Showing posts with label Diaries of an Urban Panther. Show all posts
Showing posts with label Diaries of an Urban Panther. Show all posts

Monday, February 17, 2025

Why Romance?

Upon this month of February where hearts are all aflutter and chocolates and flowers abound, I wanted to explore why, after all these years, I still have strong romantic elements in my books. Why Romance? Why not just monsters and murders and mayhem, oh my!

I LOVE crafting the love story for my characters almost as much as I love crafting the demons they have to defeat. I look at their insecurities, their hang, ups, their flaws that have prevented them from becoming a hero already. Finding someone who loves them in spite of all this what really inspires me. And then I put them together, throw a bunch of obstacles in the way, and see what happens.

I write with the truth that love is seeing the inner, ooey-gooey
marshmallow center of another person and embracing it in a graham cracker and chocolate hug. It is seeing what the other person hides from the world and accepting it. It’s knowing yourself enough to understand how you fit perfectly with another person. Add a little heat and, Voila! 

Even after twenty years of writing romance, I still am as head over heels with love as I was in the beginning. I want everyone to experience this type of truth in their life. That is what I’m going for, informing that experience of finding love, of rekindling love. Finding all the paths, and shapes, and tastes of love to hopefully help you find the one person who really understand and supports your spirit.

The only thing that has really changed is how much real estate that love story takes up in my books. The first series, Diaries of an Urban Panther, was a true romance in the sense that the main push of the story was “How are shy Violet and a warrior Chaz ever going to get together?” It was the driving force of the whole series- everything got in the way of their relationship.What does love look like when you are fated to save the world?

Nowadays, I like the world saving and mystery solving to take a front seat, while the romance becomes a supporting factor in the hero’s quest. She can’t go it without him, but it’s not driving the story like it used to. In The Merci Lanard Files, our main man Rafe is there and helpful and supporting, but the real dramatic question is usually “Who killed all these people?”

So when you pick up your next read, think about how the romance fits into the book. Is it a true romance, like Pride and Prejudice? Or is the romance a side plot that helps or hinders the main plot, like in Raiders of the Lost Arc? Or does it just seem thrown in there, like in The Hobbit (the movie)?

After all the books with all the romance, I am still falling in love with love all over again with every couple I read/watch. I probably always will. 

What are you all's favorite couples? Favorite love stories?


As always your faithful writer, 


Amanda Arista

www.amandaarista.com

facebook/Insta/Threads: @pantherista

Monday, January 13, 2025

Back from the dead with some big questions

 Hello Dear Readers!

Amanda here and back from the dregs that was 2024. Last year kicked my butt, but this year is starting off a little better? I made sure to open the front and back doors of my house at midnight on New years to let the old energies out and the new energies in, and I think it worked. 

As part of a life-refresh, I started asking myself why I do I write. Why do I stay up late and dream up characters and world? Why do I write paranormal? Why not romance or high fantasy? Why Shifters? Why not Elves or Angels?

And just to add to my imposter syndrome, why do I write about a creature that has been written about a million times before?  Especially when you’re working with the supernatural. Both my book series deal with primarily with shapeshifters (and maybe a few fairies and demons stuck in there too). 

When I started writing, I wanted to call them Shifters partially because there was something sexier about calling them shifters, and partly because saying were-panther tends to get a snicker in response. It’s all the same trope of magic. So in my mythos, the shifters are humans who harness magic to shift into an animal. Their animal is mostly determined by who bit them OR, fun turn of events, sometime called a soulshift when the animal matches their spirit and not their bloodline. The moon pulls at them and heirloom silver is their weakness.

But it all sounds pretty familiar, right? It’s hard to get something original about a creature that appears in every single culture across the world. So something about them must be appealing to our deeper self, right? Why do we find shapeshifters so damn alluring?

