Showing posts with label fairy tales. Show all posts
Showing posts with label fairy tales. Show all posts

Thursday, July 10, 2025

From The Backlist: "What If? Folklore As A Source" by Melissa Marr

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We love this post by the great Melissa Marr on where her stories come from, specifically their folklore origins. We're sure you'll love it, too, so read on and enjoy!

"What If?" Folklore As A Source

 by Melissa Marr

One of the questions every writer hears regularly is “where do you get your ideas?” Answers to this one range from quips to “everything” to very specific “this story came from ___.” All of these are true answers (or, they can be. . . writers being writers, there are inevitably truth-bendings going on sometime. ...) Every story I have started begins with a “what if” or a “what next.” Moreover, every one of those is connected to folklore or/and fairy tales in some way.


Life and Lore in My Texts

My first novel, Wicked Lovely, utilizes a few fairy tale tropes--in part for the purpose of defying them. There's a curse that can only be broken by finding the "fated love"...of course, the fated love doesn't quite want to be found, and the cursed faery is already in love with someone he hoped was his fated love, but wasn't...sorta, maybe. I had good fun playing with questions of volition and power here, the idea of what happily-ever-after means, and other fairy tale tidbits like a "woken with a kiss" scene wherein being "woken" is an awakening (i.e. epiphany rather than literally awakening). That novel is also very rooted in a folklore, specifically tales of Cailleach Bheur and of the King of Summer.

I used some of the same lore and fairy tale tropes in a short story in Cricket in 2007. It derives, in part, from my on-going love of Cailleach Bheur, but in it the protag is a girl who carries "Winter's Kiss" and feels it a burden rather than a joy. I added this to a world in which global warming is a problem, and threw in my childhood dream of traveling with an ice-bear (polar bear) that is a result of a fairy tale, & well, it became a story about a girl who carries winter and boy who is also a bear. ...


Why Write From Folklore

I didn’t intend to write these things. In many ways, writing is a bit of an accident for me. I grew up with these sorts of stories, the supernatural wasn’t just the stuff in my books, it was/is real in my family. I’ve been told not to go places because of the various creatures lurking out there; I’ve also been sent out to “catch” a faery that was lurking around the woodpile. I’m passing that tradition on to my children as best I can.
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How Do I Learn This Stuff?

It’s really a case of write what I know. After a folklore saturated childhood, I grew up and became a lit major and after that a lit teacher at university. My focus areas were Romantic, Victorians, & the American South. Mmmm. Ghosts, Byronic heroes, Frankenstein, Dracula, the “Mortal Immortal,” Southern Gothic! Oh yes, literature is riddled with some weird stuff. Delicious, macabre, and addictive. Stir the lit into the lore, and I was on my way to being where I am now. Somewhere in there, I also discovered scholarly journals . . . FOLKLORE and THE LION AND THE UNICORN and MARVELS AND TALES (among others). ...

*pauses*

Yeah, I get to read what interests me, drown in it, and I know that somewhere along the line, I’ll get that moment where I say, “oooooh, what if . . .”



What a fabulous post! It's a lovely indepth one, too, so we've only given you the abridged version here. To absorb the complete goodness, just click on through to the original, here.

To read more about Melissa and her writing, go here.

Saturday, March 9, 2024

From The Backlist: "Modern Day Faery Tales Drawn From Fantasy and Folklore"

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We love this post from one of Supernatural Underground's founder authors, the great Terri Garey.

It's a wonderful exploration of the origins and unique characteristics of the awesome that is paranormal urban fantasy.

We love what Terri has to say even more! So here goes:

Urban Fantasy: Modern Day Faery Tales Drawn From Fantasy and Folklore 

by Terri Garey

As an author with an all-too-vivid imagination, I've never had a whole lot of trouble with “suspension of disbelief”. Ghosts, near-death experiences, haunted houses - anything that frightens or intrigues me is very likely to end up in one of my books. 



