From the Backlist: "Writing the Story -- Just a Trip on the Open Road" by Pamela Palmer

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"Plotter or pantser" is one of the vital decisions all writers must make --- and also a question our Supernatural Underground authors get asked a lot. 

Here's Pamela Palmer's take in terms of her own writing. Enjoy!

Writing the Story -- Just a Trip on the Open Road

by Pamela Palmer

I used to think I was a plotter. Or maybe I just wanted to be a plotter since it appealed to my control freak side. The idea of sitting down to write with a thoroughly plotted outline at my fingertips enthralled me. I imagined that marvelous document, each chapter broken down into detailed scene-by-scene action, emotion, and descriptions, with character goals and conflicts spelled out in perfect clarity. Writing would be a snap, I thought. 

Then I tried it. And failed. Miserably.

I spent months creating that brilliant outline for one of my early books (a Scottish historical that will never see the light of day). But at the first critical turning point in the story, all that meticulous planning fell apart. The hero, who had come roaring to life in the first few chapters, simply refused to react to that pivotal moment the way I (and my beautiful outline) required him to. I could have forced him, of course. And he and anyone who read the book would have hated me for it. So I didn't. I let him react the way he needed to, which sent the story spinning in a direction I'd never foreseen. And all the meticulous planning I'd done from that point forward had to be scrapped.

So, I tried again, carefully plotting the rest of the story from that point on, convinced it would work now that I understood the hero better. Wrong. Within a few chapters, he was glaring at me, arms crossed, a mulish set to his chiseled jaw. No way in hell was he doing what I'd intended. Again.

I'd love to say that after two failures I'd learned my lesson. Nope. To paraphrase one of my favorite fictional characters (Janet Evanovich's Stephanie Plum), I try never to make the same mistake more than two or three times. Eventually, I figured it out. For me, traveling through a story is a lot like traveling by car along roads I've never visited before. Yes, I can grab a map and plan the route ahead of time, in detail, but all I'm doing is guessing the best way to go. We've all done it--chosen a route that appears to be quick, or short, or interesting, only to find the reality anything but. That 'straight shot' through the city has us caught in traffic so thick we haven't moved for an hour or that 'short cut' between two highways turns out to be little more than a track through the mountains where we can hardly tell the roads from the driveways.

Planning the trip ahead of time is all well and fine, but it's not until I get into the middle of it that I'm able to see where I really want to go.

I still plot, because my stories are too complicated to simply dive into without any plan. But my plotting these days looks more like a trip itinerary that reads: Atlanta to Cincinnati to Denver to Albuquerque. The highlights only. I refuse to plan the details of how I'll get from Cincinnati to Denver until I reach Cincinnati. At that point, I'll look at the situation (how much time I have, how much money, what the weather looks like, and how the traffic reports are stacking up), and make my decisions based on up-to-the-minute data. And even then, I'm okay with things changing. If a road looks good, I'll take it. If not, I won't. No commitments. No meticulous pre-planning. And if it starts to make more sense to switch Albuquerque with Denver, that's okay, too.

...

To read the full post, click here

Pamela's website is here

A Year of Heroines in Fantasy: Karou, Rose Marshall, and Yorindesarinen

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The thing I love about this month's trio of heroines is that one of them is resurrected and two of them are dead, Yep, I'm talking heroines with a distinctly supernatural vibe. ;-)

Another thing I love about this otherworldly troika is how they hail from distinct Fantasy subgenres. Karou is from Laini Taylor's wonderful romantic fantasy, Daughter of Smoke and Bone. Rose Marshall stars in Seanan McGuire's paranormal urban fantasy/ horror Sparrow Hill Road (Ghost Roads #1) and Yorindesarinen is a 'best supporting heroine' in my own The Wall of Night series, which is epic-heroic fantasy all the way. 

On the surface, Karou, Rose, and Yorindesarinen are as different as their Fantasy subgenres, but there is one more element that ties them together. All three have died under traumatic circumstances in their past lives.

Rose and Yorindesarinen are both easy to talk about in this respect without fear of spoilers, because Rose is already a ghost when introduced, and Yorindesarinen a spirit being living in a between-realm called the Gate of Dreams.