There's only one reason, right? We like the danger. Even with a human consciousness, those are still some damn big claws. That edge keeps us on our toes, ready to fight or flee. We like that it’s a wild animal trying to get out. We like that they can smell our fear. We like that they have basal core temperatures of 100 degrees (at least mine do) because it means for a lot of no-shirt time. It is a simple and universal attraction.

 But if you want to go deeper, I guess we could also look at this through a Jungian lens about  seeking to understand the animal side of ourselves. Our myths about were-creatures stemmed from a fear that our animal selves will take over and expose who we really are.  In Diaries and Truth, the animal only exposes who they really was, even if they wasn’t ready to be that yet.

So, if our animal selves expose who we really are and our attraction to them is based on our fear of knowing the truth about ourselves and others, what would your animal be? I know you’ve thought about it. Would you be the proud lioness who guards her pride fiercely? Would you be a black lab who is loyal until the moment of death? Are you a Panther?


Amanda Arista

Author of Diaries of an Urban Panther series and The Merci Lanard Files

www.amandaarista.com

@pantherista


Wednesday, December 4, 2024

A Grand Finale of Villainy #2: Spencer Haverty in "Diaries of An Urban Panther" by Amanda Arista

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On December 1 I promised you a Grand Finale of Villainy -- in which I'm delighted to be rejoined by Kim Falconer and Amanda Arista, expanding on their wonderful posts in Villainy Among Friends. 

Amanda is today's featured author with post #2 in our Finale, and she's taking an upclose and personal look at an archvillain from Diaries of An Urban Panther.  

-- by Helen Lowe

"Diaries of an Urban Panther" Series

Amanda's Introduction

Last month, I mentioned there were two sorts of villains in The Diaries of an Urban Panther, Haverty Senior -- a mustache twisting devil with nothing but power on his mind -- and Spencer Haverty, his son. Spencer's villainy was twice as hard for Violet to defeat because similarities tied them closer together. As the one who infected Violet with the shifter magic, he constantly pulled their connection as her maker, invading her life and later her dreams.

In the excerpt below we can see how he slithered into her life under the guise of a lie and what happened the moment Violet saw through his slick facade.


Spencer Haverty in Diaries of An Urban Panther 
by Amanda Arista (The Urban Panther Series #1)

Deep golden irises reflected the sporadic flash of the disco lights. I gulped and suddenly felt him surround me, enveloping me within his borders. He was panther. He smelled like stormy night air and a sharp plant scent so exotic I couldn’t name it. Bile rose in my throat when I realized where I knew that smell from: my bedroom.

“Spencer,” I whispered and my fight was renewed, the adrenaline adding to my strength as I pushed and kicked for freedom.

He held me, both arms around my waist. I couldn’t get out of it, could barely breathe. Couldn’t kick, could only wriggle.

“Let me go,” I cried out. Desperate, I looked around at the computer engineers and investors who all kept dancing to the “Shout” throwing their hands up madly in the air.

“But I want you.” Sincerity sounded sinful in his smooth voice. “I’ve wanted you since you threw that hussy across the bar.”

“It was you!” I gasped. “You and your mutts have been stalking me.”

He smiled and, for the briefest moment, I glimpsed the malevolence behind the perfectly crafted façade.

Spencer lunged forward and pressed his mouth hard against mine. The kiss was more bruising than breath-taking and more possessive than passionate. The panther stirred in my chest as he grabbed the back of my head and forced his tongue past my lips. He tasted like the Scotch he had been nursing at the table, and something else. Something dark and heady.

For all that I wanted to fight back, the part of me that was pure animal didn’t. His power felt natural against mine, one in the same. My panther arched into his energy as though it was a welcome caress. A deep purr rumbled in my ears. It made me feel sick when I realized it had come from me.

Desperate for air, I bit down his lower lip; the metallic taste of blood was instantaneous. A small part of me was satisfied at having drawn his blood for a change of pace.

