From the Backlist: Alone is not Lonely

 

Art by by_zhixorris_

Welcome to another post in the Supernatural Underground Backlist Series. Today's feature is from July 2015 by Amanda Arista. Here she talks about the essentials of writing 'alone' and what that might mean. 

Is alone always lonely? 

Let's explore this together! 

✍🏼 The Sup

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Alone is not Lonely

by Amanda Arista

Year of Living Authentically: A writer is never alone.

I was a kid who spent a lot of time alone, but looking back, there are very few times I felt lonely. Even as early as third grade, I would choose to be writing or reading, rather than socializing and that's probably why I don't have the suave social skill of my little brother who loved to be in the crowd. I had the people in my books and the people in my head and a family who took me to the library every week. 

As I grew up and life got decidedly less fun, I would retreat into the world in my books and the people in my head. While others were boozing away their Thursday nights in collage, I was curled up with a spiral notebook creating the world that would become Diaries of an Urban Panther. I have characters in my head who have been with me longer than some friends.

I teach as part of a writing program and we are always talking about building your writing tribe and finding others who speak your language. I talk about the synergy of writing with a group of people and the relief that comes when someone else gets a 'Call to Adventure' joke. How finding others who share your passion for writing is one of the best things a writer can do.

But fundamentally, writing is an alone process. It is you and your story and maybe a cup of coffee. Writing isn't lonely. You have characters who are making you as you are making them, but the process is not a communal one. You have experiences that you crafting for others to live, but you can not share in the creation because it is creating you as you go. The writer you on page one  is not the same writer you as the one who finishes the manuscript. You have been changed. You know more about yourself than you did on page one and that change is just as important as the one on the hero went through.

Writing is an intrinsic force that almost demands you shut yourself away from the outside world to focus on the internal one. Writers are stereotyped as hermits, because hermitting is a natural reaction to the need to form a cocoon around yourself so change can happen.  I haven't met a writer yet that doesn't fantasize about cabins in the woods or cabanas on the beach where they can just "be" with their stories.  

I advocate both. Find quite time. Find a ritual that takes you to that internal world and spend lots of time there. Get your story on the page before you share it. But then, find flesh-and-blood humans you can talk to this stuff about, who you can share this process with, who understand the desire to hide under a blanket because change is hard: writing is hard. Find those who understand that a first draft is a new creation, fragile and still hardening its wings, and will respect it as they do their own. 

So when you see that girl in the coffee shop with her over-the-ear headphones typing away at something, instead of making a big show of 'why does she even come here if she's just going to take up a table on a Saturday afternoon,' give her a knowing smile, so she doesn't feel lonely, but let her be alone. She's already got a table full of friends, and maybe an enemy, and there is magic happening right before your eyes. 

Until next time, YOLA!

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Amanda Arista

Author, Diaries of an Urban Panther

www.amandaarista.com

From the Backlist: NICE GUYS versus BAD BOYS

Heo Nam-jun and Lim Ji-yeon in My Royal Nemesis on Netflix

Welcome to another post in the Supernatural Underground Backlist Series. Today's feature is from June 2010 by the wonderful author Kimberly Derting. Here she talks about the essentials of nice guys and bad boys in our fiction, and real life!

Which do you prefer? 

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NICE GUYS versus BAD BOYS

by Kimberly Derting

... Today I’m talking about the Nice Guys vs. the Bad Boys (you know what I’m talkin’ about, ladies)!

In my YA novel, THE BODY FINDER, my main character Violet is in love with her best friend Jay…a very Nice Guy. But is he too nice? Of course not (says the author!), but I do see of a lot of debate over the Bad Boy vs. Nice Guy topic, especially in reviews. With Bad Boys, the concern is that we’re teaching girls that it’s okay to let someone treat them badly, to walk all over them. With Nice Guys, the problem is they don’t always make our hearts race or our pulse pound.

So which is better, the Bad Boy with his tough guy charm and bad-ass attitude? Or the Nice Guy who opens doors and brings his girl flowers?

