Fiction Predictions: Ballard's Electronic Wallpaper

The Surrealist Mindscapes of J.G. Ballard

J. G. Ballard (1930 - 2009), known for his prophetic short stories and apocalyptic novels, was a foundational figure in the British New Wave. He ignored tropes like rockets, robotics or aliens, and instead explored the depths of the human psyche and an artificially accelerated evolutionary biology. 

Add to that his flair for surrealism and a gifted writing style, and I can see how his confronting plots and violent imagery fueled controversy, while also producing famous works like Empire of the Sun. 

For today, in the Fiction Predition Series, I want to take a closer look at his 1975 work, High Rise.

This is the third novel Ballard wrote in a trilogy that explores changes in modern society and their effects on human behaviour. In the 70s, at a time when 'advanced tech' referred to 8-track tapes, pocket calculators and electric typewriters, he said:

“... All this, of course, will be mere electronic wallpaper, the background to the main programme in which each of us will be both star and supporting player. Every one of our actions during the day, across the entire spectrum of domestic life, will be instantly recorded on video-tape. In the evening, we will sit back to scan the rushes, selected by a computer trained to pick out only our best profiles, our wittiest dialogue, our most affecting expressions filmed through the kindest filters, and then stitch these together into a heightened re-enactment of the day. Regardless of our place in the family pecking order, each of us within the privacy of our own rooms will be the star in a continually unfolding domestic saga, with parents, husbands, wives and children demoted to an appropriate supporting role.” -High-Rise by J. G. Ballard (1975)     

Now, if that doesn't describe an influencer on TikTok, Instagram, or YouTube, I don't know what would. 

High Rise has been described by Joachim Boazas as 'a virulent strain of Lord of the Flies syndrome' but afflicting adults, instead of children, crammed into an “island-like” building.'

It depicts the trend towards creator economies and influencer culture that leans into social media as an alternative to one-to-one familial relationships, set in an isolate buiding designed only for the very rich.

What could go wrong?

Searching the predicted technology issues first, we find: "Doomscrolling" or "zombie scrolling" can have profound negative effects on mental, emotional, and physical well-being, from increased anxiety and depression to physical symptoms like headaches, eye strain, and poor posture.

But Ballard didn't stop there. He took it to an extreme, horrific to witness as a reader, yet irresistible given his beautiful writing. 

The question today is, was J. G. Ballard a seer? 

I will answer yes, but hope very much to be wrong.

* * * 

About Kim Falconer

The Amassia Series

Kim Falconer, also writing as AK Wilder, has released Crown of Bones, a YA Epic Fantasy with Curse of Shadows as book 2 in the series. 

 Quantum Enchantment

Kim can be found on AKWilder.com, Twitter, Facebook, Instagram and KimFalconer.com. 

Throw the bones on the AKWilder.com site. See you there!

Read Blood and Water, a PNR alt history that will leave you questioning every natural disaster ever endured.

“There is no doubt fiction makes a better job of the truth.” 

Art of Adaptation - 11 Ways Authors Must Adapt

My Demon adaptation on Webtunes!

Hello, Sup readers and writers!

We have arrived at the end of the year, and it seems most fitting that I make this post a wrap-up of the previous eleven months, highlighting how authors must use adaptation in their writing.

Some of the best film adaptations on Netflix!

From adapting novels to film, games and videos to writing with AI, and all the way to dealing with the illusion of time, join me in this recap of the Art of Adaptation.

Adaptation to Film

Let's begin with the most obvious interpretation of adaptation with January's post on The Art of Adaptation - Films in 2025. In essence, this is the making of one medium suitable for another. As in, a novel to a film or series. 

Why do this? Sometimes we are compelled to adapt. Other times, it is part of the act of creating. Mostly is it is through the very hard work of an agent selling film rights to a producer. However they get there, this is where the author doesn't hesitate. Doesn't bulk. They give a resounding YES, sign the agreement and get out the confetti. But don't think for a moment this process is easy...

Adaptation to External Pressure

In February, the focus was on the adjustments authors make when turning their manuscripts into books. Basically, it's pressure to change some part of the submitted story, a process called revision. I give some great examples here.

Where do these pressures come from?

It might be from the author's agent, suggesting changes that will make the work easier to sell. Or, maybe it's the editorial department asking for a change that puts the work more in line with the imprint. Perhaps it is from sensitivity readers if the book succumbs to stereotyping, racial profiling, cultural appropriation or biases. 

