From the Backlist: Fantasy Festivals

Art by the amazing Stephanie Pui-Mun Law

Happy Equinox everyone. 

Whether your season is turning from summer to autumn, or from winter to spring, it's a time of Sola Aequo where the divine beings 'make equal' the power of the sun for day and night. It's traditionally a time of celebration and gratitude, and a time to reflect.

With that in mind, today's post from the Backlist is Kim Falconer's Fantasy Festivals.

Enjoy!

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Fantasy Festivals 

by Kim Falconer on the Supernatural Underground

There are a number of ways an author draws the reader into their story. They can use pace, suspense, fear, excitement, but behind the page-turning tools is a little something called atmosphere, the nuance that creates immersion.

For example: Harry Potter's first festival feast not only helps create an atmosphere at Hogwarts, it shows a contrast to his austere upbringing.

In this way, the readers and audience are captivated by the story, not just because it excites them, but because it feels 'real'.

Ways to create an atmosphere stem from language, word choice, dialogue, character and world-building - the sights, sounds, smells, textures, tastes and history of the story-world. Included in the art of world-building is the power of celebration. . . 

... and there's nothing like a royal wedding to make the heart sing.

Tolkien certainly new how to put on a festival! LOTR Return of the King

These fantasy festivals might match ones the reader is already familiar with ...full post here.

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Do you have a favourite fictional celebration? We'd all love to hear it.

Happy Equinox, everyone!

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About Kim Falconer

The Amassia Series

Kim Falconer, also writing as AK Wilder, has released Crown of Bones, a YA Epic Fantasy with Curse of Shadows as book 2 in the series. 

 Quantum Enchantment

Kim can be found on AKWilder.com, Twitter, Facebook, Instagram and KimFalconer.com. 

Throw the bones on the AKWilder.com site. See you there!

Read Blood and Water, a PNR alt history that will leave you questioning every natural disaster ever endured.

“There is no doubt fiction makes a better job of the truth.” 

From the Backlist: Never Make an Author Mad

 

Art by Omven on DeviantArt

Welcome to our posts from the backlist! Today's spotlight was written August 2011 by the spooky-wonderful author Karina Cooper. Check out her hilarious, somewhat disturbing take on why it's best not to poke the bear, if the bear be an author!

Hope you enjoy!

You can find Karina Cooper on Goodreads!  

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Friday, August 26, 2011

Reasons Why You Never Want to Make an Author Mad *

by Karina Cooper

Come on, you've seen us. We're all very lovely people, us authors. We smile at the cameras, sign books, hug fans, and so on. Surely, making an author mad must be akin to swatting at a dust bunny, right? I mean, what are we going to do? Cry into our keyboards?

I mean, can't you just see the gorgeous Vicki Petersson cackling with glee as she comes up with creative ways to use a coin slot machine and a pair of dice to off somebody . . .

. . . let's not discount Merrie Destefano, who knows all the good places in New Orleans to hide a body, or Joss Ware, who knows seventeen ways to dismember a man beyond recognition. Juliana Stone knows what kind of wounds look like animal attacks—"I have no idea, officer, it looks like a jaguar attack to me."—and Pamela Palmer who is an engineer, and you know how devilishly clever engineers are. I wouldn't mess with her with a twenty-foot pole and a getaway driver on speed dial.

Ahhh, authors. So innocent, and yet...

Mwahaha. . .

Well. Sort of.

See, yesterday I found myself in the middle of a task that I do actually need for this current run of books I'm plotting. And as I scrolled through pages and pages of data, I thought to myself, Karina, it's a damn good thing your profession is what it is.

Because how else am I to explain why my internet history is full of information on modern day torture techniques?

That's right. Let's talk about reason number one: We know how make you scream. We've researched it down to the last details—certainly not for ourselves, oh, no, but what out characters know, we know. And if we're carrying around a character who is an inquisitor, or a character who was tortured, or worse, we know.

Would we use it? Oh, of course not, officer! We'd never use this information for evil. We're entertainers, not in the business of making the things we know actually happen. Right?

Heh. Heh heh. Right.

Reason number two to avoid making us angry? We know how to hide the body. We've thoroughly researched it. Currents, erosion, garbage truck route details, you name it, we know it. We're a little obsessive when it comes to details, you might have noticed. After all, how else can we guarantee that the extra we offed in chapter 4 doesn't come to light until chapter 15?