He jerked back, dropping his hand from my head. Blood pooled at the corner of his mouth, which curled up into a smile, but he didn’t release his hold on me. He leaned in again to repeat his sin, his arms tightening around me, but I arched away from him. To everyone else on the dance floor, it probably looked like a dip to the Latin rhythms now mashed together over the loud speakers.

He jerked me back to our previous position, and our eyes locked. “We should be together.”

My mouth felt bruised from the trauma, and I desperately wanted to wipe the taste of him from them. “No.”

“I need you, Violet. With you, God, the two of us could destroy my father and revel in the chaos.” He ducked his head beside mine and nuzzled his nose behind my ear, taking in a lungful. My entire body tensed up and then a wave of cool goose bumps ran down my skin. “The two of us together. You can feel it too, can’t you?”

“No,” I growled the lie. I could feel it, how easily it would be to open up to him and run his panther past mine. But this was the bastard who attacked me in a back alley. This was the bastard who had trashed my lair. This was the bastard who used my best friend to get to me.

He ran his hand down the side of my face, then grabbed my chin, fingers digging into the bone. “You look just like your mother,” he smiled. A flash of white pressed down on his bloody lip. “I could have never imagined that Saturday night leftovers could be such a blessing.”

“Flatter all you want, I’ll never be yours.”

His jaw clenched and the feel, the smell of him, grew so intense it permeated the air around us. Surely the people around us had to feel it? But they danced on not seeing anything abnormal here. Many other couples had paired up to salsa to Suavamente.

Arm still around my waist, he hit me with a wall of energy. Thick as cement, it crept over my skin, the cool gritty feeling touching my skin through my clothes. Then it drove into me, like a spear through my midsection. He blasted through the paper-thin protection I held around me like a cannon ball through dry wall.

My cat screamed out at the sudden attack as his power rammed through me. I’d felt this a week ago at the barn. Like he was trying to rip out the cat within me. I felt nails digging into flesh. I didn’t know if it was my cat digging in her claws to stay where she was or if it was my own claws piercing his perfect pectorals.

“I made you, Violet Jordan. You’re mine. Willingly or not,” he growled and his eyes blinked back to normal.

Also from the "Urban Panther" 'verse

~*~

About Amanda Arista

Amanda was born in Illinois, raised in Corpus Christi, and lives in Dallas, but her heart lies in London. Good thing she loves to travel!

Amanda is the author of the Diaries of an Urban Panther series and The Merci Lanard Files. A graduate of the SMU Creative Writing Program, she now teaches other aspiring authors and loves discussing craft, character, and structure.

You can usually find Amanda curled up on her couch with a tiny human or a dog, writing away, or otherwise on Facebook: https://www.facebook.com/pantherista/ Find out what she's currently doing on Instagram: @pantherista

~*~

Previous "A Grand Finale of Villainy" Posts:

Friday, December 3, 2021

Have a Holly Jolly...Pickle?

 2021: Year of Forced Introspection

Holiday traditions are weird and only make sense when put into the context of Christmas cheer. Taken out of context, when removed from the story, they look like the ramblings of a mad man. For example, at what other time of year do we pay to take a picture of a stranger in a strange outfit holding our child.

Here in my home state of Texas, there is the Christmas Pickle tradition. You hide a small green pickle on your tree, and the first person to find it on Christmas morning gets an extra present. It's hide and go seek with pickles.

Weird, right?

Like at what time of year is it totally okay to bake a ton of cookies and give them to everyone you know, knowing that you will get a ton of cookies in return?

We are a strange race, these humans, with their stories and their weird traditions. 

But all of these things make sense when you put them into the context of Christmas, the world of Winter Solstices, and Festival of Lights. The story and the traditions all come together and glow with a meaning that we can all understand and experience. 

