Susan saw was a dark something coming to them from almost every direction across the hills. It looked first like a black mist creeping on the ground, then like the stormy waves of a black sea rising higher and higher as it came on, and then, at last, like what it was — woods on the move. All the trees of the world appeared to be rushing towards Aslan.”
Sometimes, however, it is not a forest but a single tree that features — like the world tree in Mary Victoria’s Chronicles of the Tree series, which is first encountered in Tymon’s Flight:
“To starboard of the vessel…stretched a
vast and furrowed mountain of bark, so wide that it’s curvature was
almost invisible and so high that both its summit and its base were lost
to view. The immensity of the wall was broken by a profusion of
spoke-like limbs, the largest many miles in length. Several hundred feet
above the dirigible the trunk culminated in the gently rising plateau
of branches and twigs that made up the Central Canopy’s crown.”
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Helen Lowe is a novelist, poet, interviewer and blogger whose first novel, Thornspell (Knopf), was published to critical praise in 2008. Her second, The Heir of Night (The Wall Of Night Series, Book One) won the Gemmell Morningstar Award 2012. The sequel, The Gathering Of The Lost, was shortlisted for the Gemmell Legend Award in 2013.
Daughter Of Blood, (The Wall Of Night, Book Three) is her most recent book and she is currently working on the fourth and final novel in The Wall Of Night series. Helen posts regularly on her “…on Anything, Really” blog and is also on Twitter: @helenl0we
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