I write Urban Fantasy, which is basically fiction that’s set in the real world, yet contains aspects of the supernatural or fantastic. Urban Fantasy was first defined as an acknowledged sub-genre in the late 1980’s and early ‘90s, but in my opinion, “Urban Fantasy” has always been around, from the earliest days when spooky stories were first told around warm fires on cold nights. Ancient gods and goddesses, elves, witches, faeries and werewolves. Dragons, trolls, giants. By the standards of the era (whether it be Classical, the Dark Ages, the Middle Ages, the Victorian, etc.) any of these stories could be considered Urban Fantasy, for they all involved a mixture of the real and the fantastic. Lewis Carroll’s Alice In Wonderland, Mary Shelley's Frankenstein, Bram Stoker's Dracula, Robert Lewis Stevenson's Jekyll and Hyde – these are all fictional tales that were based in the real world, yet include elements of the supernatural.

In Urban Fantasy, the supernatural elements are limited only by the author’s imagination, but certain themes, however, remain constant. These “literary tropes” are at the heart of every good fantasy novel, whether it’s Urban Fantasy, Sci-Fi Fantasy (Star Wars, Star Trek), Historical Fantasy (Lord of the Rings, Game of Thrones), or Young Adult Fantasy (Harry Potter). 



1) First comes the over-arching theme of Good vs. Evil. The stakes can be as high as the fate of the world, or as simple as saving the life of one individual, but there is always a goal that serves the greater good. Whether the protagonist is a supernatural bounty-hunter who keeps demons from taking over the world, or a single mom who finds out her neighbor is a vampire, moral dilemmas—and the consequences of them—are a mainstay of Urban Fantasy.

2) Second is the journey of the self – protagonists often start out ill-equipped, or even unwilling, to deal with the situations they find themselves in, but through character development (which the author shows by their ongoing actions and insights), find within themselves the strength to meet ever-increasing challenges.

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3) Third is A Major Secret – one that puts the protagonist outside the realm of “normal”, but forces them to behave as though they were just like you and me. By placing the protagonist in an urban, “everyday” setting, the author creates a sense of kinship with the reader, fostering the much-needed suspension of disbelief.

..."

To read the full post and the comments, click here.

And to discover more about Merrie and her writing, visit her on: Terri Garey

Saturday, February 16, 2019

Food That Goes Bump in the Night

Image by Stephanie Pui-Mun Law
I was talking to my editor about a scene that involved a feast and we got sidetracked on how food can become a character, showing us as much about a culture as their clothes, art, dance and music. How it is grown, harvested, prepared, the seasons and the seasonings, are part of a map to the story's worldbuilding.

And in Fantasy, food can also be magic. I thought it would be fun to play with some examples today.



Margaret Atwood's very first novel had a magical realism feel to me. Her use of food as a mirror of the main character, Marian, created a vivid story of shifting identity, self-awareness and lose of Self. representing Marian's identity.



Both the book and the film, Chocolat, delighted me. The creation of the chocolates seemed like an alchemical process to me and the senses that awake in the process, spellbinding!



And speaking of spellbinding alchemy, The Book of Unholy Mischief turns pages into a journey of the senses. "Luciano is plucked up by an illustrious chef and hired as an apprentice in the palace kitchen. It's an initiation into a rich and aromatic world filled with seductive ingredients and secrets..."


The magic in this book is mouthwatering, and the 'gift' the child receives more a curse... or is it. The element of emotional communication and the uncertainty of feeling 'for another' had my attention right from the start.


Holmberg's book is almost a reverse alchemy of Amiee Benders's above. In Magic Bitter, Magie Sweet, Marie doesn't sense the emotions of others through eating but can instil emotions and powers into things she bakes. A whole new look at the Gingerbread Man, that's for sure.



One of the earliest uses of food as magic comes to us via fairy tales where food is not only enchanting but once eaten, ordinary food tastes like dust. 


What I love the most about food as magic, is that it crosses genres, generating a sub-genre of its own that includes fantasy, historical, romance, contemporary, crime, mystery, thriller and of course YA and children's books. ie Snow White anyone? 

What books with food, magical or otherwise, are your favourites? I'd love to hear.

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Kim Falconer's New YA Fantasy Series is out in 2019 - The Bone Throwers. Also check her urban fantasy out now - The Blood in the Beginning - and Ava Sykes Novel and the SFF Quantum Enchantment SeriesYou can find Kim on TwitterFacebook and Instagram.