Whatever the pressure, if it is meaningful to the book's publication and success, writers usually will adapt...

Adapting to International Films

Next, let's look at the Healing Magic of KDramas. 

KDramas, once categorised as foreign films but now referred to as 'international', have a magical appeal,

tempting viewers with new settings, customs, styles and ideologies while staying firmly rooted in familiar feelings, narratives and archetypes. Think of them as the epitome of immersion into another culture, the next best thing to being there. 

As well, watching KDramas activates multiple areas of the brain. Think of viewing these films and reading the subtitles as enhancing comprehension, memory, recall and attention to detail. It's stimulating and entertaining all in one!

Narrative Persuasion

Next, I explore how the reader might adapt to the story world based on the writer's ability to persuade...

in other words, how the author might push readers out of their comfort zone and into new experiences and perspectives.

Can stories really do this? Cause us to change our attitudes in real life

Simply put, storytelling has the potential to effect change through a technique called narrative persuasion...

Fantasy Monsters 

This form of adaptation as multiple aspects, so I divite it into two parts: 

Part 1 - Exploring the physicality and psychology of our darkest nightmares and how they have adapted and changed over time. 

Part 2 - Here I share some wonderful and eclectic new examples, all released this year, 2025!

Alternate History

To create an Alternate History work, you usually start with a 'real-life' event and then take a big 'ol step backward to alter how that event was shaped. Of course, the story will then have to adapt to the changes you envision, becoming something else entirely. Hopeful, it will be provocative, and inspiring... or maybe just haunting. You'll find great examples here!

AI 

For many authors, writing is a deep, personal process, rich in emotion and intricately woven with their unique voice. AI presents an intriguing proposition here. With tools that can analyse narrative structures, suggest plot twists, or even help in world-building, could these innovations enhance the creative process? Could they destroy it? 

This post had an element of controversy as I asked AI to write it, then deleted one paragraph and rewrote it myself. The goal was to see if readers could spot the difference, and thus far, no one has. Can you? 

Crafting Mood with Language

In the same way a carefully curated soundtrack can transform the mood of a visual scene, so too can the choice of words shift the emotional landscape of a written narrative. In this Art of Adaptation post, I explore how language can evoke different moods and feelings, using examples from two beloved vampire series: Anne Rice's "The Vampire Chronicles" and Charlaine Harris's "Southern Vampire Mysteries."

Take 5

We know that most authors have adapted to an intense and competitive work expectation, but is this good for us? Our creativity?

Do we have to work so hard to meet deadlines and other expectations? 

No, we do not. Before you shrug this off for any multitude of reasons, consider some interesting facts
from our historians and evolutionary biologists on Taking 5...

On Time

This is hands down my favourite post of the series. 

It looks at how easily we adapt to time without thinking. From an author's belief in rigid time constraints, to the readers' suspension of disbelief in 'reality'.

My big question to you is, what would happen if we changed our story and started saying, "I have all the time in the world?"

Let's find out in 2026!

***

I hope you enjoyed the series and this longer-than-planned recap.

Happy holidays!

xo Kim

If you have suggestions for 2026 posts, let me know. I am still brainstorming the topic for the year!

January - The Art of Adaptation - Films in 2025

February - The Art of Adaptation - Authors' Response to External Pressures

March - The Art of Adaptation - The Healing Magic of KDrama

April - The Art of Adaptation -  Reader Persuasion

May - The Art of Adaptation - Fantasy Monsters Part 1

June - The Art of Adaptation - Fantasy Monsters Part 2 

July - The Art of Adaptation - Alternate History

August - The Art of Adaptation - AI: A New Chapter for Writers

September - The Art of Adaptation - Crafting Mood with Language

October - The Art of Adaptation - Take Five

November - The Art of Adaptation - On Time

***

About Kim Falconer

Kim Falconer, also writing as AK Wilder, has released Crown of Bones, a YA Epic Fantasy with Curse of Shadows as book 2 in the series. 

Currently, she is ready with the third book, planned to be out in 2025. TBA

Kim can be found on AKWilder.com, Twitter, Facebook, Instagram and KimFalconer.com. 

Throw the bones on the AKWilder.com site.. See you there!

Read Blood and Water, a PNR alt history that will leave you questioning every natural disaster ever endured.