The devil is, in fact, in the details.... 

 

* Note: This post is entirely tongue-in-cheek and not actually a commentary on the likelihood of authors to commit heinous crimes against real, living people. This is a joke. A post devoted to the rather hilarious fact that we tend to research the most horrible things in our bid to get it right.

Murder is bad, mmkay?

Read the entire POST.

 

Enjoy!

 

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Speculative Fiction (Fantasy/Thriller/Sci-Fi/Urban Fantasy) for adults and teens.

 

 

We're a group of best-selling authors providing news, reviews and interviews from the darker, more speculative side of fiction.

Fiction that makes the heart beat faster...

 

From the Backlist: NICE GUYS versus BAD BOYS

Heo Nam-jun and Lim Ji-yeon in My Royal Nemesis on Netflix

Welcome to another post in the Supernatural Underground Backlist Series. Today's feature is from June 2010 by the wonderful author Kimberly Derting. Here she talks about the essentials of nice guys and bad boys in our fiction, and real life!

Which do you prefer? 

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NICE GUYS versus BAD BOYS

by Kimberly Derting

... Today I’m talking about the Nice Guys vs. the Bad Boys (you know what I’m talkin’ about, ladies)!

In my YA novel, THE BODY FINDER, my main character Violet is in love with her best friend Jay…a very Nice Guy. But is he too nice? Of course not (says the author!), but I do see of a lot of debate over the Bad Boy vs. Nice Guy topic, especially in reviews. With Bad Boys, the concern is that we’re teaching girls that it’s okay to let someone treat them badly, to walk all over them. With Nice Guys, the problem is they don’t always make our hearts race or our pulse pound.

So which is better, the Bad Boy with his tough guy charm and bad-ass attitude? Or the Nice Guy who opens doors and brings his girl flowers?

As a writer, I have an opinion, a fairly strong one. We need them both. At least on paper. Because here’s the deal: how boring would it be if all the guys we read about were cut from the same cloth? How predictable would books be if all the men were just a cookie cutter mold of the last? Blech!

(Really, do they come any nicer than Lloyd Dobler in Say Anything?)

And let me just clarify, in real life I love my nice guy husband who carries in my groceries and makes sure my car has gas before I leave. I also like that he doesn’t let me walk all over him. Because, let's face it, there’s a HUGE difference between the Nice Guy and the Simpering Wimp.

But when I’m reading, I want to be surprised; I want the Bad Boys gone good, the Nice Guys turned bad, and everything in between. I don’t always want to know which is which... read the entire post HERE

 

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Find out more about Kimberly Derting and her award-winning young adult novels including The Body Finder Series. 

 

Happy reading, and be sure to let us know your preference - Nice Guy or Bad Boy - in the comments.

 

 

From The Backlist: "Supernatural Sidekickin' " by Kim Falconer

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We do love us a backlist post -- and this one from Kim Falconer is Grade A! We invite you to read on and enjoy. :-)

Supernatural Sidekickin'

This month, I want to explore the qualities of a 'good' sidekick/wing woman/man, what traits they have, their roles in the storytelling and how to write them.

Buffy -- & the Sidekicks!

What Sidekicks Are Good For

Back story: A well written, three dimensional sidekick can help with back story, allowing the reader to see and hear about things that came before page one without wading through heavy exposition. We see this in Star Wars with the sidekick Chewbacca, where his adventures in the past with Han Solo help shape our understanding of the man. Also in the sidekicks C-3PO and R2-D2. We learn much about the world through their commentary.

World Building: The sidekick can represent a culture or social group as Gimli and Legolas do in Lord of the Rings. Gollum, a 'minor' character, but with a major goal, provides a talking point for the long and complex history of the ring. What life was like in the past, the roots of the hobbits as a people. He is kind of an 'anti-skidekick' to the anti-hero Frodo.

Contrast: The sidekick can have different values, ethics, goals and motivations, making for a contrast to the main protagonist. Damon Salvatore in The Vampire Diaries, for example, hasn't much of a moral compass. At all. His buddy Alaric Saltzman, however, does, and watching that friendship grow is a measure of the main character's arc and emotional evolution.