I find the same thing happens with great storytelling and I believe that Helen Lowe has hit upon it this beautifully  with her Fantasy World Building series. The setting of the story, the context of the story, is a vital part of the actions and characters that are participating in the story. Writers might wax poetic about world building because it is fun and exciting to create new places, new religions, new languages. And yes, that is all fun, but the real part of creating a world for a novel is its integral part to the plot and the characters. 

Like these marvelous pinwheel cookies, the three things are completely twisted together. You can't have a character without defining where that character came from. You can't build a plot without a character to act within it. And you can't have action without a world to provide obstacles to overcome. It is all perfectly swirled together into a delicious treat, baked up by your favorite author to give you a little something to take with you as you toil. 

So when you think about your traditions this holiday season, please appreciate the story of it, the context, the players and the plot and how they are all spun together to make this the most wonderful time of the year. 

Until next time, dear readers. Happy Holidays and see you next year!

Amanda Arista

www.amandaarista.com

Author, Diaries of an Urban Panther Series and The Merci Lanard Files. 



Wednesday, November 3, 2021

We are all stories in the end...

 2021: Year of Forced Introspection

I am writing another book. Yes, it has magic. Yes, it has snark. Yes, it is also about the people you consider family. Do I have a brand to uphold? Yes. Will you ever see it? Maybe. 

It is technically the ninth novel I have written as professional author with people outside of myself editing and conceptualizing right along with me. Nine books professionally, and it still hasn't gotten any easier. 

So like I do when I'm supposed to be doing #NaNoWriMo (National Novel Writing Month), I'm thinking of a million ways to distract myself. And since this is the year of forced introspection, I thought I would go back to the beginning. Like human evolution beginning, because in a time heavy with false narrative, we need to know why we are susceptible to them and our responsibility to use narratives
properly because story telling is a powerful tool. 

Lisa Cron, author of WIRED FOR STORY and STORY GENIUS, is probably way better at explaining all this, but basically, just like food and sex, stories are key to our survival as humans. Food tastes good, Sex feels good, story entertains us, but all three evolved that way because they were key factors in keeping us alive. Food nourished our bodies, sex secured a lineage and children, but stories taught us how to survival on our own. 

The human brain has developed in such a way that once it is keyed into a story and hit the pause button of reality, it is searching for meaning, for a lesson, for a heart, that it can hold on to and take back into reality and make reality safer/better/stronger. In fact, our brains actually activate in the same manor as what is happening in the story, it is so deeply invested. We actually are FEELING what the hero feels when we are lost in a good story.

We as humans are all searching out how to survive this crazy world, and books/movies/comics allow us to gain the wisdom and experiences of a thousands lives find the answers to it all. 

Wow, that got heavy really fast. 

So, as a story teller, I take the art of storytelling very seriously. Knowing how humans work and feel and struggle. I want to honor the time and trust that a reader gives to me. I want to help them on their journey, give them something entertaining that their brains can chew on as well. 

But I am also a human on a journey. I am still actively
journeying myself and I think the one thing that keeps me writing all these novels is that I still have questions about how people survive in this world. I still have experiences that I need to figure out for myself. I am still seeking ways to help make my own reality safer/better/stronger. Ways that I can be safer/better/stronger.


Even when life gets too hectic, I am always writing, I am always structuring my experiences through character and plot and setting. I am always trying to find a way to articulate what I am learning about life, what struggles have come, and what lessons I have learned so that someday, I can pass that along to someone else. And yes, it always has a little magic in it. 

Nine novels. Nine major questions. And I am still curious. 

Until next time, Keep Calm and Make it a Good Story. 

Amanda Arista

Author, www.amandaarista.com



 

Thursday, June 3, 2021

2021: The year of forced introspection.

Y’all it has been a doozie of a year here. Freezes, flooding, work from home. 2021 has been pretty much as eventful as 2020. 

I eventually found an interesting balance. It takes lots of work and fails half the time. Not sure we need to get into how many times I forgot to click send on the grocery order or how many times I had to re-wash a load of laundry, but food was provided, and everyone has clean clothes. 