As a writer, I have an opinion, a fairly strong one. We need them both. At least on paper. Because here’s the deal: how boring would it be if all the guys we read about were cut from the same cloth? How predictable would books be if all the men were just a cookie cutter mold of the last? Blech!

(Really, do they come any nicer than Lloyd Dobler in Say Anything?)

And let me just clarify, in real life I love my nice guy husband who carries in my groceries and makes sure my car has gas before I leave. I also like that he doesn’t let me walk all over him. Because, let's face it, there’s a HUGE difference between the Nice Guy and the Simpering Wimp.

But when I’m reading, I want to be surprised; I want the Bad Boys gone good, the Nice Guys turned bad, and everything in between. I don’t always want to know which is which... read the entire post HERE

 

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Find out more about Kimberly Derting and her award-winning young adult novels including The Body Finder Series. 

 

Happy reading, and be sure to let us know your preference - Nice Guy or Bad Boy - in the comments.

 

 

From The Backlist: "Sex As A Life Force" by Cindy Pon

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We love our Supernatural Underground backlist, exactly because of posts like this one by Cindy Pon, on Sex as a Life Force.

Definitely worth a reread, we feel, so without further ado...

Sex As A Life Force

by Cindy Pon

...

this past weekend, a fellow writer who had just read my debut interviewed me on her blog. she asked a very interesting question about my use of sex in the novel as a life force, a source of power. i was taken aback, as i had never thought of it that way.

in contemporary young adult books, there is discussion about teen sex and consequences, or the lack thereof. in Silver Phoenix (which is inspired by the myth, folkore and culture of ancient china), i tried to stay true to the thinking of the time. a girl's place in society is to stay within the inner quarters of her home and, if she is a good daughter and wife, to make babies. preferably sons. this is the "young adult" life at the time teen sex isn't about decisions, labels, finding yourself or consequences. much less about love and pleasure.

it's about duty, filial piety, and obligation.

it's something that my heroine, ai ling, has to come to terms with. and ultimately uses to her advantage to defeat her enemy. although sex is often addressed in less explicit terms in young adult novels, i don't feel the scope of it is any less wide-ranging than in their adult counterparts. i actually think that it's in those crucial teen years, when feelings of sex, desire and longing may resonate the most--a time for firsts. and is there anything more powerful or unforgettable?

To read the full post, click here

To catch up with Cindy, go here

From The Backlist: "Modern Day Faery Tales Drawn From Fantasy and Folklore" by Terri Garey

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It's backlist time again, and this month we're sharing Terri Garey's wonderful take on Urban Fantasy and its origins in myth, fairytale, and folklore.

Enjoy!

Urban Fantasy: Modern Day Faery Tales Drawn From Fantasy and Folklore

~  by Terri Garey 

... I write Urban Fantasy, which is basically fiction that’s set in the real world, yet contains aspects of the supernatural or fantastic. Urban Fantasy was first defined as an acknowledged sub-genre in the late 1980’s and early ‘90s, but in my opinion, “Urban Fantasy” has always been around, from the earliest days when spooky stories were first told around warm fires on cold nights. Ancient gods and goddesses, elves, witches, faeries and werewolves. Dragons, trolls, giants. 

By the standards of the era (whether it be Classical, the Dark Ages, the Middle Ages, the Victorian, etc.) any of these stories could be considered Urban Fantasy, for they all involved a mixture of the real and the fantastic. Lewis Carroll’s Alice In Wonderland, Mary Shelley's Frankenstein, Bram Stoker's Dracula, Robert Lewis Stevenson's Jekyll and Hyde – these are all fictional tales that were based in the real world, yet include elements of the supernatural.

In Urban Fantasy, the supernatural elements are limited only by the author’s imagination, but certain themes, however, remain constant. These “literary tropes” are at the heart of every good fantasy novel, whether it’s Urban Fantasy, Sci-Fi Fantasy (Star Wars, Star Trek), Historical Fantasy (Lord of the Rings, Game of Thrones), or Young Adult Fantasy (Harry Potter). 