Alaric & Damon

Humor and wit: The protagonist has to be pretty serious at times, playing it 'straight' as they work out how to fight the baddy, retrieve the lost treasure and save the day. The sidekick, however, is free to use wit and humor at times when the hero cannot. We see this in Buffy the Vampire Slayer with Xander (one of Buffy's many sidekicks). She may be in deep emotional angst and he can pop a one-liner that lifts the moment without throwing away her feelings.

Xander & Buffy

Throw-aways: Similar to wit and humor, there are times when a scene is too intense, deep or meaningful and the sidekick can be just the one to lighten it all with a 'throw-away' line. Clive and Ravi do this on iZombie when Liv is too deep into the fact that she is dead, turned into a zombie and has to eat brains to survive. It can turn a scene around in a flash.

Liv, iZombie

Freedom of Speech: The sidekick can say things the hero might be thinking, or wish they could say, but can't. In the Quantum Enchantment Series, Rosette has a sentient familiar, a temple cat who links with her telepathically. She might be having a conversation with a mentor or rival while her familiar does a running commentary on the whole thing, adding a new element to the scene.

The "Quantum" series

Sympathy: The hero may also relate to the sidekick in ways they can't to others, allowing the reader to gain more compassion or understanding. This works especially well for main characters that are not fully sympathetic. Eric Northman's compassion for his progeny, Pam, is an example from True Blood, aka Charlaine Harris's Southern Vampire Mysteries.

Eric, True Blood

Writing the Sidekick

The first question to answer when developing a sidekick in the story is why are they there? They have to move the plot forward, be part of the part of the story. They also have to have their own GMC - goals, motivations and conflicts, internal and external. In a shorter work, these won't be explored to a great depth, but with novel length stories and series, there is room for these subplots to be woven.

...

To read the full post, click here

To check in on Kim, go here.

From The Backlist: "Why Do People Like to Read Scary Stories?" by Merrie Destefano

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It's that time -- and when it comes to backlist posts, this take on why we love a scary story is hard to beat.

It's penned by the fabulous Merrie Destefano, and we think you'll enjoy it every bit as much as we do. 

Why Do People Like to Read Scary Stories?

by Merrie Destefano

The sun goes down, the sounds of the city grow quiet, and the rest of the family nestles, safe and sound in a world of incandescent light. Meanwhile, one person huddles alone in a darkened room, face turned toward a screen, eerie blue light carving shadows on her face while her fingers slowly tap out a message, letter by letter.

A writer is writing.

October winds blow outside her window, leaves gather in shadowed corners of the yard and nearby trees sway, branches creaking.

The writer is writing a scary story.

Why do some writers always return to the dark side of literature, spinning out tales that make readers sit on the edge of their seat? Perhaps an even better question, and one that I’d like to discuss here, is why do some people love to read scary stories?

While, I can’t answer this question definitively, I can offer some suggestions.

1. ADRENALINE RUSH:
This is my favorite answer, although many of the others are just as good. We read scary stories so we can experience artificial situations of “fight or flight.” These scenarios, whether real or imagined, get your body ready for action by giving you an extra dose of adrenaline. Your heart beat speeds up, your breathing increases and your blood pressure increases—in other words, it’s like an instant dose of caffeine combined with heavy exercise. You’re ready to leap over tall buildings in a single bound, although you may be screaming “Mommy!” all the way.

2. FAMILIARITY:
You’ve been here before and you liked it. You’ve been reading scary stories for years, you have a list of favorite authors and you’re waiting in line, with sweaty palms, when his/her next book releases. You stay up late (reading these stories is always better at midnight, right?), turning pages while everyone else is asleep. But the truth of the matter is you can’t sleep, can you? Not until you know what happens next…

3. A VISCERAL REACTION:
The desire to feel something strongly—no matter what the emotion is—can drive readers to these books. Detailed descriptions of eviscerated body parts in zombie stories may not get you excited, but there are plenty of readers out there who live for this stuff.

4. TO FEEL ALIVE:
Similar to the answer above, books that put you on the edge remind you that you are alive. You’re not watching some soap opera at lunch time; you’re hunched over a novel wondering if the heroine is really strong and smart enough to survive that demon horde that’s been chasing her for the last twenty pages.

5. TO CONQUER THE DEMONS:
We all have our demons, things we’re afraid of but don’t want to admit. Things like clowns (It), menacing dolls (Chucky), the end of the world (The Stand), rampant pestilence (Contagion), rabid dogs (Cujo), vampires (Interview with a Vampire) and serial killers (Darkly Dreaming Dexter). By vicariously facing your fears in a novel, you’re able to tame them, or at least, imagine that you’ve tamed them. Until they show up the next night, waiting for you in the closet.