There is nothing like having a group of women surrounding you, poking you with emails and tweets from across the world, to keep you taking those deeps breaths so you can get back to something that you love- stories. To remind you that while you have put some things on the back-burner, like my monthly blogs, they are still there, my writing is still valid, and patience with the process is a virtue.

With the forced introspection that the past two years has brought, it was fun to learn some things about my writing process. Even though I teach writing (or taught writing in the BEFORE). Even though I have been a working author for over ten years now. I’ve spent the past two months creating the Author’s Preferred Editions to The Diaries Series to bring Violet Jordan back into the world. YAY!! But in going through that process, I saw just how baby of a writer I was when it was first written. 

Prologues everywhere, Epilogues galore. You want dream sequences, I’ve got twenty!

Flip phones. Need I say more.

So here a little appreciation post for my moments of Writing Growth for 2021.

First up, I need an outline, but not too outlining of an outline. I need milestones, but not a road map. I’ll eventually get there. These mini-synopsis have been a blessing in the two books that I was able to write in the past year. Two books! It took me three years to get Diaries #1 out the door, and two years to get TRUTH #1 out into the world. Now, I’m not saying these books were good, and my editors have ripped them to shreds, but they were written, word by word, page by page, chapter by chapter at a pace that felt like scaling a mountain. But as all those people on the internets say, “you can’t edit a blank page.”

Secondly, I default to dialogue without emotional beats. Just the words and none of the feelings or the texture of the scene, especially during a super intense scenes or info dumps (think the scenes where everyone is around a table talking about the baddie). It looks like reading a script instead of a book. But I developed something called a “Dialogue Sequel” that I can pull from when I feel that its getting a bit too wordy without any introspection. I’ll post about that next month. 

Thirdly, I really can’t read or watch TV when I am trying to create. I end up mimicking the tones and even sometimes the dialogue of characters. It’s so weird. I’m like a warped sponge. So in between projects, I have to take time to refill the Muse. I’ve binged The Great (Hulu), Bridgerton (Netflix), All the Marvel movies (MCU), and let myself dive off the deep end into Criminal Minds for about 6 seasons before I start editing again. 

Fourth, I binge books too, but rarely finish. I’m going to confess this because I think someone out there will need to hear it. I start probably 10 books a month, using the KISS App or Kindle, and I rarely find a book that grabs me enough to read it all the way through. I think I’m too picky? Or perhaps I just like really weird stuff. I usually go back to read authors that I know I love, like Hoffman and Gaiman and of course my ladies on the blog! (also you can now find the Merci Lanard series on the KISS app).  

So there you have it, a few things I’ve finally come to terms with in the past year. 

Oh wait, you want more. How about the exclusive cover reveal for all three Diaries!  You saw a sneak peak of it in Helen's post on Monday.  


Yeah. I know. so pretty.

Until next month, Happy Reading!

Amanda Arista
Author

Tuesday, June 1, 2021

An Interview With Amanda Arista – Talking Magic in The MERCI LANARD FILES and DIARIES OF AN URBAN PANTHER Series

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Introduction

One of the very special aspects of the Supernatural Underground is being part of a community of writers, and Amanda Arista is one of the authors who has been a friend and fellow community member here from close to the get-go.

Amanda’s brand of fiction is paranormal urban fantasy, and although I’m more of an epic kinda gal in writing terms, when it comes to reading I love a paranormal tale. As both a fellow writer and a reader, I’ve always loved the “voice” of Amanda’s heroines, Violet and Merci, and her ability to spin an intriguing mystery with plenty of gritty noir, as well as paranormal elements.

So I’m delighted to be talking with Amanda today about the magic in her Diaries Of An Urban Panther and Merci Lanard Files paranormal urban fantasy series.


