Friday, February 20, 2026

From the Backlist - Streetwise Heroines

 

Arcane's Vi - Framed Poster
 
Welcome to another post in the Supernatural Underground Backlist Series. Today's feature is from the wonderful Helen Lowe who is currently bringing us insights and highlights of Heroines as she reflects on them and her Wall of Night Series.

We thought it would be fun to take a peak at her thoughts over a decade ago! 

This post come from February 2014 and offers an astute perspective on what makes  heroines streetwise. 

Let us know your favorite savvy heroine in the comments and be sure to follow Helen's new series on Heroines and WALL.

Good reading...


 

 

 

Streetwise Heroines

Sookie Stackhouse
.
I don't think we could have paranormal urban fantasy without the streetwise heroine but of course that begs the question as to what makes a heroine "streetwise?"

For starters, even if she's not actually from the wrong side of the tracks, I think she has to be able to operate on that turf.


Mercy Thompson
A true streetwise heroine also has to be able to check the box for all three of the big S's: strong, savvy, and sassy.

'Sexy' may make a fourth in here, too, but I don't think it's actually required in the job description...What's the jargon: 'desirable but not essential', he-he.


Maybe just a little bit badass, as well. But with a heart that's in the right place, even if it's in a "tough love" kind of way...

Chess Putnam
Naturally, I have a line up of favorite streetwise heroines from my bookshelf: Sookie Stackhouse and Mercy Thompson are obvious choices, but Stacia Kane's Chess Putnam is also up there.

And if I go beyond paranormal urban stories, there's Tamora Pierce's Beka Cooper, Midori Synder's Jobber, and Kristin Cashore's Katsa. 
 
Continue reading ... 

 

 

~*~


About Helen Lowe 

Helen Lowe is an award-winning novelist, poet, and lover of story. With four books published to date, she is currently completing the final instalment in The Wall Of Night series.
.
Helen posts regularly on her 
“…on Anything, Really” blog, monthly on the Supernatural Underground, and tweets @helenl0we.

 

Monday, February 16, 2026

Fiction Predictions - 20,000 Leagues Under the Sea

 

20,000 Leagues Under the Sea by nikogeyer

Welcome to the February 2026 issue of Fiction Predictions on the Supernatural Underground Blog. This next book is very dear to my heart, and also uncanny in its prediction of the future.

The History

When I was five years old, my dad took my brother and me to the drive-in to see

Salila from the Amassia Series
20,000 Leagues Under
the Sea

I was basically terrified the entire time, watching through hands clutched over my eyes, fingers barely spread to catch a glimmer of the magical, frightening world of Jules Verne. 

It would be quite a few years later before I read the book, but it has stayed with me, as any of you will know if you've read my fantasies about people living under the sea... 

The Author

Jules Verne was a French poet and novelist born in 1828. He pioneered the SF/Fantasy genre, writing books about space, air, and underwater travel before any aircraft, practical submarines, or spacecraft existed. 

He was a genius with his narrative and his incredible imagination... Or did he actually see the future?  

The Predictions

Verne conceptualised the Nautilus, his underwater vessel, at a time when submarines were little more than handcrafted iron coffins. While he didn't actually invent the submarine, he predicted the sophistication and propulsion systems that would make them viable nearly 100 years later. 

William O'Connor Studios


In the novel, Verne has Captain Nemo and his crew leave the Nautilus wearing self-contained diving suits with air tanks, allowing them to walk on the ocean floor for hours. This predates SCUBA -  self-contained underwater breathing apparatus -  by 70 years when Jacques-Yves Cousteau and Émile Gagnan designed the first successful and safe open-circuit scuba. I wonder if they read 20,000 Leagues and were inspired!

The novel also introduced the notion of marine research and oceanography long before Cousteau was born. At the time, everyone thought that the only thing to be found under the sea was a vast, lifeless abyss. 

Was Jules Verne a Seer?

With so many future inventions written nearly 200 years ago, do you agree with me that authors can be seers? Or could there be a web of causality that moves forward and backward in time, a time that doesn't necessarily follow the order first - then  - finally?

Join me next month, where we will talk more about this and other ideas of backward and retro causation. 

And, please let me know in the comments if you have a favourite book you'd like to explore this way.

Isn't it all so fascinating?

xxKim

***

About Kim Falconer


Kim Falconer, also writing as AK Wilder, has released Crown of Bones, a YA Epic Fantasy with Curse of Shadows as book 2 in the series. 

Currently, she is ready with the third book, planned to be out in 2025. TBA

 Quantum Enchantment
Kim can be found on AKWilder.com, TwitterFacebookInstagram and KimFalconer.com

Throw the bones on the AKWilder.com site.. See you there!


Read Blood and Water, a PNR alt history that will leave you questioning every natural disaster ever endured.

“There is no doubt fiction makes a better job of the truth.”