6. TO EXPLORE THE UNKNOWN:
There are boundless supernatural realms, where wonder and horror walk side by side—realms where people rise from the dead or where someone learns the future in their dreams or where someone is giving an extraordinary power. There’s just enough enchantment and mystery to make you want to know more, and just enough danger to make you glad this is fiction.

7. TO FEEL STRONG EMOTIONS:
Anger—hatred—fear—love—surprise—terror—repulsion—empathy…Scary stories have all these emotions and more trapped between the pages, just waiting for an innocent reader to come along and release them. Before you know it, you’re experiencing the same emotions. Again, this is similar to Number Three, but I felt that it needed to stated again. (It is my list, no?)

8. TO PROVE WE CAN SURVIVE:
Isn’t that what it’s all about? You’re secretly taking notes, so if X, Y or Z ever really happens, you’re ready. Doesn’t everyone know what to do in a zombie/alien apocalypse by now? And if so, why? Because you’ve all been making a list and checking it twice while watching The Walking Dead or Falling Skies.

9. SATISFACTION WHEN TERROR IS OVERCOME:
There’s an unbelievably sweet moment when the heroine finally plunges a stake through the heart of the last vampire—almost instantly, your muscles relax, you slump backward in your chair and then breathe a well-deserved long sigh because, without realizing it, you’ve been holding your breath and sitting on the edge of your seat, ready to run.

10. TO PROVE THAT DRAGONS NOT ONLY EXIST, BUT THAT THEY CAN BE DEFEATED:
What? Scary stories can give you hope? To quote someone more knowledgeable on this subject than me: “Fairy tales are more than true; not because they tell us that dragons exist, but because they tell us that dragons can be beaten.”― G.K. Chesterton. Watching a character deal with the monster in the closet can give you the courage to face up to your own monsters. Yes, tales of terror can actually be uplifting, when written with that purpose in mind.

To read the original post: click here 

To check in on Merrie, you can find her on her website and on Facebook 

Art of Adaptation - 11 Ways Authors Must Adapt

My Demon adaptation on Webtunes!

Hello, Sup readers and writers!

We have arrived at the end of the year, and it seems most fitting that I make this post a wrap-up of the previous eleven months, highlighting how authors must use adaptation in their writing.

Some of the best film adaptations on Netflix!

From adapting novels to film, games and videos to writing with AI, and all the way to dealing with the illusion of time, join me in this recap of the Art of Adaptation.

Adaptation to Film

Let's begin with the most obvious interpretation of adaptation with January's post on The Art of Adaptation - Films in 2025. In essence, this is the making of one medium suitable for another. As in, a novel to a film or series. 

Why do this? Sometimes we are compelled to adapt. Other times, it is part of the act of creating. Mostly is it is through the very hard work of an agent selling film rights to a producer. However they get there, this is where the author doesn't hesitate. Doesn't bulk. They give a resounding YES, sign the agreement and get out the confetti. But don't think for a moment this process is easy...

Adaptation to External Pressure

In February, the focus was on the adjustments authors make when turning their manuscripts into books. Basically, it's pressure to change some part of the submitted story, a process called revision. I give some great examples here.

Where do these pressures come from?

It might be from the author's agent, suggesting changes that will make the work easier to sell. Or, maybe it's the editorial department asking for a change that puts the work more in line with the imprint. Perhaps it is from sensitivity readers if the book succumbs to stereotyping, racial profiling, cultural appropriation or biases. 

Whatever the pressure, if it is meaningful to the book's publication and success, writers usually will adapt...

Adapting to International Films

Next, let's look at the Healing Magic of KDramas. 

KDramas, once categorised as foreign films but now referred to as 'international', have a magical appeal,

tempting viewers with new settings, customs, styles and ideologies while staying firmly rooted in familiar feelings, narratives and archetypes. Think of them as the epitome of immersion into another culture, the next best thing to being there. 

As well, watching KDramas activates multiple areas of the brain. Think of viewing these films and reading the subtitles as enhancing comprehension, memory, recall and attention to detail. It's stimulating and entertaining all in one!

Narrative Persuasion

Next, I explore how the reader might adapt to the story world based on the writer's ability to persuade...

in other words, how the author might push readers out of their comfort zone and into new experiences and perspectives.

