From the Backlist: "CS Lewis Taught Me all I Know" by Janet Mullany

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Who out there also remembers the magic of The Voyage of the Dawn Treader and Narnia generally? We do, too, which is why we're revisiting Janet Mullany's walk down memory lane... Enjoy!

CS Lewis taught me all I know

by Janet Mullany

I love talking about kids' books and what we read when we were kids. What's fascinating too is how what you read comes back to you and how it creeps into your own work as a sort of cross-pollination ... I had a scene where a character was exploring a mysterious house and I immediately remembered a scene in The Voyage of the Dawn Treader, where Lucy Pevensey has to explore such a house to find a magic spell. I haven't read this in years but I immediately remembered how Lucy caught a sight of her reflection in a mirror that was framed with a beard and thought a stranger was peering out at her... creepy!

I enjoyed CS Lewis's books a lot when I was a kid and occasionally re-read them as an adult...But, like so many other books I once loved, I now find myself reading CS Lewis with a critical eye. Even as a kid I wondered how, in a land where it is forever winter, there was any food at all, let alone tea, buttered toast, and sardines (yum! It's an English thing--that's Mr. Tumnus's high tea in The Lion, the Witch, and the Wardrobe, and here's a gratuitous pic of James MacEvoy whom I find alarmingly attractive even when he's a pale, freckly goatboy). I also found the "boys taking charge" thing a bit much, now and then.

 

 

I admire the way CS Lewis tied some of his loose ends up when he wrote The Magician's Nephew: he explains the origin of the wardrobe and why there's a lamp post in the middle of the Narnian woods, and where that danged White Witch came from anyway. (Okay, this is a safe place. Raise your hand if you, too, have a massive girl crush on Tilda.) That's something I love to see happen in my own writing, when something pops into my brain and onto the page and although I may not know it at the time, there's a reason and a story behind it. 

...

 

To read the full post, click here

 

To check in on Janet Mullaney, she has an Amazon page here & is on Good Reads here. 

 

 

 

A Year of Heroines in Fantasy: Beatritz de Barbentain, Mneri of the Khentor, & Korriya of Night

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This month's trio of heroines have a considerable amount in common. All three are supporting rather than major characters, but still have  a part to play in the main story, and all three are priestesses. 

Beatritz is High Priestess of the goddess Rian in Guy Gavriel Kay's A Song for Arbonne. She is also the daughter of Arbonne's ruling countess but was so determined to pursue her spiritual calling that she blinded herself voluntarily (a now archaic practice in Arbonne, but traditionally thought to enhance prescience) to ensure she would not be coerced into a dynastic marriage. 

That's commitment, right?! But the prescience she gains thereby, however fleeting and partial, turns out to be crucial in saving Arbonne from Gorhaut, its traditional enemy. 

In A Song for Arbonne the stakes are Arbonne's independence and the freedom to worship Rian, whereas in both Joy Chant's Red Moon and Black Mountain and my own The Wall of Night series, the characters face an existential evil that threatens all life.

In Red Moon and Black Mountain, the young woman called Mneri is one the Khentor, the nomadic warrior tribes of the plains. She is called to the role of priestess by her people, which gives her greater standing in a world where women are subservient to men and the worship of the mother goddess is respected, but must be practiced in underground sanctuaries. Yet although an honor, in the world of the Khentor where the tribe is all, refusal is not a real option for Mneri. 

Mneri's part in her story is less crucial than Beatritz's, but when the final destructive force unleashed by the antagonist must be overcome -- although it is primeval, rather than evil in itself -- she unmasks the potential solution. 

Korriya's part in The Heir of Night is also less critical than Beatritz's role. She is the most circumscribed of the three in terms of her personal circumstances as well. In the world of the warrior Derai, priests are discriminated against and segregated from mainstream society, so Korriya was not only forced into the temple life, but effectively imprisoned within it. Over time, she has become a senior priestess, but when the story opens, events force her to challenge Derai segregation in order to alert the wider community to the paranormal forces that threaten all.

As noted at the outset, Beatritz, Mneri, and Korriya are all supporting characters in a wider epic-heroic story. What their part illustrates is that defeating the "big bad" is not only about the "captains and kings" but also about everyone playing their part -- even when their societies don't recognize or respect their role or contribution. Or in Beatritz's case, know about the key element at all, which must remain forever secret... 

Nonetheless, all three step up when circumstances demand it, and serve their societies and worlds as faithfully as any champion wielding lightning bolts or swords -- which is why they've more than earned their place in my pantheon of Fantasy heroines.