“There is no doubt fiction makes a better job of the truth.”

The Downside of Adaptation

Have you ever walked out of a film thinking, "It was nothing like the book?" There's a reason for this conclusion, and it isn't necessarily bad script writing.

When Pulitzer Prize winning novelist Jeffrey Eugenides talks about adapting a novel into film, he makes a good point. The book's story radically changes once it becomes visual.

"It's no longer a book, and to try to insist on it being a book will usually make it a poorer film." - Jeffrey Eugenides

Warm Bodies

David Mitchell (the author of Cloud Atlas) agrees. He feels that a novel's size and scope has to be parred down to fit into a visual narrative. Things have to happen faster too. Where a novel can take its time world-building and developing its characters and history, giving readers thrills and elevated heart rates along with downtime and moments of chilling out, films don't have that luxury.

Mitchell says where the novel is like a DVD box set, the film, costing over $100,000 per minute to shoot, puts the human eyeball in danger of exploding after the first 180 minutes. The film's plot must be delivered at the speed of light, or something close to it, compared with the novel.

If we are in love with the book and sitting in the theater, lights going down, it can help to remember that adapting to film means transposing from one medium to another, a process that involves rethinking the entire story.

First, it moves from telling to showing. That means description, narration and internal thoughts must be translated into speech, actions, sounds and visual images. Backstory, slipped in throughout a novel, isn't going to play out visually, unless a flashback is used. There are ways to portray nostalgia and history in film, but they are very different from getting the same message across in text.

Cloud Atlas

Another consideration is the fluidity of interpretation in novels. Scenery, ideas, characters' intentions and desires are suggested in the text, open to the imagination of the reader. In a film, the writer and director, and actors, are making much more definitive statements, open not so much to the imagination but recording what is seen as fact.

Cast of characters can be an issue as well. Though HBO's Game of Thrones is managing to tell the ensemble stories, scope and scale of George RR Martin's novels, as Peter Jackson did with LOTR, it's easier to fit a multitude of characters into a book than a film. Even with a longer movie, or television series, there isn't the time or space to explore a large number of characters. There's only so much the viewer can keep track of in the period of time.

Not only will the screen writer and director, time and space have a strong influence on the adaptation, the score composer will as well. The mood the music creates controls the interpretation of any scene in ways that the novel does not. If you doubt this, watch the same scene from Pirates of the Caribbean with four different sound tracks.

In the end, you may fully enjoy a book more than the film, or vice versa, but it's fun, and revealing, to consider why.

Do you have a favourite adaptation? We'd love to hear about it in the comments.

Kim Falconer's latest release is out now - The Blood in the Beginning - and Ava Sykes Novel. Find this novel in a store near you.

You can also learn more about Kim at AvaSykes.com, the 11th House Blog, and on FaceBook and Twitter.  

She posts here at the Supernatural Underground on the 16th of every month and runs Save the Day Writer's Community on Facebook. Check out her daily Astro-LOA Flash horoscopes on Facebook. 

Giveaway at Blood Rose Books

Crispin Korchen

Hi Sup readers!

Over at Blood Rose Books, they are giving away copies of The Blood in the Beginning with my recent interview. I thought I would give you all the highlights, and the chance to grab an ebook (for Aussies) or physical book (for Aussies AND/or international peeps).

To enter, go to Blood Rose Books Interview with Kim Falconer.

Below are highlights of the interview (with my comments on the questions).

BRB: If there was one author you could co-write a novel with (they can be alive or dead) who
would you choose and why?

KIM: They opened with this. Very challenging. I thought of 20, then 20 more ... then thought of how to explain ... I spent all day pondering it! You can see where I settled, after thinking of Homer to Jane Austen, all my Supernatural buddies to several best friends.

BRB: ...why did you decide to create the Mar?

KIM: More hours of contemplation. Did I create them? They already exist, right, as mythological creatures appearing for thousands of years in all cultures, in all places, in all times. They well up from memory, for all of us ... a loaded question, I thought!

BRB: ...What about Astrology appeals to you?

KIM: For me, this question is like asking, 'What is it about the English language that appeals to you? Here is my answer in full: My first six novels, the Quantum Enchantment and Quantum Encryption series, have themes of astrology and astronomy relevant to the plot. Some of the characters are expert stargazers and rely on the symbol system to solve mysteries and make critical choices. Being an astrologer for over 40+ years, my father an astrologer before me, means it’s part of the way I perceive the world. It naturally seeps into the writing, unless I make an effort to keep it out. I’m sure we’ll have more astro-relevance in the future. It would be weird without it.