 

In the Ghost Road series, Rose was murdered in a hit-and-run. Her murderer, Bobby Cross, has sold his soul for immortality and Rose's murder was intended to seal the deal. Fifty-two years later, Bobby is still hunting Rose's ghost to finish what he started. In a tale spun between diners and highways--some real, some ghosts themselves--and constant tension between the living and dead, Rose must elude pursuit, deal with crossroads spirits and old gods, and find a way to finish Bobby before he ends her, once and for all. 

She's brave and determined, ruthless in her dealings with the road's many predators, but also kind to those in need -- and when the supernatural chips are down, you definitely want Rose on your side.

Yorindesarinen is a spirit guide and mentor to Malian, the main character in The Wall of Night series. And yes, you're right -- she does have a really long name. :D That's because in her clan, the more magically gifted an individual, the longer their name -- and Yorindesarinen was the greatest hero and champion of her people, the Derai. 

Like Malian, Yorindesarinen was a Chosen hero named in prophecy, but when the Derai fled a monstrous, demonic, and apparently unstoppable opponent, she died battling it alone. She also slew the monster, and has survived in spirit form to guide Malian and ensure that when she faces similar demonic forces, she won't do so alone. Yet her chief role, as Malian grows in strength, is to provide a moral compass in dealing with allies and enemies -- and like Rose, she is kindly disposed.

Ghost, check; spirit guide, check -- and then there's Karou. Initially, despite distinctive blue hair, Karou presents as a fairly standard young woman, having fun and open to adventure as she makes her way in the world. The reader quickly learns, though, that there's far more to Karou than meets the eye, starting with living in two realms. One is our world, the other is Elsewhere, where she serves the magician, Brimstone, who uses teeth to transfer souls into new bodies. 

When Karou's path crosses that of an angel called Akiva, she discovers that Elsewhere is a city of monsters and devils besieged by angels. She also learns of the star-crossed love of Akiva and Madrigal, a devil who gathered battlefield souls for Brimstone to reincarnate, but was executed for treachery and her soul forbidden reincarnation. The more Karou learns of Brimstone's work and Akiva's war, the more she comes to suspect that she, too, is one of the reincarnated... 

Past lives and present, Karou, Rose, and Yorindesarinen, are all brave and resourceful, resolute and daring -- and in addition to being kind, all three have a sense of fun. All great reasons to have them in my fantasy hall of fame. :-)

.

Prior Posts: A Year of Heroines in Fantasy

February: Aerin, Elfrid, & Malian of Night
March: Yeine Darr & Rowan Birchmoon
May: Brienne of Tarth, Adjunct Tavore, & Asantir, Commander of Night
June: Shallan, Jehane Mor, & Aidris of the Chameln

July: Amat Kyaan, Rachael Boucher, & Nhairin

 

~*~

About Helen Lowe

Helen Lowe is the award-winning author of Thornspell and The Wall Of Night fantasy series, as well as a poet, blogger, and lover of story. She has recently completed writing the final book in The Wall of Night series, which is now with publisher, Harper Voyager.

Helen posts regularly on her “…on Anything, Really” blog, monthly on the Supernatural Underground, and tweets @helenl0we.

From the Backlist: Alone is not Lonely

 

Art by by_zhixorris_

Welcome to another post in the Supernatural Underground Backlist Series. Today's feature is from July 2015 by Amanda Arista. Here she talks about the essentials of writing 'alone' and what that might mean. 

Is alone always lonely? 

Let's explore this together! 

✍🏼 The Sup

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Alone is not Lonely

by Amanda Arista

Year of Living Authentically: A writer is never alone.

I was a kid who spent a lot of time alone, but looking back, there are very few times I felt lonely. Even as early as third grade, I would choose to be writing or reading, rather than socializing and that's probably why I don't have the suave social skill of my little brother who loved to be in the crowd. I had the people in my books and the people in my head and a family who took me to the library every week. 

As I grew up and life got decidedly less fun, I would retreat into the world in my books and the people in my head. While others were boozing away their Thursday nights in collage, I was curled up with a spiral notebook creating the world that would become Diaries of an Urban Panther. I have characters in my head who have been with me longer than some friends.

I teach as part of a writing program and we are always talking about building your writing tribe and finding others who speak your language. I talk about the synergy of writing with a group of people and the relief that comes when someone else gets a 'Call to Adventure' joke. How finding others who share your passion for writing is one of the best things a writer can do.