Prior Posts: A Year of Heroines in Fantasy

February: Aerin, Elfrid, & Malian of Night
March: Yeine Darr & Rowan Birchmoon
May: Brienne of Tarth, Adjunct Tavore, & Asantir, Commander of Night
June: Shallan, Jehane Mor, & Aidris of the Chameln

July: Amat Kyaan, Rachael Boucher, & Nhairin
August: Karou, Rose Marshall, & Yorindesarinen

~*~

About Helen Lowe

Helen Lowe is the award-winning author of Thornspell and The Wall Of Night fantasy series, as well as a poet, blogger, and lover of story. She is currently editing the the final book in The Wall of Night series. 

Helen posts regularly on her “…on Anything, Really” blog, monthly on the Supernatural Underground, and tweets @helenl0we.

From the Backlist: Never Make an Author Mad

 

Art by Omven on DeviantArt

Welcome to our posts from the backlist! Today's spotlight was written August 2011 by the spooky-wonderful author Karina Cooper. Check out her hilarious, somewhat disturbing take on why it's best not to poke the bear, if the bear be an author!

Hope you enjoy!

You can find Karina Cooper on Goodreads!  

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Friday, August 26, 2011

Reasons Why You Never Want to Make an Author Mad *

by Karina Cooper

Come on, you've seen us. We're all very lovely people, us authors. We smile at the cameras, sign books, hug fans, and so on. Surely, making an author mad must be akin to swatting at a dust bunny, right? I mean, what are we going to do? Cry into our keyboards?

I mean, can't you just see the gorgeous Vicki Petersson cackling with glee as she comes up with creative ways to use a coin slot machine and a pair of dice to off somebody . . .

. . . let's not discount Merrie Destefano, who knows all the good places in New Orleans to hide a body, or Joss Ware, who knows seventeen ways to dismember a man beyond recognition. Juliana Stone knows what kind of wounds look like animal attacks—"I have no idea, officer, it looks like a jaguar attack to me."—and Pamela Palmer who is an engineer, and you know how devilishly clever engineers are. I wouldn't mess with her with a twenty-foot pole and a getaway driver on speed dial.

Ahhh, authors. So innocent, and yet...

Mwahaha. . .

Well. Sort of.

See, yesterday I found myself in the middle of a task that I do actually need for this current run of books I'm plotting. And as I scrolled through pages and pages of data, I thought to myself, Karina, it's a damn good thing your profession is what it is.

Because how else am I to explain why my internet history is full of information on modern day torture techniques?

That's right. Let's talk about reason number one: We know how make you scream. We've researched it down to the last details—certainly not for ourselves, oh, no, but what out characters know, we know. And if we're carrying around a character who is an inquisitor, or a character who was tortured, or worse, we know.

Would we use it? Oh, of course not, officer! We'd never use this information for evil. We're entertainers, not in the business of making the things we know actually happen. Right?

Heh. Heh heh. Right.

Reason number two to avoid making us angry? We know how to hide the body. We've thoroughly researched it. Currents, erosion, garbage truck route details, you name it, we know it. We're a little obsessive when it comes to details, you might have noticed. After all, how else can we guarantee that the extra we offed in chapter 4 doesn't come to light until chapter 15?

The devil is, in fact, in the details.... 

 

* Note: This post is entirely tongue-in-cheek and not actually a commentary on the likelihood of authors to commit heinous crimes against real, living people. This is a joke. A post devoted to the rather hilarious fact that we tend to research the most horrible things in our bid to get it right.

Murder is bad, mmkay?

Read the entire POST.

 

Enjoy!

 

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Speculative Fiction (Fantasy/Thriller/Sci-Fi/Urban Fantasy) for adults and teens.

 

 

We're a group of best-selling authors providing news, reviews and interviews from the darker, more speculative side of fiction.

Fiction that makes the heart beat faster...

 

Fiction Predictions: The Ship that Sank Twice

Futility or The Wreck of the Titan on Amazon - by Morgan Robertson

This month on Fiction Predictions, we look at a literary coincidence so mathematically precise it will make your spine tingle.

Imagine a thrilling sea adventure about the world’s largest, most luxurious ocean liner. It’s deemed "unsinkable" by the creators, yet on a freezing April night in the North Atlantic, it strikes an iceberg. Because the ship doesn’t carry enough lifeboats for its thousands of passengers, the disaster becomes a historic mass tragedy.