Kim also runs GoodVibeAstrology.com where she teaches the law of attraction and astrology. 


Tuesday, May 1, 2018

Supernatural Beings in Fantasy: The Fey

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The Sleeping Beauty by John Collier
From fairytale, through folklore, to myth, supernatural beings are a cornerstone of Fantasy storytelling and the fey have always been one of favorites. As a very small child, I loved listening to a retelling of Sleeping Beauty that featured on a local radio station — and subsequently read all the fairytales I could find, particularly those with actual fairies or fey in them.
Some of the qualities associated with the fey that appealed to me included magic, otherness, mystery, power, and delight but also danger. These qualities are among those that also characterize the fey in Fantasy storytelling, such as Diana Wynne Jones' children's book Power of Three. Rudyard Kipling's Puck of Pooks Hill and Rewards And Fairies are another, though older example — to a decidedly adult version featuring some of the same characters, in Raymond E Feist's dark-edged Faerie Tale.
The fey unquestionably have their place in adult storytelling. Author CJ Cherryh has a series of Fantasy novels centered on the Fey and folklore, some in analogs of this world, such as Rusalka and Chernevog, while the Ealdwold books are set in an essentially "other" world where the fey are closer in kind to Tokien's elves. The fey appear in Charlaine Harris's Sookie Stackhouse series, in Neil Gaiman's American Gods, and Charles De Lint's Newford novels. In Stina Leicht's The Fey & the Fallen series, a darker and more brutal version of the fey are entwined with the Northern Irish Troubles.
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Readers who are fans of fairytale retellings and YA lit. will know this is home turf for encountering the fey. Some examples I have enjoyed include Charles De Lint's The Blue Girl, Melissa Marr's Wicked Lovely, and Elizabeth Ann Scarborough's Godmother books, which take a series of diverse fairytales and weave them into a contemporary story.

The fey take many forms, however, and Maggie Stiefvater's The Scorpio Races centers on the capall uisce, the vicious and maniacal water horses of Celtic legend.
All these stories are either urban fantasy or overlap our everyday world, but fey-centric tales and fairytale retellings can also take place in historical settings, such as Juliet Marillier's Wildwood Dancing (the twelve Dancing Princesses retold in a Transylvanian setting.) Recently, Katherine Arden's The Bear and The Nightingale returns readers to the Russian setting of Rusalka and Chernevog, but with a  distinct historical cast.

My own Thornspell also has an historical setting in the early to mid-Renaissance period, with the events taking place in  a realm that is almost-but-not-quite the Holy Roman Empire. And Thornspell, of course, brings us full circle because it's a retelling of Sleeping Beauty: in this case, from the perspective of the prince who breaks the spell cast by the wicked fairy — who also features in the story. :-)
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The giveaway has now closed. The result is posted Here

Giveaway!

 I've enjoyed reading all the books mentioned, but if you would like to check out Thornspell I have a copy to give away. To enter, leave a comment below the post with your contact details (so I can get in touch with the winner.) 

I'll make the draw on Saturday 12 May (using RANDOM) and will post the result here and in a fresh post at the top of the masthead, also on Saturday 12. 

(If the winner doesn't get in touch by Thursday 17, I'll redraw and again post the result here.)

Note: Neither I nor the Supernatural Underground will use your contact for any purpose except drawing this giveaway, unless your further permission is sought.

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Helen Lowe is a novelist, poet, interviewer and blogger whose first novel, Thornspell (Knopf), was published to critical praise in 2008. Her second, The Heir of Night (The Wall Of Night Series, Book One) won the Gemmell Morningstar Award 2012. The sequel, The Gathering Of The Lost, was shortlisted for the Gemmell Legend Award in 2013. Daughter Of Blood, (The Wall Of Night, Book Three) is her most recent book and she is currently working on the fourth and final novel in The Wall Of Night series. Helen posts regularly on her “…on Anything, Really” blog and is also on Twitter: @helenl0we

Thursday, February 16, 2017

Weird Romance in Fiction


Ulysses and the Sirens, by Herbert James Draper, 1909
Hi everyone,

With St. Valentine's Day just past, it's hard not to have a few thoughts about romance, real and/or fictional. Here at the Sup, we often write love interests who are different species, from alternate times, dimensions or universes.