Welcoming Amanda Arista: In Conversation On Magic In Her Diaries Of An Urban Panther & Merci Lanard Files Series

Helen:  Urban fantasy is all about the intersection of the paranormal and our everyday world. What do you believe is most important, and find most challenging, about writing magic in that context

Amanda:
 Hello there!!! I think the fun part of writing paranormal/urban fantasy versus a high fantasy is that there isn’t much to actually build – it’s just finding the magic in everyday things and telling a story behind it. For me, writing urban fantasy is just writing the real world with a magical icing over it. The language is the same, the air make up is the same, the society might even be the same, but to add that extra layer, you find the slightly strange in the real world and pour all of your world building into those bits. Explain them in your own way that fits your magical world.

And thanks to the baking I do on the side, I know there is a happy medium of icing that needs to be spread. Too much and it’s just too much, not enough real world to ground your readers. Too little and the story is a little thin and your readers have to do too much heavy lifting to experience your story.



For example, my coffee shop in Diaries of an Urban Panther has a parking lot that is covered in graffiti. Something that any urbanite might have seen before. But what if the graffiti was actually magical protection glyphs that no one else can read? We have now created a haven for magical creatures. Doesn’t take too much to imagine the truth in that.

In
The Merci Lanard Files, it was very similar. Find something normal looking from the outside, like a journalist with a drinking problem. But when you get to know Merci better, you know that she drinks because it calms her magical ability, not because she would ever think of forgetting the work she has to do.

Helen:
Do you follow a “systematic” approach to the magic in your worldbuilding and storytelling, or do you prefer a more “wild magic” approach?

Amanda:
 Honestly, my world building would probably more cohesive if I did it systematically, but I guess I went with the more wild magic approach when I created the Wanderer world. I knew what the core of my magical world was going to be: that each wanderer had an ability and the power to fuel that ability. I knew that it was given by The Mother. And that was pretty much everything I had when I started. I wanted the sky to be the limit when it came to what I could do as a writer or my characters could do as participants. I guess I like the minimal approach when it comes to world building.



Once the stories and the characters started wandering around in that world, that’s when I figured out what I needed rules for, and what I didn’t need rules for. I started building spell craft, glossary of breeds, developing my own book grimoire, if you will, of what I had created, and referred back to it when I was writing to make sure I didn’t double back on anything. In both series, the characters refer to an “Idiot’s Guide” to being a Wanderer, and that’s pretty much what I’ve built for myself, too, like I was one of my own characters exploring the world.

What’s funny with Violet, what I discovered as I wrote, is that she breaks all the rules no matter what I create, and Merci was so stubbornly clever that she would find a loophole to get through the rules that others have to obey.

Helen:
 How important are traditional folklore, fairytales, and myths to your own brand of urban magic? And is there any tradition you’re particularly drawn to?

Amanda:
 As I look back on what I have written and the stories that interest me the most, it is the universality of the traditions that interest me, where I find real magic and meaning in life. For example, every folklore has a Shifter story. Japan, German, Native American. There is a fundamental story about a person who slips their skin into another form. Some are the good guys and some are the bad guys. That informed the origins of my own story, that wanderers came first, before humans, and then humans spread out across the world telling the stories of these magical creatures. Again, it was all about finding something in the real world and building the magical explanation around it.


Not sure if it counts as a folklore, or perhaps pop culture has become our new storytelling tradition, but there is some Star Wars in there too. I’ve always maintained there must be a balance in the magics, good and bad. Just like there is a balance in the Force. Even when a good guy gets stronger through hard work and dedication, some bad guy gets the same boost in power. Yeah, it’s kinda evil, I know.

Helen:
  Your novels convey a strong sense of place. Do you see a corresponding alignment between magic and place, or is the magic centered in the characters, particularly the leading characters

Amanda:
 I remember when I first wrote Diaries, I thought I was placing it in Dallas because I lived there, and it made the research easy. But what I truly found as I wrote and went on to researching Merci Lanard, was that not all cities have the personality needed to be magical. The cities need to have their own stories, their own brand of weird and wonder to work the magic around. The cities must have cracks, and dark places, and bright places to fill in with magic. Dallas and Philly both have history, especially Philly.