If you think you know this story, look again. This isn't a history lesson about the RMS Titanic—it's the plot of a fictional novella titled Futility, written by a former sailor named Morgan Robertson. The most unnerving part? Robertson published his book in 1898. 

That's nearly a decade before the Titanic was even a blueprint, and eleven years before a single piece of its steel keel was laid in Belfast. 

If this isn't a case of incredible coincidence, then surely it's a glimpse into the future.

The Titan vs. the Titanic

Feature	The Fiction: Titan (1898)	The Reality: Titanic (1912)
Key Timeline	Published 9 years before Titanic was conceived.	Construction began 11 years after the book.
Month of Voyage	April	April
Location of Disaster	North Atlantic Ocean	North Atlantic Ocean
Cause of Sinking	Struck an iceberg	Struck an iceberg
Description	"Unsinkable" luxury liner	"Unsinkable" luxury liner
Length	800 feet	882.5 feet
Propellers	Triple screw	Triple screw
Passenger Capacity	3,000 people	3,000 people
The Lifeboat Crisis	Only 24 boats on board	Only 20 boats on board

 Quotes from Futility say it all. Remember, Robertson wrote these headline-worthy lines 14 years before the Titanic launched.

"She was the largest craft afloat and the greatest of the works of men... She was considered unsinkable—indestructible."

Robertson describes the exact cause of the disaster:

"Seventy-five feet above the sea was the bridge... localizing the cold, damp air that always surrounds an iceberg... 'In the track of the ice, Mr. Smith,' said the Captain."

And the fatal mistake that caused thousands of people to drown.

"She carried as few as would satisfy the laws... she carried twenty-four lifeboats... which could, in a smooth sea, hold perhaps five hundred people."

Where were the remaining 2500 souls to go? 

Der Untergang der Titanic (Image courtesy of Titanic Sinking, engraving by Willy Stöwer/Public Domain)     

Was Morgan Robertson a Seer?

So, how do we explain a literary prediction that got the ship's name, size, month, speed, location, and lifeboat shortage right more than a decade before the facts existed? 

Was Morgan Robertson a genuine clairvoyant who peered through the mists of time?

Robertson himself was the first to admit he was not. Following the disaster in 1912, the author was besieged by journalists and spiritualists demanding to know how he did it. His response was simple: "I know what I'm writing about, that's all. I’m just a writer who knows the sea."

We can say that Robertson was a highly observant former sailor with a gift for engineering math and a certain cynicism regarding corporate greed. He looked at the shipbuilding trends of the late 1890s and realized companies were building vessels bigger and faster to win the lucrative transatlantic trade. At the same time, he knew British maritime safety laws were outdated, basing lifeboat capacity on a ship's weight rather than passenger count. 

In this way, we could say he calculated the future. 

But... still a synchronicity of correlations seems to exist. A meaningful coincidence? If only the executives at White Star Line had read Robertson's novella before they began work on the Titanic. 

If only....

***

About Kim Falconer

The Amassia Series

Kim Falconer, also writing as AK Wilder, has released Crown of Bones, a YA Epic Fantasy with Curse of Shadows as book 2 in the series. 

 Quantum Enchantment

Kim can be found on AKWilder.com, Twitter, Facebook, Instagram and KimFalconer.com. 

Throw the bones on the AKWilder.com site. See you there!

Read Blood and Water, a PNR alt history that will leave you questioning every natural disaster ever endured.

“There is no doubt fiction makes a better job of the truth.” 

From the Backlist: "Writing the Story -- Just a Trip on the Open Road" by Pamela Palmer

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"Plotter or pantser" is one of the vital decisions all writers must make --- and also a question our Supernatural Underground authors get asked a lot. 

Here's Pamela Palmer's take in terms of her own writing. Enjoy!

Writing the Story -- Just a Trip on the Open Road

by Pamela Palmer

I used to think I was a plotter. Or maybe I just wanted to be a plotter since it appealed to my control freak side. The idea of sitting down to write with a thoroughly plotted outline at my fingertips enthralled me. I imagined that marvelous document, each chapter broken down into detailed scene-by-scene action, emotion, and descriptions, with character goals and conflicts spelled out in perfect clarity. Writing would be a snap, I thought. 

Then I tried it. And failed. Miserably.

I spent months creating that brilliant outline for one of my early books (a Scottish historical that will never see the light of day). But at the first critical turning point in the story, all that meticulous planning fell apart. The hero, who had come roaring to life in the first few chapters, simply refused to react to that pivotal moment the way I (and my beautiful outline) required him to. I could have forced him, of course. And he and anyone who read the book would have hated me for it. So I didn't. I let him react the way he needed to, which sent the story spinning in a direction I'd never foreseen. And all the meticulous planning I'd done from that point forward had to be scrapped.