1) First comes the over-arching theme of Good vs. Evil. The stakes can be as high as the fate of the world, or as simple as saving the life of one individual, but there is always a goal that serves the greater good. Whether the protagonist is a supernatural bounty-hunter who keeps demons from taking over the world, or a single mom who finds out her neighbor is a vampire, moral dilemmas—and the consequences of them—are a mainstay of Urban Fantasy.

2) Second is the journey of the self – protagonists often start out ill-equipped, or even unwilling, to deal with the situations they find themselves in, but through character development (which the author shows by their ongoing actions and insights), find within themselves the strength to meet ever-increasing challenges.

3) Third is A Major Secret – one that puts the protagonist outside the realm of “normal”, but forces them to behave as though they were just like you and me. By placing the protagonist in an urban, “everyday” setting, the author creates a sense of kinship with the reader, fostering the much-needed suspension of disbelief.

... 

To read the full post, click here. 

To visit with Terri, go to her site, here.

From The Backlist: "Why Do People Like to Read Scary Stories?" by Merrie Destefano

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It's that time -- and when it comes to backlist posts, this take on why we love a scary story is hard to beat.

It's penned by the fabulous Merrie Destefano, and we think you'll enjoy it every bit as much as we do. 

Why Do People Like to Read Scary Stories?

by Merrie Destefano

The sun goes down, the sounds of the city grow quiet, and the rest of the family nestles, safe and sound in a world of incandescent light. Meanwhile, one person huddles alone in a darkened room, face turned toward a screen, eerie blue light carving shadows on her face while her fingers slowly tap out a message, letter by letter.

A writer is writing.

October winds blow outside her window, leaves gather in shadowed corners of the yard and nearby trees sway, branches creaking.

The writer is writing a scary story.

Why do some writers always return to the dark side of literature, spinning out tales that make readers sit on the edge of their seat? Perhaps an even better question, and one that I’d like to discuss here, is why do some people love to read scary stories?

While, I can’t answer this question definitively, I can offer some suggestions.

1. ADRENALINE RUSH:
This is my favorite answer, although many of the others are just as good. We read scary stories so we can experience artificial situations of “fight or flight.” These scenarios, whether real or imagined, get your body ready for action by giving you an extra dose of adrenaline. Your heart beat speeds up, your breathing increases and your blood pressure increases—in other words, it’s like an instant dose of caffeine combined with heavy exercise. You’re ready to leap over tall buildings in a single bound, although you may be screaming “Mommy!” all the way.

2. FAMILIARITY:
You’ve been here before and you liked it. You’ve been reading scary stories for years, you have a list of favorite authors and you’re waiting in line, with sweaty palms, when his/her next book releases. You stay up late (reading these stories is always better at midnight, right?), turning pages while everyone else is asleep. But the truth of the matter is you can’t sleep, can you? Not until you know what happens next…

3. A VISCERAL REACTION:
The desire to feel something strongly—no matter what the emotion is—can drive readers to these books. Detailed descriptions of eviscerated body parts in zombie stories may not get you excited, but there are plenty of readers out there who live for this stuff.

4. TO FEEL ALIVE:
Similar to the answer above, books that put you on the edge remind you that you are alive. You’re not watching some soap opera at lunch time; you’re hunched over a novel wondering if the heroine is really strong and smart enough to survive that demon horde that’s been chasing her for the last twenty pages.

5. TO CONQUER THE DEMONS:
We all have our demons, things we’re afraid of but don’t want to admit. Things like clowns (It), menacing dolls (Chucky), the end of the world (The Stand), rampant pestilence (Contagion), rabid dogs (Cujo), vampires (Interview with a Vampire) and serial killers (Darkly Dreaming Dexter). By vicariously facing your fears in a novel, you’re able to tame them, or at least, imagine that you’ve tamed them. Until they show up the next night, waiting for you in the closet.