Can stories really do this? Cause us to change our attitudes in real life

Simply put, storytelling has the potential to effect change through a technique called narrative persuasion...

Fantasy Monsters 

This form of adaptation as multiple aspects, so I divite it into two parts: 

Part 1 - Exploring the physicality and psychology of our darkest nightmares and how they have adapted and changed over time. 

Part 2 - Here I share some wonderful and eclectic new examples, all released this year, 2025!

Alternate History

To create an Alternate History work, you usually start with a 'real-life' event and then take a big 'ol step backward to alter how that event was shaped. Of course, the story will then have to adapt to the changes you envision, becoming something else entirely. Hopeful, it will be provocative, and inspiring... or maybe just haunting. You'll find great examples here!

AI 

For many authors, writing is a deep, personal process, rich in emotion and intricately woven with their unique voice. AI presents an intriguing proposition here. With tools that can analyse narrative structures, suggest plot twists, or even help in world-building, could these innovations enhance the creative process? Could they destroy it? 

This post had an element of controversy as I asked AI to write it, then deleted one paragraph and rewrote it myself. The goal was to see if readers could spot the difference, and thus far, no one has. Can you? 

Crafting Mood with Language

In the same way a carefully curated soundtrack can transform the mood of a visual scene, so too can the choice of words shift the emotional landscape of a written narrative. In this Art of Adaptation post, I explore how language can evoke different moods and feelings, using examples from two beloved vampire series: Anne Rice's "The Vampire Chronicles" and Charlaine Harris's "Southern Vampire Mysteries."

Take 5

We know that most authors have adapted to an intense and competitive work expectation, but is this good for us? Our creativity?

Do we have to work so hard to meet deadlines and other expectations? 

No, we do not. Before you shrug this off for any multitude of reasons, consider some interesting facts
from our historians and evolutionary biologists on Taking 5...

On Time

This is hands down my favourite post of the series. 

It looks at how easily we adapt to time without thinking. From an author's belief in rigid time constraints, to the readers' suspension of disbelief in 'reality'.

My big question to you is, what would happen if we changed our story and started saying, "I have all the time in the world?"

Let's find out in 2026!

***

I hope you enjoyed the series and this longer-than-planned recap.

Happy holidays!

xo Kim

If you have suggestions for 2026 posts, let me know. I am still brainstorming the topic for the year!

January - The Art of Adaptation - Films in 2025

February - The Art of Adaptation - Authors' Response to External Pressures

March - The Art of Adaptation - The Healing Magic of KDrama

April - The Art of Adaptation -  Reader Persuasion

May - The Art of Adaptation - Fantasy Monsters Part 1

June - The Art of Adaptation - Fantasy Monsters Part 2 

July - The Art of Adaptation - Alternate History

August - The Art of Adaptation - AI: A New Chapter for Writers

September - The Art of Adaptation - Crafting Mood with Language

October - The Art of Adaptation - Take Five

November - The Art of Adaptation - On Time

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About Kim Falconer

Kim Falconer, also writing as AK Wilder, has released Crown of Bones, a YA Epic Fantasy with Curse of Shadows as book 2 in the series. 

Currently, she is ready with the third book, planned to be out in 2025. TBA

Kim can be found on AKWilder.com, Twitter, Facebook, Instagram and KimFalconer.com. 

Throw the bones on the AKWilder.com site.. See you there!

Read Blood and Water, a PNR alt history that will leave you questioning every natural disaster ever endured.

“There is no doubt fiction makes a better job of the truth.”

From the Back List - Why Weird Is the New Normal

 

Image from How to Write Slipstream Fiction - The Write Life

Welcome fans of the Sup back list.

Today we are sharing a post by Terri Garey, Supernatural Underground author who writes award-winning and critically-acclaimed urban fantasy. Here are her thoughts from February 2015 on the weird and wonderful genre of Slipstream Fiction.

Read on to discover what makes this form of writing tick!

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Slipstream Goes Mainstream, or Why Weird Is the New Normal

by Terri Garey

 

I read an article* in the Wall Street Journal the other day about "Slipstream Fiction". It was a term I'd never heard before, which surprised me, but what surprised me even more is that I've been writing slipstream fiction for years, and didn't even know it!