Mortals falling for super heroes, vampires, shape-shifters, zombies, Mar, witches, demons, you name it, we have it. But how did this all begin?

The tendency to represent love interests as supernatural has its roots in ancient literature. Take Homer's Odyssey for example, from the 8th century BC. We have sirens, harpies, nymphs, and of course Circe, a spectacular witch, all captivating Ulysses in one way or another. And then, there are fairy tales, ie Beauty and the Beast by French novelist Gabrielle-Suzanne Barbot de Villeneuve published in 1740. Hundreds of years later, we're still enchanted!


But things really picked up for supernatural romance when Horace Walpole published The Castle of Otranto in 1764. This launched the Gothic genre, which combines elements of both horror and romance.


After Walpole came Ann Radecliff's The Mysteries of Udolpho, Bram Stoker's Dracula and Mary Shelley's Frankenstein.

Our Speculative Fiction genre owes much to these inspirational novelists.

They led to our modern day versions of dating a monster.  I think we owe a lot to Joss Whedon and his supernaturals in Buffy the Vampire Slayer for the acceptance and idealisation of mortal-supernatural couplings.

From there, Sookie Stackhouse, in Charlaine Harris's Southern Vampire Chronicles pretty much plays the field with vamp-vamp-shifter-fairy-shifter relationships, giving us a mortal eye's view on what it's really like, loving a sup.


Then there's Isacc Marion's Warm Bodies. Who wouldn't want to date this adorable dead boy, and save the human race while their at it?
Nowhere more that Paranormal Romance and Fantasy YA do we find the 'other' elevated to the role of the immortal lover, be they angel or demon from the earth, the sea, the heavens or far away dimensions.

Here are a few of my favourites. 

Elena and the Brothers - from L J Smith's Vampire Diaries


A demon and her angel
A ghost buster and a dead girl

A girl and her robot
A half-Mar and her doctor
Pop in the comments if you want to share your fav 'weird' fictional romances.
xxxKim


Kim Falconer's latest release is out now - The Blood in the Beginning - and Ava Sykes Novel. Find this novel in a store near you.

You can also learn more about Kim at AvaSykes.com, the 11th House Blog, and on FaceBook and Twitter.  

She posts here at the Supernatural Underground on the 16th of every month and runs Save the Day Writer's Community on Facebook. Check out her daily Astro-LOA Flash horoscopes on Facebook

Saturday, December 24, 2011

Books for Christmas: A Celebration of Story

Giveaway Winners!

And  the draw winners are:

  •  SandyG265 ~ 'The Heir of Night'
  • Llehn ~ 'Thornspell'
  • JacquiR ~ JAAM 26
Congratulations to the winners and my thanks to everyone who commented---remember to stay posted for the 'Grand Supernatural Underground Draw' on the 30th. And of course I'll be back on the 1st for my regular slot and with something I hope you'll agree is special ...

Book recipients---please contact me on contact[at]helenlowe[dot]info so I can arrange to send you your 'loot'. :)
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As a writer, it’s perhaps not surprising that books form one of the major landmarks of my Christmases past—not least, I suspect, because the gift of a book was always ‘sure to please’ me on the gift front. So I thought I’d share some of the brightest of those Christmas book memories today.

One of the earliest and most enduringly successful of those book gifts—possibly because it has always spoken to both the poet and prose writer in me, as well as to the lover of gorgeous illustrations—was Twas the Night Before Christmas (believed to be the work of Clement Clarke Moore, 1779-1863):

“Twas the night before Christmas, when all through the house,
Not a creature was stirring, not even a mouse …”


I have always loved the story this book tells, and the way it captures the anticipation and enchantment of Christmas Eve, a time when the young child feels as though the whole world is poised and waiting … for something magical to happen. And in Twas the Night Before Christmas it does!