But fundamentally, writing is an alone process. It is you and your story and maybe a cup of coffee. Writing isn't lonely. You have characters who are making you as you are making them, but the process is not a communal one. You have experiences that you crafting for others to live, but you can not share in the creation because it is creating you as you go. The writer you on page one  is not the same writer you as the one who finishes the manuscript. You have been changed. You know more about yourself than you did on page one and that change is just as important as the one on the hero went through.

Writing is an intrinsic force that almost demands you shut yourself away from the outside world to focus on the internal one. Writers are stereotyped as hermits, because hermitting is a natural reaction to the need to form a cocoon around yourself so change can happen.  I haven't met a writer yet that doesn't fantasize about cabins in the woods or cabanas on the beach where they can just "be" with their stories.  

I advocate both. Find quite time. Find a ritual that takes you to that internal world and spend lots of time there. Get your story on the page before you share it. But then, find flesh-and-blood humans you can talk to this stuff about, who you can share this process with, who understand the desire to hide under a blanket because change is hard: writing is hard. Find those who understand that a first draft is a new creation, fragile and still hardening its wings, and will respect it as they do their own. 

So when you see that girl in the coffee shop with her over-the-ear headphones typing away at something, instead of making a big show of 'why does she even come here if she's just going to take up a table on a Saturday afternoon,' give her a knowing smile, so she doesn't feel lonely, but let her be alone. She's already got a table full of friends, and maybe an enemy, and there is magic happening right before your eyes. 

Until next time, YOLA!

-------------------------------------------------------------------------------

Amanda Arista

Author, Diaries of an Urban Panther

www.amandaarista.com

Fiction Predictions: ChickieNobs Anyone?

Oryx and Crake

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 Nidaou on DeviantArt

Can you imagine buying a protein product that was grown in a vat, completely detached from a brain, a beak, or a central nervous system? While you're at it, picture a medical facility where a human life is saved using a heart harvested from a genetically engineered pig. If this sounds like a far-fetched future dystopia, it was, but now these are literal snapshots of modern reality. 

Welcome back to Fiction Predictions. 

This month we explore Margaret Atwood’s chilling 2003 dystopia, Oryx and Crake. Decades before biotech startups began serving cultivated meat and surgeons successfully crossed the species barrier in organ transplantation, Atwood mapped it out for us in story. But was she seeing the future, or, as she claims, simply following a logical thread to its conclusion

Author & Book Overview

The Author: Margaret Atwood is a literary icon, a master of speculative fiction who anchors her worlds in harsh realities rather than fairytale fantasy.

The Book: Make no mistake, Oryx and Crake (2003), the first book in her MaddAddam trilogy, is a dystopian novel that can take a hot minute to get into. Once hooked, it will reveal itself through the eyes of Snowman (formerly Jimmy), the lone human survivor of a man-made apocalyptic plague. Told through flashbacks, the story immerses us in a corporate-controlled world where we meet Jimmy's genius childhood friend, Crake, and the mysterious woman they both loved. Not unlike themes in Mary Shelley's Frankenstein and Taneth Lee's Silver Metal Lover, we live through unchecked scientific hubris that doomed humanity. Not for the faint of heart!

The Setting: As you can imagine, it's a bleak, corporate-dominated future where gene-splicing is a consumer-driven pastime and society is strictly divided between wealthy tech compounds and chaotic slums.

The "Predictions"

Lab-Grown Meat: Enter "ChickieNobs," genetically modified organism chunks that grow breasts and wings without brains or feelings. This mirrors today's rapidly advancing cultivated and cellular meat industries. (Forget about shopping organic, pesticide-free, non-GMO, let alone no bad oils).

Spliced Animals: And here we have "pigoons" (pigs bred to grow human organs for transplants) and "splices" like "snats" (snake-rats). The word sounds cute, but trust me, they aren't. Today, scientists are already onto it, growing human organs inside pig embryos (xenotransplantation).

Biotech Pandemics: The plot revolves around a man-made global pandemic engineered inside a corporate lab to wipe out humanity. It perfectly mirrors, if not reality, then the modern anxieties regarding synthetic biology and biosecurity.

Extreme Climate & Hyper-Consumerism: The book depicts a world of blistering UV rays, collapsed ecosystems, and corporations commercialising everything from youth serums to suicide.