For the
Diaries series, I finally figured out that Dallas is big with a million different faces: rich, poor, academic, blue collar, pockets of rural areas, and a bustling downtown. It made it easy to not only set a story there, but also work the magic into those neighborhoods. Why couldn’t a real estate mogul be a werepanther and have lots of properties around town? Why couldn’t a beat cop be a shifter? What do you really know about the single girl at the end of the block? By the third Diaries, Nine Lives Of An Urban Panther, Dallas legitimately became a character, talking to Violet, sending her dreams and visions. It has a voice in its own destiny.


For the Lanard series, I carried on with the location as a character with its own motivation and history. I think I found it easy to write magic into Philly because it had ups and downs and even a few witch burnings. All the locations help and hinder the investigations with geography, crime, and especially weather. Now that Merci is traveling (wink wink Book Three coming out 2021) I get to explore the feeling of every city she visits, weave magic into its history and the dark alleyways.

Helen:
 I am hanging out for The Truth About Shadows (Merci Lanard #3), Amanda. J From a broader perspective, how important do you think “the triangle” is to the magic of paranormal urban fantasy? And are there different kinds of triangles to the strictly romantic?

Amanda:
 Each series holds a tension between the real world, the magical icing layer, and an even more magical world filled with demons and monsters. It is always fun to place our heroes in that middle layer, the one that seems to be in the Venn diagram of worlds, the world of humans and the world of magic. Especially when different people have different relationships to those three realms – those who would want to rule it or are ruled by any of the three.

We have all read the love triangle, but I find that the power triangle is much more interesting. So for
Diaries, this panther triangle was Spencer who thought he deserved the power, Haverty who was the power, and Violet stuck right in between the two, who didn’t want the power.


We see that three-beat trifecta in the Merci Lanard files in the power struggle of Rafe, Levi, and Piper. The one with the power (Piper), the one who wants the power (Levi), and the one who probably should have the power (Rafe). It was interesting to play with Merci who is outside of that struggle and looking in.

What I find even more powerful about writing urban fantasy is the triangles that are created within the lives of the characters. Even within Violet and Merci as characters, there is a three-sided war that is being fought. One is the woman, one is the lover, and one is the warrior. They have to be balanced between being themselves, being open to love and relationships with others, as well as understand their place in the fight. It is a delicate struggle, and we see both characters try, fail, and try again until they get all three right before they can save the day.

In fact, the tag line of Merci says it all:

“If Merci is to have any hope of saving her city, she will have to face the truth about this war, the truth about this new magical world, and the truth about who she truly is.”

Helen:  
The three elements within Violet and Merci are a big part of what I love about their voices, Amanda. It’s been a real pleasure to get your in-depth take on their characters, as well as how the magic infuses your urban worlds, enhancing the books’ strong sense of place. As mentioned, I’m keen to read The Truth About Shadows (Merci Lanard #3) and am looking forward to the return of the Diaries series, so keep up the good work. J

To find out more about the MERCI LANARD FILES & THE DIARIES OF AN URBAN PANTHER series,

please visit Amanda on her website:

Amanda Arista

You can also find Amanda on Twitter: @pantherista

~*~
.

About Amanda Arista:

Amanda was born in Illinois, raised in Corpus Christi, lives in Dallas but her heart lies in London. Good thing she loves to travel. During the summer after second grade, she read every book in the young adult section of the library, much to the surprise of the local librarian. So she started making up her own stories and hasn’t stopped.

She has a husband who fights crime and a tiny human who is following in her mother’s footsteps of storytelling. You can usually find her curled up on her couch with a varied menagerie of dogs or lizards writing away.

Amanda is the author of the Diaries of an Urban Panther series and The Merci Lanard Files. She is represented by Kimberly Brower of Brower Literary Management.