6. TO EXPLORE THE UNKNOWN:
There are boundless supernatural realms, where wonder and horror walk side by side—realms where people rise from the dead or where someone learns the future in their dreams or where someone is giving an extraordinary power. There’s just enough enchantment and mystery to make you want to know more, and just enough danger to make you glad this is fiction.

7. TO FEEL STRONG EMOTIONS:
Anger—hatred—fear—love—surprise—terror—repulsion—empathy…Scary stories have all these emotions and more trapped between the pages, just waiting for an innocent reader to come along and release them. Before you know it, you’re experiencing the same emotions. Again, this is similar to Number Three, but I felt that it needed to stated again. (It is my list, no?)

8. TO PROVE WE CAN SURVIVE:
Isn’t that what it’s all about? You’re secretly taking notes, so if X, Y or Z ever really happens, you’re ready. Doesn’t everyone know what to do in a zombie/alien apocalypse by now? And if so, why? Because you’ve all been making a list and checking it twice while watching The Walking Dead or Falling Skies.

9. SATISFACTION WHEN TERROR IS OVERCOME:
There’s an unbelievably sweet moment when the heroine finally plunges a stake through the heart of the last vampire—almost instantly, your muscles relax, you slump backward in your chair and then breathe a well-deserved long sigh because, without realizing it, you’ve been holding your breath and sitting on the edge of your seat, ready to run.

10. TO PROVE THAT DRAGONS NOT ONLY EXIST, BUT THAT THEY CAN BE DEFEATED:
What? Scary stories can give you hope? To quote someone more knowledgeable on this subject than me: “Fairy tales are more than true; not because they tell us that dragons exist, but because they tell us that dragons can be beaten.”― G.K. Chesterton. Watching a character deal with the monster in the closet can give you the courage to face up to your own monsters. Yes, tales of terror can actually be uplifting, when written with that purpose in mind.

To read the original post: click here 

To check in on Merrie, you can find her on her website and on Facebook 

From The Backlist: "Halloween Cometh" by Merrie Destefano

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We're into that month -- so we can think of no better way to herald Halloween than with a backlist post on that very topic. And from the wonderful Merrie Destefano, no less!

Enjoy!

Halloween Cometh

~ by Merrie Destefano

When I was a kid, Halloween was always my favorite holiday. Autumn came with brisk winds and falling leaves and carved pumpkins that lined everyone’s porches. Days grew shorter and shorter, as if soon it would be one continuous night. My neighborhood was filled with old, Victorian homes, tall houses with wrap-around porches and too many windows. It always seemed like some creepy person was watching me from behind the curtains, so that made trick-or-treating seem all the more dangerous.

For years, all of these elements stayed with me, through my teenage years and adulthood. Whenever Halloween approaches, my skin shivers and I expect something—insert sound of creaky old door opening here—unexpected, but slightly magical, to happen.

That was why I wrote FEAST: HARVEST OF DREAMS, and why I set it in a quiet mountain village, during Halloween. I wanted to share those emotions and expectations I had as a child. My main character, Ash—who is more than a little bit magical and possibly quite dangerous—even lives in a creepy, old Victorian house...

To read the original post, click here.

To check in on Merrie, who's written plenty more books since Feast, click on Merrie Destefano Home

From the Backlist: In What World?

 

Jacek Yerka: Surrealist Paintings – Thoughts on Papyrus

Welcome Sup readers and authors to another issue from the Backlist. Today we explore a particular take on world-building by Margaret Ronald. Join us in this vivid exploration of the heart of storytelling!

Read the whole post here - from May 2011. In What World? 

In what world?

by Margaret Ronald

In a world...

The words might not start as many movie trailers as they used to, but they've become a sort of shorthand for setting up drama. And for me, they sum up one of the things I love about writing: finding that "in a world" moment and drawing it out into a real, complicated situation.