BRB: What do you think would be the hardest or most challenging genre to write a novel in and why?

KIM: I liked this question, and had an answer immediately - narrative non-fiction  - a novel-like story about real-life people and events. Truman Capote’s In Cold Blood is the classic example; Into the Wild is a more contemporary one. The research and ethical issues alone would be daunting for me, maybe even stifling, especially with a still-living subject. I have a lot of respect for authors who tackle this genre.

BRB: ... how much research did you do in order to make the information in these parts of the book sound extremely real?

KIM: Another immediate answer. To quote Will Smith: "Sicking amounts of work." But I loved every minute of it. One of my fav aspects of writing is discovering new things. 

BRB: ... what appeals to you of the darker side of our culture?

KIM: Hours of contemplation went into finding this answer, starting with 'I'm attracted to the dark side?' Really good question!

BRB: Holy Crap is Ava an amazing character, she basically has the perfect balance of badassness, smarts but also self-aware (plus she lacks the whiny or smugness that many female characters have in this genre), what went in to her creation? Was important to you to make sure she was balanced character? Do you train in MMA to help Ava learn all her skills?

KIM: My answer in full, because what author doesn't like chatting about their main characters? 

I’m syked you think Ava is amazing. A lot went into her creation. 

She evolved organically, but I think, for one, the environment has shaped her. She develops what it takes to survive the Big One, CHI-Tech, being raised in the system … survive and thrive. If she was whiny, I don’t think she would have made it through her teens, living under the radar, in the streets. Ava’s character grows from the unseen past that moulded her to the current challenges she faces. It’s sink or swim. (LOL the pun)

I also wanted to balance Ava’s badassness with heart. She’s defensive, at times. Cautious. Brutal. But she will do anything for those she loves, as we find out.

Training on the beach

To help write ‘real’ characters, I give them astrological charts, a horoscope just like anyone born in the future might have, only I get to pick the day, month and year to fit. It ends up being a character reference guide. If I am not sure how she might respond to a certain situation, I refer to her chart and ask, “What would a Virgo with Pluto rising and Moon in Gemini do?” Gets me unstuck every time.

I’ve trained in martial arts and Iaido, (Japanese Sword) and I do pull on those experiences to choreograph fight scenes, but in this series, I collaborated with a Jujitsu and MMA fighter as well, to give that extra level of authenticity.

To see the full interview and put your name in the rafflecopter for a free paperback or ebook of The Blood in the Beginning, hop over to Blood Rose Books. Great reviews there too!

Kim Falconer's latest release is out now - The Blood in the Beginning - and Ava Sykes Novel. Find this novel in a store near you.

You can also learn more about Kim at AvaSykes.com, the 11th House Blog, and onFaceBook and Twitter.  She posts here at the Supernatural Underground on the 16th of every month and runs Save the Day Writer's Community on Facebook. All Welcome.

Why Zombie?

iZombie's Rose McIver

Hi Everyone,

While watching the return of iZombie this week (Method Head, S02E10), it struck me how much these creature have evolved – Zombies, that is, not the CW or TV show runners in general (though maybe them too!).

As I wrote in a 2013 review of Warm Bodies, romance wasn’t the most expected direction the Zombie genre could take.

But maybe social psychologist Sara Sutler-Cohen can make sense of it:

"On-screen zombies have always reflected their era, creating a cultural arc and a ‘mirror image of what’s happening in society at that moment’."

If that's the case, the original attributes of zombies (White Zombie in 1932) including lack of speech or self-awareness, single-minded hunger for human flesh, slow, staggering gait, unstoppable, corpse like physicality controlled by a voodoo master, mirror something of the times. The zombie image didn’t waver much for the next seventy years and might reflect a culture grappling with issues of power, control, freewill and self-determination. Maybe throw in fear of death.

Not until 1985 do we see a change with the first brain-eating zombies (in Return of the Living Dead, directed by Dan O’Bannon). It makes them even more terrifying as the brain (memories, choice, more impulse control) indicates our conscious volition and individuality. Our identity. This might correspond to the the post-modern perception of perpetual incompleteness and deconstructivism where reference to cultural, ideological and moral opinions are reappraised (the death of the author - a zombie ate their brains?)