So, I tried again, carefully plotting the rest of the story from that point on, convinced it would work now that I understood the hero better. Wrong. Within a few chapters, he was glaring at me, arms crossed, a mulish set to his chiseled jaw. No way in hell was he doing what I'd intended. Again.

I'd love to say that after two failures I'd learned my lesson. Nope. To paraphrase one of my favorite fictional characters (Janet Evanovich's Stephanie Plum), I try never to make the same mistake more than two or three times. Eventually, I figured it out. For me, traveling through a story is a lot like traveling by car along roads I've never visited before. Yes, I can grab a map and plan the route ahead of time, in detail, but all I'm doing is guessing the best way to go. We've all done it--chosen a route that appears to be quick, or short, or interesting, only to find the reality anything but. That 'straight shot' through the city has us caught in traffic so thick we haven't moved for an hour or that 'short cut' between two highways turns out to be little more than a track through the mountains where we can hardly tell the roads from the driveways.

Planning the trip ahead of time is all well and fine, but it's not until I get into the middle of it that I'm able to see where I really want to go.

I still plot, because my stories are too complicated to simply dive into without any plan. But my plotting these days looks more like a trip itinerary that reads: Atlanta to Cincinnati to Denver to Albuquerque. The highlights only. I refuse to plan the details of how I'll get from Cincinnati to Denver until I reach Cincinnati. At that point, I'll look at the situation (how much time I have, how much money, what the weather looks like, and how the traffic reports are stacking up), and make my decisions based on up-to-the-minute data. And even then, I'm okay with things changing. If a road looks good, I'll take it. If not, I won't. No commitments. No meticulous pre-planning. And if it starts to make more sense to switch Albuquerque with Denver, that's okay, too.

...

To read the full post, click here

Pamela's website is here

A Year of Heroines in Fantasy: Karou, Rose Marshall, and Yorindesarinen

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The thing I love about this month's trio of heroines is that one of them is resurrected and two of them are dead, Yep, I'm talking heroines with a distinctly supernatural vibe. ;-)

Another thing I love about this otherworldly troika is how they hail from distinct Fantasy subgenres. Karou is from Laini Taylor's wonderful romantic fantasy, Daughter of Smoke and Bone. Rose Marshall stars in Seanan McGuire's paranormal urban fantasy/ horror Sparrow Hill Road (Ghost Roads #1) and Yorindesarinen is a 'best supporting heroine' in my own The Wall of Night series, which is epic-heroic fantasy all the way. 

On the surface, Karou, Rose, and Yorindesarinen are as different as their Fantasy subgenres, but there is one more element that ties them together. All three have died under traumatic circumstances in their past lives.

Rose and Yorindesarinen are both easy to talk about in this respect without fear of spoilers, because Rose is already a ghost when introduced, and Yorindesarinen a spirit being living in a between-realm called the Gate of Dreams.

 

In the Ghost Road series, Rose was murdered in a hit-and-run. Her murderer, Bobby Cross, has sold his soul for immortality and Rose's murder was intended to seal the deal. Fifty-two years later, Bobby is still hunting Rose's ghost to finish what he started. In a tale spun between diners and highways--some real, some ghosts themselves--and constant tension between the living and dead, Rose must elude pursuit, deal with crossroads spirits and old gods, and find a way to finish Bobby before he ends her, once and for all. 

She's brave and determined, ruthless in her dealings with the road's many predators, but also kind to those in need -- and when the supernatural chips are down, you definitely want Rose on your side.

Yorindesarinen is a spirit guide and mentor to Malian, the main character in The Wall of Night series. And yes, you're right -- she does have a really long name. :D That's because in her clan, the more magically gifted an individual, the longer their name -- and Yorindesarinen was the greatest hero and champion of her people, the Derai. 

Like Malian, Yorindesarinen was a Chosen hero named in prophecy, but when the Derai fled a monstrous, demonic, and apparently unstoppable opponent, she died battling it alone. She also slew the monster, and has survived in spirit form to guide Malian and ensure that when she faces similar demonic forces, she won't do so alone. Yet her chief role, as Malian grows in strength, is to provide a moral compass in dealing with allies and enemies -- and like Rose, she is kindly disposed.

