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On 1 March, I posed the question, "What Makes A Hero?"
in Fantasy fiction. Subsequently, I’ve examined the part played by the Call, Circumstance,
Commitment,
Courage,
and meeting the Challenge.
Last month, I argued that the above qualities are
essential to the making of a Fantasy hero, and embarked on looking at an array
of secondary characteristics, starting with Charisma, in order to determine whether or not they’re also essential
to heroism.
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Chris Hemsworth as the Huntsman
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So this month, I’m checking out: — Chivalry and the Fantasy Hero
I could argue that chivalry is a uniquely Medieval
concept, centered on heroes such as King Arthur and the Knights of the Round
Table, Roland and Oliver, and Robin Hood.
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King Arthur & the Round Table
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However, if we go as far back as The
Iliad, one of Achilles’ most important qualities, before he is overset
by the death of Patrocles, is his chivalry, i.e. he is fair and generous to his
friends, and merciful to enemies, always granting clemency when asked by a
defeated foe. It’s fairly clear, too, that Achilles is considered the greatest
of the Greek heroes because of his combined prowess at arms and chivalric
behavior.
An important part of Achilles’ story arc is not only
his fall from the chivalric ideal, but also his return to it: showing mercy to
Priam, the grieving father, and returning the body of his son, Hector, for
burial.
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Achilles in "Troy"
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Chivalry, therefore, has a long association with the
heroic ideal in myth, legend, and fantasy tales.
When it comes to contemporary Fantasy, there are
some great chivalric heroes adorning the genre. It’s impossible to go past
Aragorn and Faramir in The Lord of the Rings (book version,
not films, for Faramir), while Reepicheep, the heroic mouse in CS Lewis’s Narnia, is chivalric to the tip of his
whiskers.
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Reepicheep |
Other such heroes include Paksenarrion in the Deed
of Paksenarrion by Elizabeth Moon, Barbara Hambly’s Dragonsbane,
John Aversane, Morgon of Hed (the Riddlemaster
trilogy), and Aidris in Cherry Wilder’s A
Princess of the Chameln
I would also argue that
Thorn, in Joe Abercrombie’s Half A World, belongs more on the
chivalric side of the ledger than otherwise—as do Kalan and—essentially—Malian in
The Wall Of Night series. Prince Sigismund
in Thornspell
is cut from the same cloth.
Yet there are just as many heroes, many of them equally
significant in the genre, that are not chivalric at all. Elric of Melniboné (Michael
Moorcock) is a classic example, and although Dakeyras, the Slayer, does follow
a redemption arc in David Gemmell’s Waylander, he is never chivalric—although
arguably, The Thirty are.
NK Jemisin’s Yeine Darr (The Hundred Thousand Kingdoms)
is a heroine of necessity, rather than idealism, and S.A. Chakraborty’s Nahri,
in the Daevabad trilogy, is similarly
circumstanced. Chivalry is also in short supply among Leigh Bardugo’s Crows (Six
of Crows duo), although they do value loyalty to and comradeship among
each other—so long as necessity and larger objectives permit.
Alternative terms for these two groupings may be
heroes and anti-heroes, although I would argue that the anti-heroes are still
heroes in the end, through what they do, rather than the values and lifestyles
they’ve previously espoused.
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Chivalry, "First Knight" style
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In other words, however reluctantly, they all answer
the Call
to some degree or other, based on their Circumstances,
and demonstrate Commitment
and Courage
in meeting the heroic Challenge.
I believe there is a third group, though, which I
regard as chivalry-neutral. These protagonists are essentially good people and strive
to act fairly and honorably, so they’re not anti-heroes, but they’re not
paladins either. Ged, in Ursula Le Guin’s Earthsea
trilogy, is a classic non-chivalric hero, and Samwise Gamgee is another. Amat
Kyaan, in Daniel Abraham’s A Shadow In Summer, also fits the
bill.
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Samwise Gamgee
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In the end—and despite its long association with the
heroic tradition—Chivalry, like Charisma, may add luster to the making of a
Fantasy hero, but is by no means essential to it.
©
Helen Lowe
~*~
Previous Posts:
January: Looking Forward To An Heroic 2022
March: What Makes A Hero -- and The Call
April: What Makes A Hero #2: Circumstance
May: What Makes A Hero #3: Commitment
June: What Makes A Hero #4: Courage
July: What
Makes A Hero #5: Challenge
August: What Makes A Hero #6: Charisma
~*~
About The Author:
Helen Lowe is an award-winning novelist, poet, and lover of story. With
four books published to date, she is currently completing the final instalment in The Wall Of Night series.
Helen posts regularly on her “…on Anything, Really” blog, monthly on the
Supernatural Underground, and tweets @helenl0we.