 

 

Say you have a fairly normal setting, only with magic/mythical creatures/mutant superpowers. (In a world where vampires roam the night...in a world where deities lurk in back alleys...) Said powers can range from outright awesome (immortality! control over electricity! telekinesis!) to just above mundane (control over all shrimp no longer than one inch! olfactory invulnerability! keeping a fridge permanently clean!). The first and most important question then becomes "why aren't these magicians/vampires/mutants in charge of everything?"

 

 

 

One answer is "they are, we just don't know it." Okay, then. How much energy does it take to hide something that big? And why not rule openly? Or perhaps in this world, they are already visibly in charge of everything. That's going to make a lot of changes in the governance of this world, possibly even down to who's still considered a person. If vampires are in charge, are humans cattle? If magicians rule, where's the check on their power? 

 

 

There are lots of fun ways to play with this character by character -- say, Mr. Electricity above can only exert his power at great personal cost, and so lives off the grid, away from civilization. Or maybe the fridge-cleaning guy works in a sterile lab, and so that just makes his life a little easier. But on a larger scale, the effects of adding magic to a world are a lot more pernicious.. Read the whole post by Margaret Ronald...

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Speculative Fiction (Fantasy/Thriller/Sci-Fi/Urban Fantasy) for adults and teens.

We are a group of best-selling authors providing news, reviews and interviews from the darker, more speculative side of fiction.

Fiction that makes the heart beat faster...

 

From the Backlist: "Character Development and Pacing" -- by T Frohock

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T Frohock is the author of two fabulous Los Nefilim novella series. The first is a trio of linked novellas; the second a novel trilogy. And lookout for her standalone Miserere which is being rereleased on 21 January -- we think that rocks, too.

This post centers on The Second Death, the third of the linked novellas, but the ideas in terms of character development are gold for all writing, particularly (but not exclusively) in its longer forms.

Character Development and Pacing--Make Room for Quiet Moments

by T Frohock

... One thing readers seem very unified about is the relationship between Diago and Miquel, and the quiet family moments that involve Diago's son, Rafael. These are what some readers might call the boring bits, but I never do. I place these familial scenes within the story, not just for character development, but also to help the pacing.

When I worked in radio--many, many, many years ago--I was told to think of the musical segments as waves. Begin with a soft tune, then choose songs that gradually build the tempo until the third or fourth song was upbeat and fast before moving the pace back toward softer music.

The technique was all about pacing the music so that the sounds would be pleasing to the listener. We do the same thing in stories by making the action rise and fall in a logical manner.

Even in shorter works, such as novellas, readers need a little breathing room between the action scenes, or in cases such as The Second Death: Los Nefilim, Part 3, before the action takes off. Most often, I use these scenes as a break from the action, but every now and then, I start the story with them, especially in one like The Second Death.

The logic behind beginning with an intimate scene in The Second Death was to bring the reader back up to speed with what had transpired in Without Light or Guide: Los Nefilim, Part 2 while adding enough new content to keep the reader engaged. My key to making these scenes work is keeping them short and intimate through the use of dialogue.

In this snippet, which is about 600 words, I am reminding the reader of how other members of Los Nefilim view Diago, and by extension daimons, through the peripheral character Lucia, an angel-born Nefil who hates daimons. Since I didn't want to give any spoilers, I had to choose one of the more innocuous conversations for this post.

For those new to the series: Rafael is Diago's six-year-old son, and Miquel is Diago's partner.

Diago followed Rafael into the bathroom and picked up his comb.

“No! No!” Rafael ran his wet fingers over his unruly locks. “You don’t need to comb it, Papa. I’m Gitano.” He shook his head. “My hair is wild like my spirit.”

“Wild spirits in this house comb their hair.” Diago grabbed a towel and wiped his son’s damp fingers. Stray hairs drifted into the sink’s basin and joined those of Miquel and Diago. He wiped the strands off the porcelain. “It looks like a family of bears lives here.”