French TV drama series Les revenants

By the 2000s, we start to see quicker, more dynamic and resourceful zombies. They're becoming a lot more like us. In Danny Boyle’s 28 Days Later (2002), these iSmart zombies are the results of infection, not magic. The fear is what can 'get into us' from the outside - AIDS, Bird Flu, Ebola . . .

Then came 2010 with Isaac Marion’s archetype shattering novel, WarmBodies were our hero is a zombie who falls in love and turns into a real boy again.  It was followed by the French TV drama series Les revenants, or The Returned (2012), with deceased teenagers returning home years after her death, complete with memories, self-awareness and angst.

Warm Bodies - a Zombie love story

The latest in the tropes in of highly functional zombies is the Olivia Moor character on iZombie. She's a top med-student and fiancé turned zombie. In this new, DC Comic based, Zombie universe, the affliction has it’s perks in the form of memories (where eating the brains for a victim can lead to solving the crime.) Liv Moore not only can love individuals, she's driven to help others as well. Quite the turnaround from 1932s White Zombie.

Does this mean we, as a reading and viewing collective, are opening up to the perceived, monstrous 'others' out there in the world? Are we connecting with our inner dark side and transforming it through love? Definitely a thought I want to explore

And no, my next book is not a zombie romance, (it's an urban fantasy featuring Ava Sykes - a creature of a whole other kind), but I do think we can learn from this collective shift toward monsters with heart.

How about you? A fan of the zombie? New or old? Feel free to share in the comments. xxKimmy

Kim Falconer is a Supernatural Underground author writing paranormal romance, urban fantasy, YA and epic science fantasy novels.

You can find out more about Kim at the 11th House Blog, and on FaceBook and Twitter.

She posts here at the Supernatural Underground on the 16th of every month and runs Save the Day Writer's Community on Facebook.

When Parallel Worlds Collide . . .

A wie armageddon. by danirolli

High concept: it can lead to a breakout novel or film. Given that, it's not hard to guess why writers want a clear concept at the core of their work, but pinning down exactly what that means can be challenging.

I've heard a lot of mini, fractured definitions, but every writer, and reader, knows what high concept is when they see it.

It a nutshell, it makes the story sing.

Still, that's not a Webster definition.

According to Jeff Lyons, author of Anatomy of a Premise Line, high concept has:

• entertainment value
• originality
• uniqueness
• visual appeal
• emotional depth
• asks "what if"

Anatomy of a Premise Line:

High level of entertainment value High degree of originality High level of uniqueness (different than original) Highly visual Possesses a clear emotional focus (root emotion) Targets a broad, general audience, or a large niche market Sparks a “what if” question - See more at: http://www.scriptmag.com/features/story-talk-high-concept-yes-it-actually-means-something#sthash.LgUbQPEg.dpuf

You don’t have to slap your reader in the face with your concept - that's best avoided - but the writer needs to know what it is, to stay on track. My favorite support for this is with the tagline - the short-short sentence or catchphrase that resonates with the story's core values.

Condensing a novel or film to a tagline that reflects the richness of concept can be painstakingly difficult, but incredibly rewarding. Here are a few examples, some of which I am sure you will recognize.

When Parallel Worlds Collide . . . 

Journey by Night by Kim Falconer (the third book in my QE Series)


The last man on earth is not alone . . . 

I am Legend by Richard Matheson


Fifty million people watched, but no one saw a thing . . .
  
The Quiz Show based on Richard N. Goodwin's memoir


In space, no one can hear you scream . . .

Alien by Alan Dean Foster 


Winter is coming . . .

Game of Thrones by George R R Martin


Your Mind is the scene of the crime . . .

Inception written, produced, and directed by Christopher Nolan

 
A long time ago in a galaxy far, far away . . .

Star Wars (1977)


An adventure 65 million years in the making . . . 

Jurassic Park  by Michael Crichton


Everybody Loves Ernest... But Nobody's Quite Sure Who He Really Is.  

The Importance of Being Ernest by Oscar Wilde (2002 film)




She has the power . . .

Lucy (2014)


One last chance for peace . . .