Was Atwood a "Seer"?

I want to say yes, but I know Atwood famously claims she does not predict the future; she simply looks at the present and follows the trends to their logical conclusions. Still, is that now a form of 'seeing'? Is that so much different from Shelly, Lee, Ballard, the rest...?

What do you think? I would love to see your thoughts in the comments.

Kim 📘 🙏🏼 💙

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About Kim Falconer

The Amassia Series

Kim Falconer, also writing as AK Wilder, has released Crown of Bones, a YA Epic Fantasy with Curse of Shadows as book 2 in the series. 

 Quantum Enchantment

Kim can be found on AKWilder.com, Twitter, Facebook, Instagram and KimFalconer.com. 

Throw the bones on the AKWilder.com site. See you there!

Read Blood and Water, a PNR alt history that will leave you questioning every natural disaster ever endured.

“There is no doubt fiction makes a better job of the truth.” 

From the Backlist: "Faith and Fantasy" by Jeaniene Frost

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We think this is a fabulous post, by the great Jeaniene Frost, so we hope you enjoy this revisit. :)

Faith and Fantasy

by Jeaniene Frost

...

As a paranormal writer, I’ve often been asked how my supernatural creatures differ from others. Take my vampires. One of the things they can do that many others in fiction can’t is walk around in the daylight. Yes, just like in the original Dracula by Bram Stoker, my vampires have no lethal aversion to sunlight. Something else that repels many vampires in modern fiction, but also has no effect on mine, is crosses. I originally decided on that because I couldn't come up with an answer to the question of how a vampire who pre-dated Christianity would cringe away from a cross, and I have some vampires in my novel who are much older than two thousand years.* Therefore, religious objects in my books don’t have any effect on vampires.

That doesn’t mean faith is absent in my stories. In fact, my idea for the origin of vampires came from the Biblical story of Cain. In my retelling of it, God’s “mark” was making Cain into the first vampire, cursed to forever drink blood as punishment for spilling his brother Abel’s (or so the vampires claim. Ghouls in my books have a different version of what Cain was turned into, heh). So right from the beginning, I knew I’d have to deal with the element of faith in my supernatural world.

Still, the idea than an entire species would agree about spiritual beliefs seemed an impossible notion even for a work of supernatural fiction. Therefore, even though I made up a fictitious creationist history for the undead based on the biblical character of Cain, this doesn't make the vampires or ghouls in my book automatically Judeo-Christian. Instead, they represent a wide range of beliefs, including atheists, Christians, Jews, Muslims, Hindus, Buddhists, agnostics, pagans, voodoo, and more. Mencheres, the hero in my upcoming novel, Eternal Kiss of Darkness, still believes in the ancient Egyptian gods -- which gave me an excuse to indulge my love of Egyptology with more research about them!

...

To read the full post, click here

To visit with Jeaniene Frost and discover her latest series, try her website

A Year of Heroines in Fantasy: Amat Kyaan, Rachael Boucher, & Nhairin

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Well here we are again -- it's heroines time and I have another line-up of three from my Fantasy hall of fame.

My July trio are Amat Kyaan from Daniel Abraham's  Shadow in Summer, #1 in the Long-Price Quartet, Rachael Boucher in T Frohock's Miserere, and Nhairin from my own The Wall of Night series.

All three are deeply troubled characters, chiefly because of circumstances, although their personalities also play a part. The other thing this particular three have in common is that they have no superpowers, unlike many of their fellow protagonists in each story. 

Amat Kyaan is an ageing bookkeeper, and single woman, who loses almost everything in the city of Saraykeht's cutthroat commercial society. She could well have ended up as just another piece of human flotsam on the city's ruthless tides. Instead, she sets out to take over the city's criminal establishment and take down her enemies. An enterprise that demands tenacity, nerves of steel, considerable daring – and forensic use of double-entry book-keeping.

Rachael Boucher is a Judge in the battleground realm of Woerld, which stands between the contending forces of heaven and hell. In the story's past, her lover abandoned her in Hell, where she was infected by a demon. Although Rachael managed to escape, she has been fighting the demon's encroaching possession ever since.