Rafael giggled and raised his arms over his head, hands clenched like claws. He roared until the comb snagged a tangle. “Ow!”

Diago leaned forward and kissed his cheek. “Then stay still. Even bear cubs don’t wiggle when their papas comb their hair.” 

“Bears don’t comb their hair.” The child’s busy fingers found a chip in the sink’s porcelain. “When I’m grown up, I’m never combing my hair.”

“Don’t you want to look nice for Ysa today?”

He picked at the sink’s scar. “I want to stay home today.”

“You can stay with Lucia and Ysa for a little while.”

Rafael said nothing.

“Don’t you like playing with Ysa?”

“Yes.” Rafael rubbed his thumb around the chip.

“So?” Diago worked his fingers through a snarled lock and held his breath. Had he and Ysa fought? A generous girl, Ysa could sometimes be overbearing, but Diago had never known her to intentionally hurt another person. “Why don’t you want to go?”

He shrugged.

Diago kept his tone even as a suspicion caught up with him. “Is it Lucia?”

A moment passed and Diago thought Rafael wasn’t going to answer him. Finally, his son nodded.

“And what does she say?” Because it was Lucia, it had to be something out of her vicious mouth.

Another shrug. “Just things.”

“What kind of things?”

“She said I should never go to Morocco, because I am small and dark like a monkey. She said someone would see that I am daimon and stuff me in a bottle and make me a jinni. Then she laughs like it’s a joke, but her eyes are all hard and mean.”

Jesus.

Lucia. Ysabel’s governess made no secret of her hatred for Diago, which was fine with him, but taking her pettiness out on Rafael was a step too far.

Diago was careful to keep his anger out of his face and voice. He didn’t want Rafael to think he was upset with him. Instead, he took his son’s shoulders and gently turned the child so he could see his face. He realized a river of tears would be preferable to the hurt he saw in Rafael’s eyes. “You know what? You can come with us this morning. I’ll bet Father Bernardo has someplace where you can sit and draw pictures while we talk, hmm?” He smoothed Rafael’s hair and glanced into the hall to see that Miquel had joined them. How much had he heard?

Diago didn’t have long to wonder.

Miquel came into the bathroom and stood behind Diago. “Pick him up.”

Diago lifted Rafael so he could see himself in the mirror. Three faces, three shades of skin that passed from Rafael’s light gold to Diago’s tawny flesh, and finally Miquel’s dusky brown.

Miquel made a great show of assessing their faces. “You know what, Rafael? I am darker than you.”

“Miquel is Gitano, too,” Diago whispered in Rafael’s ear. “And everyone thinks he is very, very handsome.” Including me, he thought as he examined his lover’s reflection.

A ghost of a smile touched Rafael’s mouth.

“And your papa is part daimon like you,” Miquel said. “No one has stuffed him in a bottle and made him a jinni.” He reached around Diago to touch Rafael’s chin. “No one is going to mistake us for monkeys, or jinn.”

“That’s right,” Diago said. “We’re a family of bears.”

Rafael gave a soft roar and the mischievousness returned to his eyes.

Quiet moments don't have to be boring. Just remember to use them to keep the story moving forward and the reader will remain engaged. This particular snippet precedes a very violent scene, which has a lot more impact, because the reader is allowed to experience a gentler moment with the family prior to the violence. By seeing how Diago, Miquel, and Rafael interact here, their subsequent actions, and the risks they take, are believable to the reader.

The other overriding theme that runs through this section is Diago's dual nature, which is an important part of the story. While Diago is growing more comfortable with both his heritage and his place within Los Nefilim, he is sacrificing the daimonic side of his nature in order to fit in. Before it's over, Diago will be forced to rely on his daimonic nature to deceive an angel. In doing so, he discovers the birth of a modern god—one that will bring about a new world order from which no one can escape.

The Second Death is coming ...

The year is 1931.

The city is Barcelona.

The war between the angels begins in earnest.

Whose side are you on?

