The Art of Adaptation - Authors' Response to External Pressures

Crazy Chaos by Yaoyao Ma Van As

Welcome, my readerly and writerly friends! Let's talk about another form of adaptation, the adjustments authors make when turning their manuscripts into books. 

It falls under the category of 'revision' and, there are multiple reasons to do it.

Adapting for Marketability

This form of adaptation falls squarely under Category #3 listed in the original post - a response to external pressures. "It snowed so she put on her coat." 

Image from The Left Hand of Darkness

Here the snow is pressure to change some part of the submitted story. Putting on the coat is the willingness to make those changes.

Where does the 'snow' come from?

It might be the author's agent, suggesting changes that will make the work easier to sell. It might be the editorial department asking for a change that puts the work more in line with the imprint. Perhaps it is a more specific issue such as sensitivity readers catching where the book succumbs to stereotyping, racial profiling, cultural appropriation or biases (unless such writing is part of the character or story). 

Whatever the pressure, if it is meaningful to the book's publication and success, writers usually will adapt.

I mean, we want our stories to reach the readership in the best possible form.

Publishers are Gatekeepers

Remember, publishers are the gateway to the readers, even though their focus is on the business side of the equation.

The Gunslinger

NOTE: It's not irregular for a publisher to suggest changes to a work. Quite the opposite! It's expected. The editors are there to hone the story, find holes in the plot, suggest different structuring, snappier dialogue, more multifaceted characters etc. 

Most writers, famous or unknown, need this kind of support to do their best work. 

Hopefully, the suggested though often optional changes don't go too far, tipping over to censorship or removing the author's voice or style. 

Still, as said, even well-known authors will adapt. As an example, J K Rowling was asked to revise the HP series for greater suspense, repetition removal and the addition of details about certain characters. -From the Writer's Desk

It's known that Stephen King was asked to tone down the horror in some of his stories. Yikes!

Ursula K Le Guin was rejected outright for one of her most recognized works based on ... well, just about everything. The rejecting editor said:

" ... the book is so endlessly complicated by details of reference and information, the interim legends become so much of a nuisance despite their relevance, that the very action of the story seems to be to become hopelessly bogged down and the book, eventually, unreadable. The whole is so dry and airless, so lacking in pace, that whatever drama and excitement the novel might have had is entirely dissipated by what does seem, a great deal of the time, to be extraneous material. My thanks nonetheless for having thought of us. The manuscript of The Left Hand of Darkness is returned herewith."

Read the Process Online

To normalize this process a little more, Brandon Sanderson takes us step by step through his revision journey, a rare treat and up on his website for all to view. 

But sometimes it is too late for the author to adapt to changing society,  language, meaning and new publishing norms. 

When it is Too Late to Adapt

One example is the broadcaster Greg James who was criticised over a promotional video for the Roald Dahl novel, The Twits. Here it was suggested giving one of the principal characters a glass eye would make her disgusting - Rawlinson and Creamer

And, in February 2023, controversy followed a report that publishers at Penguin Random House were rereleasing books by Roald Dahl after sensitivity reader input. The changes included removing every instance of the words fat and ugly. So Augustus Gloop becomes “enormous,” and Mrs. Twit is “beastly” not “ugly and beastly.”  Some text was also added to The Witches: A passage about how witches are bald under their wigs now ends with, “There are plenty of other reasons why women might wear wigs and there is certainly nothing wrong with that.”  

Mrs. Twit et al

Do you think these are positive changes for young readers or a muffling of Dahl's edge?

Sensitivity Readers - Support or Censorship?

The same type of arguments were raised recently when Kathryn Stockett’s The Help was published in 2009. The book attracted huge commercial success but was also criticised. The key issue was that Stockett, a white middle-class American, wrote about African American maids working in white households in Mississippi in the 1960s. The book was accused by the African American community of being a "shallow portrayal of black people’s experiences in that setting and era."

And then, the 2019 novel American Dirt attracted harsh publicity for similar reasons. A story of a Mexican mother and her child's journey to the border after their family's murder, the book has been accused of clichéd writing, and tagged “opportunistic, selfish, and parasitic” while appropriating the stories of Mexican immigrants to America. 

But is Cummmins a middle-class white woman or a person of mixed race? Until the book’s release, she had identified as white but revealed in the lead-up to publication, and during the negative scrutiny, that she has a Puerto Rican grandmother. The timing may not have been perfect.

For or against, it didn't help mitigate the outcry. Cummins’ book tour was cancelled over concerns for her safety. Though, you can see on Goodreads that in spite of all, American Dirt has sold 2+ million copies.