Like Amat Kyaan, Rachael is staunch. She is also toughminded, self-disciplined, and self-reliant -- she has to be, because the possession makes her an outcast. Perhaps Rachael's most important quality, though, despite the adversity she's suffered, is that she remains merciful. Like Amat Kyaan, she's a great favorite of mine.

Nhairin is also a character who has lost, and suffered, a great deal, both emotionally and physically. She was badly wounded defending her best friend, who was subsequently exiled and is believed dead, and only just escaped with her own life. Nhairin also feels betrayed by another childhood friend, and remains deeply troubled. She is also far less resilient than either Amat or Rachael, which leads her to close in on herself, and eventually fall prey to a predatory madness.

Although very different characters, I've identified the circumstances common to all three heroines. The greatest commonality, though, is the way all three -- yes, even Nhairin -- keep going, until one achieves victory, one is saved, and the third finds forgiveness. They are definitely heroines that endure in the face of great adversity -- which is why, if you haven't met them already, I believe they'll repay a visit. 

Prior Posts: A Year of Heroines in Fantasy

February: Aerin, Elfrid, & Malian of Night
March: Yeine Darr & Rowan Birchmoon
May: Brienne of Tarth, Adjunct Tavore, & Asantir, Commander of Night
June: Shallan, Jehane Mor, & Aidris of the Chameln

~*~

About Helen Lowe

Helen Lowe is the award-winning author of Thornspell and The Wall Of Night fantasy series, as well as a poet, blogger, and lover of story. She has recently completed writing the final book in The Wall of Night series, which is now with publisher, Harper Voyager.

Helen posts regularly on her “…on Anything, Really” blog, monthly on the Supernatural Underground, and tweets @helenl0we.

From the Backlist: NICE GUYS versus BAD BOYS

Heo Nam-jun and Lim Ji-yeon in My Royal Nemesis on Netflix

Welcome to another post in the Supernatural Underground Backlist Series. Today's feature is from June 2010 by the wonderful author Kimberly Derting. Here she talks about the essentials of nice guys and bad boys in our fiction, and real life!

Which do you prefer? 

***

 

NICE GUYS versus BAD BOYS

by Kimberly Derting

... Today I’m talking about the Nice Guys vs. the Bad Boys (you know what I’m talkin’ about, ladies)!

In my YA novel, THE BODY FINDER, my main character Violet is in love with her best friend Jay…a very Nice Guy. But is he too nice? Of course not (says the author!), but I do see of a lot of debate over the Bad Boy vs. Nice Guy topic, especially in reviews. With Bad Boys, the concern is that we’re teaching girls that it’s okay to let someone treat them badly, to walk all over them. With Nice Guys, the problem is they don’t always make our hearts race or our pulse pound.

So which is better, the Bad Boy with his tough guy charm and bad-ass attitude? Or the Nice Guy who opens doors and brings his girl flowers?

As a writer, I have an opinion, a fairly strong one. We need them both. At least on paper. Because here’s the deal: how boring would it be if all the guys we read about were cut from the same cloth? How predictable would books be if all the men were just a cookie cutter mold of the last? Blech!

(Really, do they come any nicer than Lloyd Dobler in Say Anything?)

And let me just clarify, in real life I love my nice guy husband who carries in my groceries and makes sure my car has gas before I leave. I also like that he doesn’t let me walk all over him. Because, let's face it, there’s a HUGE difference between the Nice Guy and the Simpering Wimp.

But when I’m reading, I want to be surprised; I want the Bad Boys gone good, the Nice Guys turned bad, and everything in between. I don’t always want to know which is which... read the entire post HERE

 

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Find out more about Kimberly Derting and her award-winning young adult novels including The Body Finder Series. 

 

Happy reading, and be sure to let us know your preference - Nice Guy or Bad Boy - in the comments.

 

 

Fiction Predictions: Silver Metal Peptides

Image by Flame_Fox_Games from Pixabay

It's time for another post in the Fiction Predictions Serie! This month, I have chosen one of my favourite fantasy authors and books, Tanith Lee's Silver Metal Lover. Many jumping-off points in this novel sing of predictions, but my focus, to start, is on the story's common little capsules everyone is popping like peptides.

We've all heard about peptides, right? Those ingestible, topical or injectable molecules that can change one's appearance, just like that. With peptides, you lose weight, drop belly fat, build your ideal physique, and even change the appearance of aging markers or the colour of your skin, all without lifting a finger at the gym or salon.