To read the original post in full, click here.

And to find out more about the author, her books, and what she's working on now, go here. 

'the delicious threesome' by Cindy Pon -- More 'From the Backlist' Goodness!

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Our own Supernatural Underground backlist that is -- and today's fabulous reprise is from the wonderful Cindy Pon. 

Needless to say, we think it's a lot of fun. So much so that we just had to highlight it for you again today.

the delicious threesome...or is three a crowd?

by Cindy Pon

as a tween, one of my favorite series
of books was the single title historicals
(like "jacqueline" or "caroline") and it
always showed the teen heroine on the front
cover flanked by two boys. two boys that she
must choose between. i loved those books,
formulaic as the love triangle may have been.
the new period in history always made it fresh
enough for me to read almost every title in the
series. of late, there's been some discussion
on the love triangle within the young adult genre.

The Twilight effect...

is it overused? tired and worn out? o

the threesome configuration one of the best

ones to read for increased sexual and romantic

tension? like so many things in the young adult genre

that i attribute to "the twilight effect", the series really

put the love triangle at the forefront of YA reader minds. ...

*when two men love a woman.

...

so what about you? how do you feel about
love triangles? do they work for you?
what threesome novels are some of your favorites?

To read Cindy's original post in full, including all about two other trio-a-licious teen Fantasy series that she loved, plus the 27 fun and sometimes impassioned comments on the subject of love triangles in books, click here.

And to find out more about Cindy Pon, her books, and what she's working on now, go here. 

From the Backlist - Scary Movies From Real Life

 

The Amityville Horror (2005) directed by Andrew Douglas

 

It's time for another look at the Supernatural Underground Blog Backlist! With Halloween a week away, we thought it might be timely to dust off this October 28, 2011 post by Dakota Banks - Scary Movies (and books) with Real Life Backgrounds. 

Read the original post here, and be sure to check out all the interesting comments from readers. You can find the chilling supernatural works, The Mortal Path Series, by Dakota Banks here.

Hope you enjoy!

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As Spooky Day approaches, I thought I'd take a look at some popular scary movies that have more behind them than just a screenwriter eager to cash in on the paranormal craze. These are oldies but goodies, and if you haven't seen them (or if you have), you might want to search them out for your Halloween fright-fest. Your friends might not believe you when you them them the background of these movies!

The Shining (1980)

This movie takes place in an isolated location, a large and luxurious hotel that is closed down for the winter due to impassable roads. This means the few who remain (caretaker, etc.) are trapped there as both the snow and the isolation deepen. Terrible things have happened at the hotel and left ghostly impressions behind that aren't exactly friendly to the humans in their midst. It's a psychological drama as well as a horror movie that will have you breathing fast.

Stanley Hotel, Estes Park, CO

 
The background: The movie was based on the book The Shining by Stephen King. He was inspired to write it after a stay in Room 217 of the Stanley Hotel in Estes Park, Colorado. In 1911, a housekeeper was nearly killed by a gas leak explosion in Room 217. Doors open and close and lights turn on and off by themselves in that room. Stephen King spotted the ghost of a small child who calls out to his nanny on the second floor. According the the staff, Room 418 is the most haunted room in the hotel. Ghosts of children playing can be heard in the hallway. The movie was not filmed in the Stanley Hotel, as many think, but the hotel does offer ghost tours and ghost hunts based on its many reported hauntings. EMF paranormal detectors are provided. There are tunnels beneath the hotel. Ooh! - read on to enjoy the entire post...

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The Mortal Path Series by Dakota Banks

Learn more about Banks' books! They are perfect for this time of year. 

She is also a Thriller author, writing under the name Shirley Kennett. 

Happy Halloween reading and viewing!

Zombie Lovin': What's Up With The Undead? -- More 'From The Backlist' Goodness!

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With Halloween clearly on the horizon, what better time to feature a lil Zombie Lovin'? Namely, Terri Garey's microfiction that checks out what's up with the undead?