Wikipedia defines the Slipstream genre as: "fantastic or non-realistic fiction that crosses conventional genre boundaries between science fiction, fantasy and mainstream literary fiction". Um, hello... we authors here in the Supernatural Underground write about ghosts and shapeshifters and time travel and shadowy creatures from other worlds. We weave tales of mystery and magic, blending fantasy with science fiction, modernity with the medieval, and while the settings and characters may differ, the focus remains on the universal aspects of the human condition: the quest for self, the need for love and acceptance, the choices we make on the moral issues between right and wrong, good and evil.

Slipstream fiction is being referred to as "the New Weird", and I, for one, am very glad to hear it.  I've never wanted to be a carbon copy of everyone else - I have my quirks (I adore Halloween, avoid red meat, and talk to my orchids while tending them). According to the WSJ article*, I'm not alone, as Slipstream Fiction is a fast-growing genre, indicating that readers seem to embrace the blending of the mundane with the bizarre.... continue reading here.

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We would love to hear about your favorite examples of Slipstream in the comments.

 

Villainy Among Friends: Three Authors Talk Writing Villains

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In dubbing 2024 the Year of the Villain, we've traversed quite a few examples of villainy in fantasy together, from Tolkien's pantheon of big bads, through Le Guin's more interior focus, to others such as formless evil, wrongdoers that manipulate from the shadows, and most recently, heroes that fall.

I don't believe any discussion of villains and villainy would be complete, however, without hearing from authors about the antagonists in their own work. So today I'm delighted to have fellow Supernatural Underground authors, Kim Falconer and Amanda Arista, here to talk exactly that.

Kim Falconer: Anti-Heroes, & Shadow, Betrayer, & Super Villains

Amassia series

I’m so excited to contribute to this group post on villainy. After all, what kind of story would there be without the evil doers?

But have you noticed over the decades that evil is changing? Becoming more three dimensional?

Once upon a time, villains did bad things for bad reasons and that was it. But this is no longer always the case.

Take, for example, the red-robe Tann in my Amassia series. As twisted as he gets, he isn’t 100% bad. He has reasons! He also has all the ingredients that make a good hero. He’s on a journey with strong motivations. Much is at stake, and he risks everything to succeed.

Sounds heroic, right?

That’s because Tann is a Shadow Villain. When we learn his history, later in the series, we see that he represents the ‘dark side’ of our heroes. And while he’s at it, he elucidates the history and nature of the crown of bones. In the end, it is the shadow villain who leads us through the darkness to the light, though unintentionally...

But Tann isn’t the only bad guy in the Amassia series. There is also a Betrayer Villain – the fallen one, as it were. Helen has written about this in detail in her post Once Were Heroes. In my series, this role is taken by High Savant Brogal. Notice how, while he is busy betraying, he shows the reader ‘another side’ of the story. It makes us question…

Then there is the Anti-Hero, like Jean-Baptiste Grenouille in Perfume. The anti-hero is a serious villain, but their story is told from their POV. They do ‘bad’ things (terrible things) but for ‘good’ reasons, according to them. Like in the Amassia series…oops I better not say that! It’s a massive spoiler! You’ll just have to find out in the pages.

Finally, there is the Super Villain. Like the Dark Side of the Force in Star Wars, or the Machine Mind in the Matrix, the super villain appears faceless yet all powerful. It is an impersonal force of nature. There is a super villain in the Amassia series. Can you guess what form it takes?

 

I’d love to know, who is a favourite villain on your bookshelf right now? In film?

Mine would have to be Colin Farrell as Oz Cobb, the Penguin. https://www.imdb.com/title/tt15435876/

Happy reading, and viewing!

~*~

Amanda Arista: Faces To Punch in the "Urban Panther" Universe

Though there are lots of faces that Violet gets to punch in The Diaries of an Urban Panther series, the Haverty duo are the two really pulling all the strings: one as an old-fashioned bad guy coming after Violet with a vengeance and one as a dark mirror to her own story. 

Reade Haverty was always a villain, from the moment he took over the Dallas Pride, tearing apart a family of werelions to do so. Proud and power hungry, he stepped on everyone in his path to control all the shifters in Dallas. Including his son Spencer Haverty, playboy and panther whose bite activated Violet's own destiny. 

Haverty’s villainy was external and visceral and Violet was a pawn he wanted out of play. When Daddy Haverty met his end thanks to a well-placed knife to the heart, Spencer's villainy twisted into another antagonist force Violet had to stop, but this one was more difficult to defeat. 