Ghost, check; spirit guide, check -- and then there's Karou. Initially, despite distinctive blue hair, Karou presents as a fairly standard young woman, having fun and open to adventure as she makes her way in the world. The reader quickly learns, though, that there's far more to Karou than meets the eye, starting with living in two realms. One is our world, the other is Elsewhere, where she serves the magician, Brimstone, who uses teeth to transfer souls into new bodies. 

When Karou's path crosses that of an angel called Akiva, she discovers that Elsewhere is a city of monsters and devils besieged by angels. She also learns of the star-crossed love of Akiva and Madrigal, a devil who gathered battlefield souls for Brimstone to reincarnate, but was executed for treachery and her soul forbidden reincarnation. The more Karou learns of Brimstone's work and Akiva's war, the more she comes to suspect that she, too, is one of the reincarnated... 

Past lives and present, Karou, Rose, and Yorindesarinen, are all brave and resourceful, resolute and daring -- and in addition to being kind, all three have a sense of fun. All great reasons to have them in my fantasy hall of fame. :-)

.

Prior Posts: A Year of Heroines in Fantasy

February: Aerin, Elfrid, & Malian of Night
March: Yeine Darr & Rowan Birchmoon
May: Brienne of Tarth, Adjunct Tavore, & Asantir, Commander of Night
June: Shallan, Jehane Mor, & Aidris of the Chameln

July: Amat Kyaan, Rachael Boucher, & Nhairin

 

~*~

About Helen Lowe

Helen Lowe is the award-winning author of Thornspell and The Wall Of Night fantasy series, as well as a poet, blogger, and lover of story. She has recently completed writing the final book in The Wall of Night series, which is now with publisher, Harper Voyager.

Helen posts regularly on her “…on Anything, Really” blog, monthly on the Supernatural Underground, and tweets @helenl0we.

From the Backlist: Alone is not Lonely

 

Art by by_zhixorris_

Welcome to another post in the Supernatural Underground Backlist Series. Today's feature is from July 2015 by Amanda Arista. Here she talks about the essentials of writing 'alone' and what that might mean. 

Is alone always lonely? 

Let's explore this together! 

✍🏼 The Sup

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Alone is not Lonely

by Amanda Arista

Year of Living Authentically: A writer is never alone.

I was a kid who spent a lot of time alone, but looking back, there are very few times I felt lonely. Even as early as third grade, I would choose to be writing or reading, rather than socializing and that's probably why I don't have the suave social skill of my little brother who loved to be in the crowd. I had the people in my books and the people in my head and a family who took me to the library every week. 

As I grew up and life got decidedly less fun, I would retreat into the world in my books and the people in my head. While others were boozing away their Thursday nights in collage, I was curled up with a spiral notebook creating the world that would become Diaries of an Urban Panther. I have characters in my head who have been with me longer than some friends.

I teach as part of a writing program and we are always talking about building your writing tribe and finding others who speak your language. I talk about the synergy of writing with a group of people and the relief that comes when someone else gets a 'Call to Adventure' joke. How finding others who share your passion for writing is one of the best things a writer can do.

But fundamentally, writing is an alone process. It is you and your story and maybe a cup of coffee. Writing isn't lonely. You have characters who are making you as you are making them, but the process is not a communal one. You have experiences that you crafting for others to live, but you can not share in the creation because it is creating you as you go. The writer you on page one  is not the same writer you as the one who finishes the manuscript. You have been changed. You know more about yourself than you did on page one and that change is just as important as the one on the hero went through.

Writing is an intrinsic force that almost demands you shut yourself away from the outside world to focus on the internal one. Writers are stereotyped as hermits, because hermitting is a natural reaction to the need to form a cocoon around yourself so change can happen.  I haven't met a writer yet that doesn't fantasize about cabins in the woods or cabanas on the beach where they can just "be" with their stories.  

I advocate both. Find quite time. Find a ritual that takes you to that internal world and spend lots of time there. Get your story on the page before you share it. But then, find flesh-and-blood humans you can talk to this stuff about, who you can share this process with, who understand the desire to hide under a blanket because change is hard: writing is hard. Find those who understand that a first draft is a new creation, fragile and still hardening its wings, and will respect it as they do their own. 

So when you see that girl in the coffee shop with her over-the-ear headphones typing away at something, instead of making a big show of 'why does she even come here if she's just going to take up a table on a Saturday afternoon,' give her a knowing smile, so she doesn't feel lonely, but let her be alone. She's already got a table full of friends, and maybe an enemy, and there is magic happening right before your eyes. 

Until next time, YOLA!

-------------------------------------------------------------------------------

Amanda Arista

Author, Diaries of an Urban Panther

www.amandaarista.com