We loved it the first time around and bet you'll enjoy the fun just as much today. Sure hope so! :D

Terri Garey

Zombie Lovin': What's Up With The Undead? by Terri Garey

When did zombies become the new black? Zombies are everywhere these days, including zombie romance. When I first heard the concept, I was baffled; how could love, sex and romance work if you (or your partner) were one of the undead? What if you kissed and your lips fell off? (Just kidding! Kinda.)

Anyway, one day last year, just for fun, I took a moment to imagine how in the world one could mix love with lividity, and came up with this short little pre-Halloween, tongue-in-cheek tale I'd like to share with you.  I must warn you, if you haven't read my books yet, you're about to find out that I have a slightly weird sense of humor. :-) But if, like me, you don't mind a giggle or two at the expense of the undead, read away, and enjoy:

Zombie Love

LOVE STINKS, AND SO DOES YOUR BREATH by Terri Garey

“Is that a femur in your pocket or are you just happy to see me?”

Donna snuggled in closer to Derek, brushing the dark hair from his eyes with one hand. Unfortunately, a clump of it remained in her fingers, and she knew this particular boy toy’s time was limited. That was the problem with zombies—their shelf life was much too short, the pesky problem of decomposition being one she hadn’t solved yet.

Even embalming didn’t help, and she didn’t care for waxy buildup on her fingers any more than she did her floors.

“Brought you a present,” Derek murmured, with a lopsided grin, “for our two-week anniversary.” His breath reeked of blood and sausages, which made sense considering his job at the local meat packing plant. With a flourish, he whipped a hand from behind his back, and offered her his prize.

“How sweet,” Donna squealed. “It’s a heart!”

“Yeah, baby,” he answered smugly, blood dripping between his fingers. “A fresh one. Nothing but the best for my girl.”

“Awww,” Donna said, “I got you a present, too.” She let go of him long enough snatch her purse up from the bed. Digging inside, she brought up an object about three inches long. Picking off a piece of lint before handing it to him, she announced, “I usually wait at least a month before giving my boyfriend the finger!”

Derek and Donna both died laughing, which was long overdue, considering Donna had been dead for two centuries, and Derek for two weeks.

She eyed him with regret as she giggled, knowing his laughter would soon be a thing of the past, much like Horatio’s, the guy who’d gotten her into this fix. It had been Horatio’s idea to visit the cemetery in Edinburgh that night two hundred years ago. Bodysnatching had been a good way to earn some quick cash back then, unless your body happened to be the one that got snatched, of course.

Poor Horatio, she’d known him well, until that shovel had come out of nowhere, and smashed his head in. The doctor who’d done it hadn’t hit her hard enough, though, and she’d woken up in his laboratory to find him on top of her. After that, what was a ghoul to do except defend herself? It was only after she’d killed the doc with his own dirt-encrusted shovel that she’d found the secret book lying on his desk, in plain sight, and learned the ancient grimoire’s secrets about how to reanimate the dead.

“Hey, baby,” Derek said, interrupting her musings. “I got a perfectly good boner going to waste here.” He grabbed her hips and pulled her close again. “What say we get naked and put it to good use, hm?”

Donna smiled. She’d learned a few secrets about herself that night, too, including how her brush with death and her newfound ability to reanimate dead flesh left her with a taste for more of it. Immortality had cost her soul, but she was pretty sure she didn’t need it where she was going.

“Absolutely,” she answered, with a smile that revealed her own teeth, pearly white and perfect. Her eyes glowed red as she began to tug his shirt from his pants. “No use letting a good piece of meat go to waste."

...

To read the rest of Terri's post, including a link to the "Thrill the World" event (where people all over the globe join together at the same time to dress in zombie costume and dance to Michael Jackson's "Thriller", in an annual attempt to break the Guinness World Record for "largest simultaneous Thriller dance"), click here.

To find out more about Terri Garey, including her fun & fabulous Nicki Styx series, go here.