I was 10 when I received the second of those very influential Christmas books—Roger Lancelyn Green’s Tales of Troy and Greece. (I suspect my book is a compilation from two publications: The Tales of Troy and Tales of the Greek Heroes, both first published in 1958.) I was already an enthusiast for both Greek and Norse myths and legends, but there was something particularly real and compelling in Green’s retelling, and all his characters came alive for me on the page. I have read many versions of those same stories, and many other classical works and reworkings since then. But I still feel that Tales of Troy and Greece was the signpost that set me firmly on the path to short stories such as The Brother King and Ithaca, and to poems like my Ithaca Conversations sequence, as well as establishing the strong mytho-heroic influences on my novels, Thornspell and The Heir of Night.

My father died when I was twenty two, and money and good cheer were both in short supply on the Christmas following his death. But we still came together as a family and my mother gave each of us a book, a trade paperback from the stationers near her work. My gift was Marion Zimmer Bradley’s The Mists of Avalon—and I loved it. Although I was subsequently to read a huge number of retellings of the Arthurian legends (too many in fact!) The Mists of Avalon was the very first such retelling I encountered and I was enthralled by its interweaving of Celtic myth and real history, and the combination of politics and battles and magic, romantic and sexual relationships—but most of all that the entire story was told from the perspective of the women in the Arthurian cycle. That was definitely a first for me in my Fantasy reading and one I liked, opening up the notion that women’s history and women’s voices in and through storytelling had something to say: something that mattered.

My mother, like my father, passed away too young. But they left me a legacy beyond price, one bound inextricably into my Christmas memories—the gift of books, and through the books, of the magic that is both story and storytelling. So it is no accident, or mere observance of convention, that The Heir of Night, the first book in my Wall of Night series, is dedicated to my parents. 

Giveaways Galore:

As part of this countdown to Christmas, each Supernatural Underground author who posts in the "Christmas Memories" series is doing a giveaway—and there’s also a Grand Supernatural Underground Giveaway at the end of the series, I believe to be drawn on 30 December. There’ll be a copy of The Heir of Night in that Grand Giveaway—plus in the soldiers' gift package—but I am also giving away a copy of both Thornspell and The Heir of Night today, the recipients to be drawn from commenters on this post.

Plus for those who already have both Thornspell and Heir (yes, Sharon, I’m looking at you! :) ) I’m adding in a copy of JAAM 26, which contains my short story Ithaca and two poems from the Ithaca Conversations sequence—amongst very many other fine stories and poems from other writers.

Just post a comment here, telling me about a “landmark” gift you've received (it doesn't have to be for Christmas), and be in to win.

Eligibility will close at midnight, US Eastern Standard Time, December 26th—I will then post the result here on the 27th so don’t forget to check back.

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Supernatural Underground author Helen Lowe is a novelist, poet and interviewer. Her latest novel, The Heir of Night, the first of THE WALL OF NIGHT quartet, is published in the USA, UK, and internationally and won the Sir Julius Vogel Award 2011 for Best Novel. Her first novel, Thornspell, is published in the US by Knopf. Helen blogs every day on her Helen Lowe on Anything, Really site and on the first day of every month right here on the Supernatural Underground.

Tuesday, March 15, 2011

Red Riding Hood


I had great hopes for this haunting, dark version of the fairy tale, so I went to see it on Friday night.

While I thought the film was beautifully shot, the costuming lovely and the set gorgeous and dark and stark...I felt that the story didn't quite work.

The resolution wasn't what I hoped and/or expected, considering the seeds that were planted throughout. I'm trying to be careful about spoilers, but let's just say that there was an obvious person who was the Wolf...and I felt that that person should have been so. It made more sense than the final resolution, so much so that I felt not only misled, but also as if the writers changed the ending just to make it different.

Did anyone else see the movie? What did you think? Spoilers are okay in the comments section--just give a warning so readers can skip it if they want.

Now that the Red Riding Hood movie is out...what other fairy tale do you think would be fun to be done in such a dark, gothic and twisted setting?

Weigh in on your thoughts and be entered to win your choice of any of my books as Colleen Gleason, Colette Gale, or of course Joss Ware, including my upcoming release The Vampire Voss (coming at the end of March). I'll pick a winner tomorrow.

**Due to cost of postage, entrants are limited to those with a US or Canadian address.