Tuesday, February 10, 2026

From The Backlist: "Why Do People Like to Read Scary Stories?" by Merrie Destefano

 .
It's that time -- and when it comes to backlist posts, this take on why we love a scary story is hard to beat.

It's penned by the fabulous Merrie Destefano, and we think you'll enjoy it every bit as much as we do. 

Why Do People Like to Read Scary Stories?

by Merrie Destefano

The sun goes down, the sounds of the city grow quiet, and the rest of the family nestles, safe and sound in a world of incandescent light. Meanwhile, one person huddles alone in a darkened room, face turned toward a screen, eerie blue light carving shadows on her face while her fingers slowly tap out a message, letter by letter.

A writer is writing.

October winds blow outside her window, leaves gather in shadowed corners of the yard and nearby trees sway, branches creaking.

The writer is writing a scary story.


Why do some writers always return to the dark side of literature, spinning out tales that make readers sit on the edge of their seat? Perhaps an even better question, and one that I’d like to discuss here, is why do some people love to read scary stories?

While, I can’t answer this question definitively, I can offer some suggestions.

1. ADRENALINE RUSH:
This is my favorite answer, although many of the others are just as good. We read scary stories so we can experience artificial situations of “fight or flight.” These scenarios, whether real or imagined, get your body ready for action by giving you an extra dose of adrenaline. Your heart beat speeds up, your breathing increases and your blood pressure increases—in other words, it’s like an instant dose of caffeine combined with heavy exercise. You’re ready to leap over tall buildings in a single bound, although you may be screaming “Mommy!” all the way.

2. FAMILIARITY:
You’ve been here before and you liked it. You’ve been reading scary stories for years, you have a list of favorite authors and you’re waiting in line, with sweaty palms, when his/her next book releases. You stay up late (reading these stories is always better at midnight, right?), turning pages while everyone else is asleep. But the truth of the matter is you can’t sleep, can you? Not until you know what happens next…

3. A VISCERAL REACTION:
The desire to feel something strongly—no matter what the emotion is—can drive readers to these books. Detailed descriptions of eviscerated body parts in zombie stories may not get you excited, but there are plenty of readers out there who live for this stuff.

4. TO FEEL ALIVE:
Similar to the answer above, books that put you on the edge remind you that you are alive. You’re not watching some soap opera at lunch time; you’re hunched over a novel wondering if the heroine is really strong and smart enough to survive that demon horde that’s been chasing her for the last twenty pages.

5. TO CONQUER THE DEMONS:
We all have our demons, things we’re afraid of but don’t want to admit. Things like clowns (It), menacing dolls (Chucky), the end of the world (The Stand), rampant pestilence (Contagion), rabid dogs (Cujo), vampires (Interview with a Vampire) and serial killers (Darkly Dreaming Dexter). By vicariously facing your fears in a novel, you’re able to tame them, or at least, imagine that you’ve tamed them. Until they show up the next night, waiting for you in the closet.

6. TO EXPLORE THE UNKNOWN:
There are boundless supernatural realms, where wonder and horror walk side by side—realms where people rise from the dead or where someone learns the future in their dreams or where someone is giving an extraordinary power. There’s just enough enchantment and mystery to make you want to know more, and just enough danger to make you glad this is fiction.

7. TO FEEL STRONG EMOTIONS:
Anger—hatred—fear—love—surprise—terror—repulsion—empathy…Scary stories have all these emotions and more trapped between the pages, just waiting for an innocent reader to come along and release them. Before you know it, you’re experiencing the same emotions. Again, this is similar to Number Three, but I felt that it needed to stated again. (It is my list, no?)

8. TO PROVE WE CAN SURVIVE:
Isn’t that what it’s all about? You’re secretly taking notes, so if X, Y or Z ever really happens, you’re ready. Doesn’t everyone know what to do in a zombie/alien apocalypse by now? And if so, why? Because you’ve all been making a list and checking it twice while watching The Walking Dead or Falling Skies.

9. SATISFACTION WHEN TERROR IS OVERCOME:
There’s an unbelievably sweet moment when the heroine finally plunges a stake through the heart of the last vampire—almost instantly, your muscles relax, you slump backward in your chair and then breathe a well-deserved long sigh because, without realizing it, you’ve been holding your breath and sitting on the edge of your seat, ready to run.

10. TO PROVE THAT DRAGONS NOT ONLY EXIST, BUT THAT THEY CAN BE DEFEATED:
What? Scary stories can give you hope? To quote someone more knowledgeable on this subject than me: “Fairy tales are more than true; not because they tell us that dragons exist, but because they tell us that dragons can be beaten.”― G.K. Chesterton. Watching a character deal with the monster in the closet can give you the courage to face up to your own monsters. Yes, tales of terror can actually be uplifting, when written with that purpose in mind.

To read the original post: click here 

To check in on Merrie, you can find her on her website and on Facebook 

Monday, February 2, 2026

Welcome To A Year Of Heroines: #1 — Aerin, Elfrid, & Malian of Night

 .

