Showing posts with label Margaret Ronald. Show all posts
Showing posts with label Margaret Ronald. Show all posts

Saturday, May 24, 2025

From the Backlist: In What World?

 

Jacek Yerka: Surrealist Paintings – Thoughts on Papyrus

Welcome Sup readers and authors to another issue from the Backlist. Today we explore a particular take on world-building by Margaret Ronald. Join us in this vivid exploration of the heart of storytelling!

Read the whole post here - from May 2011. In What World? 

In what world?

In a world...


The words might not start as many movie trailers as they used to, but they've become a sort of shorthand for setting up drama. And for me, they sum up one of the things I love about writing: finding that "in a world" moment and drawing it out into a real, complicated situation.


 
Say you have a fairly normal setting, only with magic/mythical creatures/mutant superpowers. (In a world where vampires roam the night...in a world where deities lurk in back alleys...) Said powers can range from outright awesome (immortality! control over electricity! telekinesis!) to just above mundane (control over all shrimp no longer than one inch! olfactory invulnerability! keeping a fridge permanently clean!). The first and most important question then becomes "why aren't these magicians/vampires/mutants in charge of everything?"

 


 
One answer is "they are, we just don't know it." Okay, then. How much energy does it take to hide something that big? And why not rule openly? Or perhaps in this world, they are already visibly in charge of everything. That's going to make a lot of changes in the governance of this world, possibly even down to who's still considered a person. If vampires are in charge, are humans cattle? If magicians rule, where's the check on their power? 

 

 

There are lots of fun ways to play with this character by character -- say, Mr. Electricity above can only exert his power at great personal cost, and so lives off the grid, away from civilization. Or maybe the fridge-cleaning guy works in a sterile lab, and so that just makes his life a little easier. But on a larger scale, the effects of adding magic to a world are a lot more pernicious.. Read the whole post by Margaret Ronald...


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Saturday, May 25, 2024

From the Backlist - In What World

 

YUMESHIP: Photo
A Vampire Knight [ヴァンパイア 騎士]

Welcome to the Sup!

It's time again to explore our awesome backlist and I'm so glad you have joined our troupe of merry readers!

Today we are sharing another post by the bestselling author Margaret Ronald. Her thoughts on world building from May 20, 2011 are insightful for both readers and writers alike. 

Come along with us to discover the effects of adding magic to a world!

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In What World...


...WORDS (have) become a sort of shorthand for setting up drama. And for me, they sum up one of the things I love about writing: finding that "in a world" moment and drawing it out into a real, complicated situation.

Say you have a fairly normal setting, only with magic/mythical creatures/mutant superpowers. (In a world where vampires roam the night...in a world where deities lurk in back alleys...) Said powers can range from outright awesome (immortality! control over electricity! telekinesis!) to just above mundane (control over all shrimp no longer than one inch! olfactory invulnerability! keeping a fridge permanently clean!). The first and most important question then becomes "why aren't these magicians/vampires/mutants in charge of everything?"

One answer is "they are, we just don't know it." Okay, then. How much energy does it take to hide something that big? And why not rule openly? Or perhaps in this world, they are already visibly in charge of everything. That's going to make a lot of changes in the governance of this world, possibly even down to who's still considered a person. If vampires are in charge, are humans cattle? If magicians rule, where's the check on their power? 

 

There are lots of fun ways to play with this character by character -- say, Mr. Electricity above can only exert his power at great personal cost, and so lives off the grid, away from civilization. Or maybe the fridge-cleaning guy works in a sterile lab, and so that just makes his life a little easier. But on a larger scale, the effects of adding magic to a world are a lot more pernicious... Read the rest of the post.

Read more about Margaret Ronald here!

And, her awesome books.



Sunday, May 12, 2024

From The Backlist: "Tall, dark, and handsome isn't going to cut it" by Margaret Ronald

Margaret Ronald

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It’s 'from the backlist' time again – and we love this post on writing heroes / romantic others from Margaret Ronald. 

Tall, dark, and handsome isn't going to cut it

by Margaret Ronald

 


"Let's face it: tastes differ. Especially when it comes to romantic leads.

I know my tastes when it comes to fictional men are a little . . . off. I'm more likely to crush on the hero's sidekick rather than the hero himself, I'll skim through thirty pages of stuff blowing up (okay, maybe I'll slow down for the explosions) to reach two pages of awkward infatuation, and I'd ditch Neo in a heartbeat for some quality time with Agent Smith. I imprinted on Tom Baker's Doctor early on, and so I've got a weakness for expressive eyes and a goofy grin. (And long coats and scarves, but that's another matter entirely.) Ten minutes with Miles Vorkosigan would probably drive me insane, though it would undoubtedly be an interesting madness.

In short, my fictional crushes are usually not the sort that would look good in a photo shoot -- or, at the very least, wouldn't express what I find so endearing about them. And that's okay.

What it means for writing is that I've learned to separate out what qualities get me interested and see where they overlap with what interests my heroine. Sure, I like a tall, skinny guy with glasses, but would Evie? What's more likely to sweep her off her feet? (Does she want to be swept off her feet?) And, more importantly, does that aspect of his character fit with everything else I've envisioned for him?

Still, I'm slowly learning that there are some common factors that I really like in romantic leads: wit without cynicism, the ability to be stoic in the face of overwhelming odds, a habit of introspection even if those thoughts are not shared. (And, for some reason, cyborgs. I just really like cyborgs. Go figure.) I don't know yet that I can adequately turn these loose associations into a character, but examining my reactions and understanding them makes it easier for me to figure out how to provoke a similar reaction.

Granted, tastes in fictional romantic leads don't necessarily translate to the outside world, nor the other way around. The darkly brooding type might be quite a draw while he's safely between the covers of a book, but off the page he's more likely to be the Darth Vader Boyfriend. (And, as Captain Awkward so succinctly states, you do not want to date this man.) Or, as Kate Beaton shows, dude watching with the Brontes has its limits. But this is fantasy -- as is, in a way, all fiction -- and so we're free to dream up a few things that can stay safely on the page.

..."

To read the full post and the comments, click here.

To find out more about Margaret and her writing you can visit her blog or search on "Margaret Ronald author" -- you'll get some hits. :-)