Along with her BA in English & Psychology and her MA in Education, Amanda is a graduate of the SMU The Writer’s Path and taught other aspiring authors for six years in the program. She has delivered lectures at several writer conferences and loves discussing craft, character, and structure.

Random Facts:

When not writing, Amanda often dreams of opening an evil bakery and sell despicable desserts.

Amanda is adopted and loves to share that story with others to promote adoption.

Amanda has a collection of turtle figurines that she collects on her travels.

Amanda has a strange love of cheesy horror movies.

Amanda is a really good bowler and completely rocks at croquet.
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Previous Posts: 

January 1: Happy New Year – Ushering In A Year of Friends, Fellow Authors, & Magic Systems

January 5: 
An Interview with AK Wilder – Talking Magic In Her New-Out Crown Of Bones (AMASSIA #1) 

February 1: An Interview with T Frohock 
– Talking Magic In A Song With Teeth & The LOS NEFILIM Series


March 1:  An Interview with Courtney Schafer – Talking Magic In The "Shattered Sigil" Series


April 1:  An Interview with Kristin Cashore –Talking Magic In Winterkeep & The "Graceling Realm" Series

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May 1: An Interview With Lee Murray – Talking Magic, the Supernatural & Horror


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About The Interviewer:

Helen Lowe's first  novel, Thornspell (Knopf), was published to critical praise in 2008. The second,The Heir of Night (The Wall Of Night Series, Book One) won the Gemmell Morningstar Award 2012, and the sequel, The Gathering Of The Lost, was shortlisted for the Gemmell Legend Award in 2013. Daughter Of Blood (Book Three), was published in 2016 and Helen is currently completing the final novel in the series. She posts regularly on her “…on Anything, Really” blog, monthly on the Supernatural Underground, and tweets @helenl0we

Thursday, October 3, 2019

High Fives with Amanda: When art imitates life

High Fives from Amanda

Recently, as I crawl through the muck and mire that is revising a series (hopefully I can share some news soon 😊), I started thinking about how strange it was to be a writer. The strange things that we do to ourselves, the way is warps reality around us, the way it fundamental changes the way we look at the world, the caffeine dependency that comes along with it.

And how wrong the movies get it. Which is strange because screenwriters are writers, and yet I've never seen a writer like myself represented on film. But there are some close glimpses of the truth. An essence of what life is like as a person who lives in their head while they are living in the world.

So in no particular order, here are five movies that do get something right about being a writer.


1). Stranger than Fiction - The agony the writer feels about what she might be doing to the main character is totally on par with what I feel about the horrible things that I'm writing about with my MC. I really do feel bad some times, or grossed out that I am actually going to talk about zombie eyeballs, but in the end it really does make for a better story. 

2) Almost Famous - What we wish it was like. I wish writing was all about the glamour of research and parties and drinking and not the actuality of sitting in a cold dark room and just hammering out your thoughts. 
3) The Shining- This one probably gets right what our families think will happen to us after so many hours in front of a computer with people talking in your head. Not sure I really need to elaborate o this one. 

4). Midnight in Paris- This one is probably the closest  to what it is actually like for me when I am writing. Its disappearing into another world with all your imaginary friends and falling in love and wishing that you could just stay there instead of in the real world, where there is laundry and dirty dishes and responsibility. 

5). Young Adult- We are not that damaged, but stealing dialogue from the aisles of Target is SPOT ON as well as the constant narration of our novels in our heads. I'm always listening and thanks to my smart phone, always have something handy to write down little snippets of dialogue or weird things that people. 

Honorable mentions: In the Mouth of Madness. Misery. Writer's Retreat. All three are great for this Halloween season as well.  

If you have a Top Five list you'd like me to cultivate, please let me know in the comments below or at @pantherista. 

In the meantime, give yourself a high five!

Amanda Arista
Author (more bits coming soon!)