I am delighted to share the very good news that early last month I sent the manuscript for The Wall Of Night (WALL) series finale to Harper Voyager. 

The Wall of Night series, Books 1 - 3 (USA)

Although it will be some time yet before it reaches readers, I have been reflecting on the epic nature of the series, which is very much at the high-heroic end of the fantasy spectrum. 

Another aspect of the series that commentators often mention, is the degree to which it stars heroines—although there are still heroes in plenty. :-) 

What Makes A Heroine?

In 2022, I discussed the qualities that make a hero, from commitment through to character and courage. This year, I aim to take a favorite heroine (or two ;-) ) from loved books and feature them alongside a heroine from the WALL series. 

I know I'll have fun penning these posts, and hope you do the same with the reading. :D

A Trio of Heroines: Aerin, Elfrid, and Malian of Night

Aerin


Aerin, Firehair and Dragonslayer, is the hero(ine) of Robin McKinley's The Hero and the Crown. She is a princess of the nation of Damar, where all scions of the ruling House are famous for their magical power, or Gifts, also called Kelar. Except that is, for Aerin, who also ends being on outsider in the royal household because her mother was not of Damar, and is rumored by some to have been a witch. Because she takes after her mother in coloring and features, Aerin also looks very different from the multitude of her cousins, all growing up together in the royal court.

In short, she is a solitary and lonely child, and then young woman, who compensates by rehabilitating and retraining Talat, her father's injured warhorse. Together they set about slaying dragons—mostly small, but dangerous and nasty opponents nonetheless—that plague the countryside's remoter regions. Or so it begins, but inevitably a much larger dragon (Maur) arrives to terrorize Damar, at the same time demon armies, led by an evil sorcerer, are invading from the north. 

2007 edition

In the course of fighting them, Aerin's own magical powers finally manifest and she becomes the greatest hero of Damar. Given her solitary upbringing and the immense odds she must face, Aerin is the classic underdog, or "ugly duckling" (because she resembles her foreign mother) who must overcome daunting magical odds to win both her love, Tor, and succeed her father as a coruler of Damar. 

Elfrid

Elfrid, the protagonist of Ru Emerson's The Princess of Flames, is also a heroine alone—though like Aerin she comes from a large family of half-siblings, with a shared inheritance of magical powers. Elfrid possesses these powers from the outset, has trained as a warrior, and is renowned for her size and strength. (Think Brienne of Tarth in A Game of Thrones.) In her case, the major point of contention with her half-siblings is that she is illegitimate, and when a cabal among the siblings revolt against the old King, Elfrid first defends his life, then chooses to go into exile with him.

Where Aerin's storyline occurs in an unbroken sequence, Elfrid returns from exile some years later. She has served as a mercenary in the army of Gespry of Rhames, a kinsman whom she resembles physically—sufficiently so to take his place in leading the army that ostensibly fights against her country's enemies. Elfrid's true goal, however, and the army's, is to right her now-dead father's wrongs and overturn her corrupt half-brother's rule. 

The ensuing tale is one of battles and duels, rebellion and revenge—and love that must tread a proverbially thorny path to determine if it is also true.

Malian

USA

Like Aerin and Elfrid, Malian is the motherless daughter of a political and military ruler, the Earl of Night—a king in all but name. She, too, is a solitary heroine, although unlike both Aerin and Elfrid, she  has no siblings or extended family about her, and very few other young people of her own age. Yet like Aerin, Malian is her father's legitimate heir, so is destined to rule after him—until her magical powers manifest, resulting in flight and exile from both her warrior House and their ancient and demonic enemy.

These events occurs in The Heir of Night (#1), while The Gathering of the Lost (#2) takes place during Malian's exile. Where Elfrid's path centers upon family conflict and setting a kingdom's internal wrongs to right, and while Aerin must save her country, Damar, from external perils, Malian is confronting an extinction-level threat to her entire world. A threat that has arisen before, and where her predecessor has been promised that Malian, unlike herself, won't have to face it alone.

UK

Yet Malian frequently is alone, in part because of her nature, but also because of the sorcerous and demonic forces she opposes.  In this, her path resembles Aerin and Elfrid's, but where they are essentially warrior-heroes, with additional magical powers, Malian is primarily a mage. One who also operates as a secret agent, with more than a little ninja thrown in, during her years of exile. This path, and the adventures that go with it, reinforce her solitary coursealthough a vital part of Malian's story is the friends and allies she makes along the way.

As for lovers, it's the recently completed Book #4 that will reveal whether, like Aerin and Elfrid, romance lies in Malian of Night's stars.  

UK


~*~

About Helen Lowe

Helen Lowe is an award-winning novelist, poet, and lover of story. With four books published to date, she has recently completed the final instalment in The Wall Of Night series, which is now with its publisher,
.
Helen posts regularly on her 
“…on Anything, Really” blog, monthly on the Supernatural Underground, and tweets @helenl0we.