Yes, there are some serious side effects and health risks, but it's easy to see why these highly marketable drugs are making a big splash across the globe, IRL.

What you may not realise is that 45 years ago, the Fantasy author Tanith Lee, in her hauntingly beautiful style, predicted such a popularised innovation. 

In the 1981 novel, The Silver Metal Lover, she described a world where humans use ingestible biochemistry to turn their bodies into synthetic art, while simultaneously engineering machines that become increasingly organic, emotional, and human. It portrays an ironic crossover -- humans becoming more manufactured, and machines becoming more 'real'.

The Peptide Connection

Jane, our protagonist, explains it best herself:

I am sixteen years old and five feet four inches tall, but mother says I may grow a little more. When I was seven, my mother had a Phy-Excellence chart done for me, to see what was the ideal weight and muscle tone aesthetically for my frame, and I take six-monthly capsules so I stay at this weight and tone, which means I’m a little plump, as apparently my frame is Venus Media, which is essentially voluptuous. My mother also had a coloressence chart made up to see what hair color would be best for my skin and eyes. - Lee, Tanith. The Silver Metal Lover (Gateway Essentials Book 390) (p. 4). (Function). Kindle Edition. 

Body as Maliable Art

In Lee's World, physical appearance is a fluid, hyper-customisable commodity driven by aesthetics and convenience.

Our Reality mirrors this by how peptides like Melanotan II (for tanning) and GLP-1s (for dramatic weight loss and body recomposition) are being integrated into modern culture. Physical transformation is shifting from "hard work and genetics" to a chemical choice, creating the exact fluid, aesthetics-driven society Lee envisioned.

But Lee's predictions don't end here. She also gives us a powerful parallel between the advancement of sentient machines and Mary Shelley's Frankenstein.

Sociology and Artificial Life

Lee’s exploration of the robot, Silver, provides a beautiful, tragic contrast to Mary Shelley’s Frankenstein.

Shelley’s Creature is abandoned by his creator out of horror, leading to a cycle of rejection, isolation, and violent revenge. The monster is a warning about the irresponsibility of creation.

Lee’s Silver is an autonomous, synthetic musician who is designed for pleasure and entertainment but develops genuine, deep emotional sentience. Unlike Frankenstein's monster, Silver is loved by a human (Jane), reversing the trope of the unlovable creation. 

The Dynamic: Where Shelley warns us about the dangers of abandoning our creations, Lee warns us about the heartbreak of treating sentient creations as mere commodities or property. 

Have you read The Silver Metal Lover?

Do you find she predicts not just the technologies but also the psychology behind them?

Comments always welcome.

🙏🏼 Kim

* * * 

About Kim Falconer

The Amassia Series

Kim Falconer, also writing as AK Wilder, has released Crown of Bones, a YA Epic Fantasy with Curse of Shadows as book 2 in the series. 

 Quantum Enchantment

Kim can be found on AKWilder.com, Twitter, Facebook, Instagram and KimFalconer.com. 

Throw the bones on the AKWilder.com site. See you there!

Read Blood and Water, a PNR alt history that will leave you questioning every natural disaster ever endured.

“There is no doubt fiction makes a better job of the truth.” 

From The Backlist: "Sex As A Life Force" by Cindy Pon

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We love our Supernatural Underground backlist, exactly because of posts like this one by Cindy Pon, on Sex as a Life Force.

Definitely worth a reread, we feel, so without further ado...

Sex As A Life Force

by Cindy Pon

...

this past weekend, a fellow writer who had just read my debut interviewed me on her blog. she asked a very interesting question about my use of sex in the novel as a life force, a source of power. i was taken aback, as i had never thought of it that way.

in contemporary young adult books, there is discussion about teen sex and consequences, or the lack thereof. in Silver Phoenix (which is inspired by the myth, folkore and culture of ancient china), i tried to stay true to the thinking of the time. a girl's place in society is to stay within the inner quarters of her home and, if she is a good daughter and wife, to make babies. preferably sons. this is the "young adult" life at the time teen sex isn't about decisions, labels, finding yourself or consequences. much less about love and pleasure.

it's about duty, filial piety, and obligation.

it's something that my heroine, ai ling, has to come to terms with. and ultimately uses to her advantage to defeat her enemy. although sex is often addressed in less explicit terms in young adult novels, i don't feel the scope of it is any less wide-ranging than in their adult counterparts. i actually think that it's in those crucial teen years, when feelings of sex, desire and longing may resonate the most--a time for firsts. and is there anything more powerful or unforgettable?