Dawn of the Planet of the Apes  (2014)


You can see that the tagline doesn't include the full heart, essence, premise, design or images of the story, but if it has the same vibration, it will inspire readers to pick up the book (and writers to keep writing them). Once in the pages, or theater, the concept works invisibly behind the text and images to sweep the audience away.

What are some of your favorite film or novel concepts? Do the taglines reflect them?

Sup authors, I'd love to know what you're working on now. Do you start with a tagline in mind? A core concept to keep you on track?

Feel free to share in the comments.

Kim Falconer is a Supernatural Underground author writing paranormal romance, urban fantasy, YA and epic science fantasy novels.

You can find out more about Kim at the 11th House Blog, and on FaceBook and Twitter.

She posts here at the Supernatural Underground on the 16th of every month and runs Save the Day Writer's Community on Facebook.

Her latest release is "Blood and Water" in Supernatural Underground: Vampires Gone Wild.

How to Attract a New Sweetie

Diamond Warrior by Michael Parkes

Recently I listened to a talk by relationship coach Lisa Hayes. It was part of her series on Dating in the Vortex and focused on Lisa’s “two list” approach to attracting new or improved love. Since this is the topic of interest to all of us Sup readers and authors, I thought to explore some of these ideas here.

On the call, Lisa read us a client’s LONG list of her ideal date. It was as detailed as a Briggs-Myers personality test, only more personal and included a CV, physical traits, emotional responses to a wide range of situations, minimum bank balance etc. etc. There really wasn't much missing, down to the most personal, um, details.

Lisa's point – specifics might actually be limiting if we aren't listing how we want to feel. (who cares what their annual income is, or make, model and car registration # or even favorite food, if we aren't feeling the love?) This example got me thinking about list making altogether, especially when it involves another person. Isn't that conditional love? The thought of someone ticking off my appearances, traits, IQ and emotional responses feels . . . odd.

Actually, it's kinda creepy. I wonder how our heroines might feel if their love interest was concerned with 'specs'. It would get my leading ladies' hackles up, for sure. The question is, are we missing the point of relationship when we preordain what the ‘other’ must be like? Maybe, but don’t get me wrong. Lists are valuable. They tell us things about ourselves.

For example, if I make a my new sweetie (MNS) list and it goes like this: MNS is rich, smart, funny, gorgeous, adventurous, independent, fit, must love cats . . . what does this say about me? It says, I want to be rich, smart, funny, gorgeous, adventurous, independent, fit and surrounded by cats. The list is never about ‘them’. It’s about us, and when we get that, we can stop ‘needing’ others to be x,y or z, and be that ourselves. Then, we enjoy the new sweetie for who they are. Period.

Besides showing us what we want to become, the MNS list can point out why we want what it is we want. Armed with that knowledge we can get to the feeling place now, before MNS shows up. Does everyone know the “why do I want that” exercise? It's so insightful.

1) Start with a current desire. It might be I want to date a man with $$$. Underneath that statement ask, why do I want that? It might go like this:

I want to date a man with $$$

Why do I want that?

So I don’t have to pay for everything myself

Why do I want that?

So someone besides me steps up for a change

Why do I want that?

So I feel special

And there it is. In this case, I don’t give a hoot about their bank account. What I really want is to feel special.  

And this is an inside job. As Ean Begg says, When we stop expecting other people to fulfill us, we can begin to fulfill ourselves. Does that leave the door open for true relationship, or what? The other great thing about the MNS list is, it tunes our radar for new possibilities. 

If I say my sweetie is generous, kind, hot, funny, smart, sporty etc I'm cuing my unconscious that these things do exist! Like they say, I’ll see it when I believe it, and the list helps me believe. For those who think relationships suck, or that men/women are untrustworthy, lists can help shift the vibe to a better feeling place.

How about you? Do you make lists for dates, partners, perfect clients, agents, others? Or do you connect with people from scratch, where who they are and what they look like and how they think is of no concern because you know, if they are in your space, they are a vibrational match? 

Combination of the two? I’d love to hear your thoughts (and lists)!

Kim Falconer is a Supernatural Underground author writing paranormal romance, urban fantasy, YA and epic science fantasy novels. She also co-directs Good Vibe Astrology, an astrology and law of attraction school.

You can find out more about Kim at kimfalconer.com or on the 11th House Blog. She posts here at the Supernatural Underground on the 16th of every month. Her latest release is Supernatural Underground: Vampires Gone Wild.