Pulling on their connection as her maker, Spencer became the dark reflection of Violet. When she got power, he got power. When she took control, he took control. He invaded her dreams, twisted her friendships, and even killed her mentor. Thanks to his daddy issues, he never made the heroic choices that Violet did, even when she gave him the chance. 

Defeating both types of villains grew Violet into the hero she needed to be to lead the Dallas Pride. 

~*~

Helen Lowe: "The Wall Of Night" Pantheon

Like Kim's Amassia series, The Wall of Night is fantasy in the epic mode -- think Lord of the Rings meets the political machinations of House of the Dragon. It's also alternate (aka 'secondary') world fantasy, whereas Amanda's Urban Panther 'verse is set in a very recognizable Dallas, Texas. :-) 

As the series develops, opening with The Heir of Night (Heir) and progressing through The Gathering of the Lost (Gathering) to Daughter of Blood (Daughter), with the story finale currently in completion, the reader's understanding of its pantheon of villains evolves in the same way as the cast of heroes. 

The latter are chiefly drawn from a people known as the Derai, who have been fighting an age-old war for the fate of the universe and all life. Yep, the stakes are high -- and in Heir, the evil the main characters face is a correspondingly monolithic, but also formless force (i.e. Kim's "super villain"), which manifests through various demonic entities. The main characters, Malian and Kalan, know there are people, called the Darksworn, among the demon ranks, but they're mostly an off-stage, if not completely off-page, presence.  

In Gathering, the reader meets Darksworn in their own right for the first time, as opposed to solely through the heroes' eyes. The sorcerers Nirn and Arcolin, and their adept and warrior henchmen, are working to destabilize the world of Haarth, utilizing the magic and strength of beast-men known as werehunters. So the demonic elements remain, but the villains, and the evil they practice, wear a more human face. Their motivation also becomes more central to the plot.

Daughter reinforces these elements while introducing more, and more powerful, Darksworn villains, including a prince, giant in stature, with serpent hair.  Again, the demonic aspect overlays the villainy, but with the narrative returning to the Derai, who believe themselves champions of good, their actions receive closer scrutiny. Many prove comparable with those of their Darksworn enemies -- broadening the scope of what constitutes evil in the Wall of Night story, and expanding the ranks of its villains. 

I can definitely promise you further broadening, and more indepth scrutiny, in the book to come...

~*~

About the Authors

About Kim Falconer:

Kim Falconer, currently writing as A K Wilder, has released Crown of Bones, a YA Epic Fantasy with Curse of Shadows as book 2 in the series. Currently, she is working on the third book, out in 2025.

Kim can be found on Twitter, Facebook and Instagram.

Or pop over to throw the bones or Raise Your Phantom on the AKWilder.com site

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About Amanda Arista:

Amanda was born in Illinois, raised in Corpus Christi, and lives in Dallas, but her heart lies in London. Good thing she loves to travel!

Amanda is the author of the Diaries of an Urban Panther series and The Merci Lanard Files. A graduate of the SMU Creative Writing Program, she now teaches other aspiring authors and loves discussing craft, character, and structure.

You can usually find Amanda curled up on her couch with a tiny human or a dog, writing away, or otherwise on Facebook: https://www.facebook.com/pantherista/ Find out what she's currently doing on Instagram: @pantherista

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About Helen Lowe:

Helen Lowe is an award-winning novelist, poet, and lover of story. With four books published to date, she is currently completing the final instalment in The Wall Of Night series.

Helen posts regularly on her “…on Anything, Really” blog, monthly on the Supernatural Underground, and tweets @helenl0we.

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Previous “Year of the Villain” Posts:

January:      Ushering in 2024 -- & the Year of the Villain

February:    The Year of the Villain #1: The Lord of The Rings Pantheon

March: The Year of the Villain #2: Ursula Le Guin & “Earthsea”

April: The Year of the Villain #3: Tigana and Brandin of Ygrath

May: The Year of the Villain #4: Elidor and Formless Evil 

June: The Year of the Villain #5: When the Hero Is Really A Villain

July:  The Year of the Villain #6: When the Author Messes With Your Mind

August:  The Year of the Villain #7: The Evilest Of Them All

September: The Year of the Villain #8: Secret Villains

October: The Year of the Villain #9: Once Were Heroes