Summary 

Ultimately, authors need to be flexible and at least consider suggestions made by their trusted proofers, editors and sensitivity readers. Better to have a chance to adapt to wider views of a rapidly changing market before the work goes to print than to try to edit editions years down the track. 

Have any of you, as readers and/or writers, seen cases where adapting to such pressures went too far? Not far enough?  

We'd love to hear about it in the comments.

xxKim

Other Posts in the Art of Adaptation 2025

January - The Art of Adaptation - Films in 2025

February - The Art of Adaptation - Authors' Response to External Pressures

March - The Art of Adaptation - The Healing Magic of KDrama

April - The Art of Adaptation -  Reader Persuasion

May - The Art of Adaptation - Fantasy Monsters Part 1

June - The Art of Adaptation - Fantasy Monsters Part 2 

July - The Art of Adaptation - Alternate History

August - The Art of Adaptation - AI: A New Chapter for Writers

September - The Art of Adaptation - Crafting Mood with Language

October - The Art of Adaptation - Take Five

November - The Art of Adaptation - On Time

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About Kim Falconer 

Kim Falconer, also writing as AK Wilder, has released Crown of Bones, a YA Epic Fantasy with Curse of Shadows as book 2 in the series. Currently, she is ready with the third book, out in 2025. TBA

Kim can be found on AKWilder.com, Twitter, Facebook, Instagram and KimFalconer.com. 

Throw the bones on the AKWilder.com site See you there!

 

Deadlines - Writing Under the Hammer

Hammer fall Art Print

Deadlines.

Every writers' bane, right?

Wrong.

Leonard Bernstein, director of the New York Philharmonic and one of the most talented and successful musicians in USA history, had a different take. He said:

To achieve great things, two things are needed; a plan, and not quite enough time.

Image from Who do Writer's Really Write for?

But still... deadlines. What a bitch... Especially during the 'holidays'. 

Love them or hate them, every published writer has to deal with the.

At least they are well named.

The History of Deadlines

Originally, a deadline was literal, an actual line drawn around a prison. If prisoners crossed it, the guards could shoot to kill.

Nowadays, it can feel as dire. Miss a publisher's deadline and the writer's entire career can derail, especially in commercial fiction.

Hard and Soft Deadlines

Yet, not all deadlines are equal. In the industry, they call them soft or hard. The soft deadlines are malleable. It's expected to edit and revise beyond them. The hard deadlines? That's the shoot to kill order, only it's the career that dies, not the author. (Some writers feel it's one and the same...)

Ancient Magic Script - Etsy

Those soft deadlines are important. For example, I set myself writing goals for new work - a scene a day, or 2k words a day, depending on the stage of the story. I stick to them, 95% of the time, but I don't burst into flames if one day is missed.

With hard deadlines, the only sane thing to do is meet them. Without complaint. There are too many publishable authors ready to take your place if you prove too 'difficult' to work with.

Remember, shoot to kill.

Support for Meeting Deadlines

There are a few things you can do meet every deadline every thrown at you. One is to make sure your agent has negotiated reasonable expectation for turnaround times with your editor BEFORE you sign the contract.

Another is all about the planning. I map out the editorial schedule and make sure I clear the decks for each phase of the process.

Sock up on essentials! 

I stock up on necessities (coffee, cat food, quick but healthy foodstuffs) before the edits come back to me. I also write blog posts, columns, reports and newsletters well in advance so there is nothing else on my plate when the time comes to write.

What About Procrastination?

If there is a tendency to procrastinate, explore possible reasons - fear of failure, fear of success, Mars in Taurus, Cancer or Pisces, not loving the project -  and find solutions, again, BEFORE the deadline looms.

Best Tip Ever

Set an intention ahead of time to meet the deadline efficiently and with massive amounts of creative savvy and ease. 

How to do that?

Go here for details but this, from my friend Jeannette Maw, will put you in the sweet spot.

On-the-Fly Intention Setting
(for when you don’t have a lot of advance prep time)

1. Focus your thoughts on the result or experience you want (deadline met, in our case)
2. Let it go

Could it get any easier? The only thing better than how simple it is, is how effective you’ll find it!

Have a deadline story to tell? I'd love to hear it in the comments!

Now, back to work!

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Kim Falconer's New YA Fantasy Series is out March 2020 - The Crown of Bones. (Writing under the pen name A.K. Wilder)

Also, check her urban fantasy  - The Blood in the Beginning - and Ava Sykes Novel and the SFF Quantum Enchantment Series. 

You can find Kim on Twitter, Facebook and Instagram. Or pop over and throw the bones on the AKWilder.com site.

Contact at kimfalconer.com or akwilder.com