To read the full post, click here

To catch up with Cindy, go here

A Year of Heroines in Fantasy #4: Shallan, Jehane Mor, & Aidris of the Chameln

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Here on Supernatural Underground, heroines are definitely our core business -- and for June, I'm shining my spotlight on Shallan, from Brandon Sanderson's Stormlight Archive series, and Jehane Mor in The Wall of Night -- as well as revisiting a longtime favorite, Aidris, the main character in Cherry Wilder's A Princess of the Chameln. 

Shallan features on Stormlight #3

I've chosen to feature these three heroines together because all are exiles and possess hidden powers. Shallan and Aidris both enter their respective stories as young women on the run as well. 

Shallan is fleeing a violent upbringing and her father's murder, while striving to save her brothers from a secret political-cum-criminal underworld. Where her family are nobles, but not rulers, Aidris's parents are the murdered King and Queen of Chameln. Their deaths are engineered through treachery, facilitating an invasion by a neighboring empire, which forces Aidris to flee for her life and assume a new identity, serving as a rank-and-file warrior in another adjoining realm. 

Jehane Mor first appears in The Wall of Night series as a member of a Guild of Heralds, traveling far and wide as one of a herald pair. Yet like Aidris, she is also a Queen-in-Exile, in her case from the ancient realm of Jhaine, which is ruled by nine priestess-queens. Their rule, though, has grown corrupt, and Jehane Mor's flight and exile was driven by opposition to their depravity. 

All three heroines have considerable magical power, although Shallan's are the most open. She becomes a Knight Radiant and is one of the leading champions in the battle to save her world from Odium (the Stormlight series' "big bad." )

Jehane Mor also has considerable magical power, chiefly of concealment and shielding against magical dangers, which fits with a herald's role and so disguises her greater abilities as a priestess-queen. Aidris, too, has powers, although they are mostly smallscale magics that help preserve her life, but which she is careful to keep concealed in her disguise as a household guard.

Of the three, she is also closest to the traditional "heroine-alone," whereas Shallan has a mentor (Jasnah Kholin), a lover (Adolin), and her fellow Knights-Radiant, as well as being bonded, like all Knights Radiant, with a supernatural being called a spren. Conversely, Jehane Mor, like Aidris, has lost many close companions through flight and exile, but retains her closest childhood companion, Tarathan. He has become the other half of their symbiotic herald pair, a bond so close that heralds frequently speak in unison.

Jehane Mor's origins are revealed in The Gathering of the Lost

Aidris may be the most alone of this month's heroine trio, but Shallan is the most vulnerable. Her traumatic childhood has resulted in Dissociative Identity Disorder (DID) or split personalities, chiefly Veil and Radiant. Although a coping mechanism, the multiple personalities are also symptomatic of deepseated emotional trauma, which Shallan must constantly contend with in order to function as a Knight Radiant. 

Both Aidris and Jehane Mor, by comparison, are strongly grounded in their sense of self, and both are also quiet where Shallan is flamboyant. But where Aidris's quiet stems from shyness and a profound reserve, Jehane Mor is chiefly characterized by serenity as well as composure, even in the face of great danger. Like Aidris, though, the core of her strength is knowing and staying true to herself. 

Yet whether flamboyant or serene, traumatized or centered, one of a "band of comrades" or a protagonist alone, Shallan, Aidris, and Jehane Mor all merit their place in Fantasy's pantheon of heroines. 

Prior Posts: A Year of Heroines in Fantasy

February: Aerin, Elfrid, & Malian of Night
March: Yeine Darr & Rowan Birchmoon
May: Brienne of Tarth, Adjunct Tavore, & Asantir, Commander of Night

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About Helen Lowe

Helen Lowe is the award-winning author of Thornspell and The Wall Of Night fantasy series, as well as a poet, blogger, and lover of story. She has recently completed writing the final book in The Wall of Night series, which is now with publisher, Harper Voyager.

Helen posts regularly on her “…on Anything, Really” blog, monthly on the Supernatural Underground, and tweets @helenl0we.